Professor Mary Beard investigates images of the human body in ancient art. In doing so, she explores how the way we are portrayed can influence our ideas about what is civilised.
In the 15th and 16th centuries, many distant and disparate cultures met, often for the first time. David Olusoga shows how art was always on the frontline, and often left a mark on both sides.
Simon Schama starts his meditation on colour and civilisation with the great Gothic cathedrals of Amiens and Chartres. He then moves onto 16th-century Venice.
David Olusoga looks at the artistic reaction to imperialism in the 19th century. David also demonstrates how one artist in New Zealand used his skills to record Maori culture.
Simon Schama explores the depiction of nature. Simon discovers that landscape painting is seldom a straightforward description of observed nature, but rather a projection of dreams and idylls.
Simon Schama investigates how connections and rivalries between the east and west influenced art and traditions in the years that followed the Renaissances.
Professor Mary Beard broaches the controversial - and sometimes dangerous - topic of religion and art. How, and at what cost, do different religions make the unseen visible?