1 www.able.co.nz Captions were made possible with funding from NZ On Air. Able 2014 1 1 1 1 1 1 1 1 1 1 Man: GOOD MORNING, PRESAGE EMPLOYEES. WE HOPE YOU'RE ALL READY FOR OUR EXCITING TEAM-BUILDING RETREAT. PLEASE ENJOY YOUR BREAKFAST AND THEN MAKE YOUR WAY TOWARD THE BUS, WHICH WILL BE LEAVING SHORTLY. Peter: HEY, SAM? WHEN I SAID WOULD YOU MIND PUTTIN' BREAKFAST TOGETHER FOR THE RETREAT, I MEANT, LIKE, SOME STALE DOUGHNUTS, SOME COFFEE. BUT THIS IS AMAZING. THANKS, MAN. JUST REMEMBER THAT WHEN YOU SEE MY SALES REPORT FOR LAST MONTH. OH, I SAW IT LAST NIGHT. SHIT. HAS DENNIS SEEN IT? NOT YET. LOOK, YOU JUST NEED TO MAKE A DECISION, YOU KNOW? ARE YOU GONNA BE 'CHEF' OR ARE YOU GONNA BE 'SALES GUY'? I'M SAYIN' THAT TO YOU AS YOUR FRIEND BECAUSE, AS YOUR BOSS, I'M READY TO FIRE YOUR ASS. AS YOUR FRIEND, I APPRECIATE THAT ADVICE. GOOD. # YOU GET UP AND YOU GO LAY DOWN INSIDE MY BABY'S ROOM... HOLD ON, MAN. I'LL BE RIGHT BACK. # OOH, YEAH, I GUESS I'M DOIN' OK. I MOVED IN WITH... # (ENGINE SHUTS OFF) MOLLY. YOUR TICKET'S CANCELLED. TELL ME THAT'S A MISTAKE. I WAS GONNA TELL YOU AFTER THIS WEEKEND. UH, TELL ME WHAT? THAT I` I DON'T THINK IT'S SUCH A GOOD IDEA. WHAT, THE TRIP? IT'S MY BROTHER'S WEDDING. WHAT'S GOING ON HERE? WE SHOULD TALK ABOUT THIS LATER. LET'S JUST` WHAT, AND, NO, AND PRETEND LIKE I DIDN'T SEE THIS FOR THE NEXT TWO DAYS? NO, LET'S` LET'S TALK ABOUT THIS NOW. IT'S NOT WORKING OUT, SAM. WE'RE NOT WORKING OUT. HEY. HEY. OH, IT'S, UH, CANDICE, RIGHT? NOT FUNNY. IS THAT, UH`? OH. HEY. OK, SORRY, THIS IS NOT A VACATION. 'KAY, THIS IS A BUSINESS RETREAT. SO WE'RE GONNA BE ALL BUSINESS FOR THE NEXT TWO DAYS. SORRY. I LOVE YOU, BUT IT DOESN'T CHANGE THE FACT THAT YOU'RE STILL AN INTERN. SCOFFS OH, UM, BUT THAT 12:30 CURFEW TONIGHT? YOU SHOULD PLAN ON BREAKING THAT. WHY? FOR THE NAKED TEAM-BUILDING. (BRAKES SQUEAL) (CHUCKLES) HEY, OLIVIA. DON'T FORGET THESE. OH, YEAH. I KEEP TRYIN' TO. HMM. I LIKE IT. IT'S VERY LISA LOEB. OH, WELL, YOU KNOW,... I'D RATHER BE VERY OLIVIA. WE GOT A GIG ON, UH, SUNDAY. YEAH, I'LL BE THERE. GOOD MORNING, PETER. LOOKING GOOD. UH, HI. OLIVIA. HAVE YOU SLEPT WITH EVERY HIPSTER IN TOWN YET? CANDICE. DO YOU ACTUALLY GET PAID FOR THIS INTERNSHIP OR DOES DADDY JUST INCREASE YOUR ALLOWANCE? YOU KNOW, IF YOU WANNA GET RID OF THAT BABY FAT, YOU SHOULD TRY THE GYM. THEY HAVE THESE WORKOUT MACHINES THAT YOU USE ON YOUR BACK. YOU'RE GOOD AT THAT. SWEETIE, IT'S NOT FAT. THEY'RE CALLED TITS. YOU'RE NOT LOOKIN' SO HOT THERE, MOLL-FACE. GEE, THANKS. HEY, DID YOU TRY THE LITTLE JAM BREAD WHATEVER YOUR BOYFRIEND MADE? I GOTTA TELL YOU, HE'S A PRE... UH-OH, THAT'S WHAT IT IS, ISN'T IT? DID I TOUCH A NERVE? JUST LEAVE ME ALONE, ISAAC. HEY, MOLL? MOLL? LOOK AT ME. LOOK AT ME. HEY. (CELL PHONE RINGING) IF YOU EVER NEED ANYONE TO TALK TO, I'VE BEEN TOLD, LIKE, I'M A REALLY REALLY GOOD LISTENER BY A LOTTA LADIES. WHAT? SHH. WAIT, DON'T SAY ANYTHING. TELL ME THIS IS KIMBER FROM LAST TUESDAY. (SCOFFS) OH GOD. WAIT, I'M SORRY, WHICH KIMBER IS`? HEY, LET'S SIT NEXT TO EACH OTHER ON THE BUS. NO, NO, I REMEMBER YOU. YOU WERE, LIKE, A BIGGER GAL, RIGHT? YOU KNOW WHAT YOU SHOULD DO? WHAT? YOU SHOULD APOLOGISE. WHY? DOESN'T MATTER. NEVER MATTERS. YOU JUST, 'I'M SORRY, BECAUSE I`' (HORN HONKS) OH SHIT. HEY, STAN, HOW'S IT GOIN'? HEY. UH, IT'S SAM, SIR. DID YOU JUST CORRECT ME? N` N` NO. LOOK AT ME. YEAH. WHAT'S MY NAME? DENNIS. LOOK AWAY. ALL SET, PETE? YES` YES, SIR. YEAH, WE'RE JUST WAITIN' ON NATHAN. WHAT'S THE ONE THING WE CAN'T RECYCLE, PETE? WASTED TIME, SIR. EXACTLY. I WANNA BE ON THE ROAD IN 90 SECONDS. UH, WELL, I JUST SAW HIS CAR, SO I'LL GO TRACK HIM DOWN. WAY TO SHOW SOME INITIATIVE, STAN. IT'S GONNA BE A GOOD DAY. Sam: HEY, GUYS. HEY, MAN. (MACHINERY HUMMING, INDISTINCT SHOUTING) Man: THAT'S WHAT I GET PAID FOR, ALL RIGHT, MAN? Roy: YOU KNOW, I'M JUST TRYIN' TO MAKE SENSE OF IT HERE. THREE WEEKS AGO THEY BROUGHT YOU IN AS ASSISTANT PLANT MANAGER AND NOW YOU GOT A DAY OFF? IT'S NOT A DAY OFF. IT'S A` IT'S A RE` RE` RE` RE` WHAT? RETARDED? IT'S A RETREAT. IT'S A RETREAT. I DON'T EVEN WANNA GO, ROY. OK, I'M JUST FOLLOWIN' ORDERS, SO IF YOU DON'T LIKE IT, THEN YOU CAN` I WHAT? WHAT? I CAN WHAT? NATHAN, HEY. COME ON, MAN. WE'RE ALL WAITIN' FOR YA. YEAH, OK. NOW, HOLD ON, HOLD ON. WHAT'CHA GONNA SAY? WHAT YOU GONNA SAY? I GOT AT LEAST 15 YEARS ON YOU HERE. YOU GOT, WHAT, FOUR YEARS AT SOME CLASSROOM UPSTATE? LISTEN, MAN, IF YOU THINK I'M GONNA SIT HERE AND HAVE YOU` NOT A GOOD IDEA, ROY. NOT A GOOD IDEA, MAN. WE'RE FINE FOR THE DAY. (INDISTINCT SHOUTING, BUZZER) WHY DO YOU LET HIM GET AWAY WITH THAT? NO CHOICE. HE'S THE UNION REP. I FIRE HIM AND SUDDENLY I'VE GOT A FACTORY FULL OF ROYS. BUT I'LL WIN HIM OVER, EVEN IF IT KILLS ME. WHAT ABOUT YOU? WHEN ARE THEY GONNA OFFER YOU THAT PERMANENT GIG AT THE RESTAURANT? THEY ALREADY DID. DUDE, THAT'S` THAT'S GREAT. I DON'T KNOW, MAN. I MEAN, THEY WANNA SEND ME TO THE FLAGSHIP RESTAURANT IN PARIS FOR WHO KNOWS HOW LONG. COULD BE SIX MONTHS, COULD BE A YEAR. I JUST THOUGHT I'D BE LEAVIN' TOO MUCH BEHIND. ALTHOUGH NOW I'M NOT SO SURE. WELL, LOOK, IF YOU, UH... IF YOU DO GO TO PARIS, DO ME A FAVOUR. WHAT'S THAT? TAKE ROY WITH YOU. AH, HELL NO. (KNOCK ON DOOR) Nathan: HEY, SAM. YOU COMIN'? YEAH. Man: GET READY FOR A NEW ADVENTURE AT 180 CORPORATE CONSULTING. FOR THE NEXT TWO DAYS, YOU WILL BE TESTED, BOTH PHYSICALLY AND MENTALLY, TO HELP YOU REACH YOUR TRUE POTENTIAL THROUGH WORKING AS PART OF YOUR CORPORATE TEAM. THIS WEEKEND A PROFESSIONAL WILL GUIDE YOU TO ACHIEVING BETTER RESULTS IN SALES, GOAL-SETTING... UH, WHAT ARE THOSE FOR? OH, IT'S, UH, IT'S JUST SOMETHING I DO TO RELAX ME. AND FOR LUCK. OH. GYMNASTS ARE WORSE THAN BASEBALL PLAYERS AT THIS KINDA THING. SHE'S SUPERSTITIOUS. (CELL PHONE RINGS) HEY, KATRINA, HOW YOU DOIN'? NAH, JUST THIS STUPID RETREAT THING WITH THE IDIOTS FROM THE OFFICE. NO, NO, NO, NOT YOU, SIR. THEM. HOLD ON A SEC, LET ME GO SOMEPLACE A LITTLE MORE PRIVATE. BALD'S THE NEW BLACK, SIR. BALD'S THE NEW BLACK. YEAH, NO, HANG ON A SEC, BABE. JUST GONNA HEAD ON BACK TO MY PRIVATE OFFICE. (MAN SPEAKING INDISTINCTLY ON TV) Worker: THE RIGHT-HAND SIDE! (SAW BUZZING) (INDISTINCT SHOUTING) (WIND RUSHES) (AIR BRAKE HISSES) Sam: OW. DAMN IT. FOR MANAGEMENT, THE VALUABLE SKILLS NECESSARY FOR BEING A GOOD LEADER WILL BE CULTIVATED THROUGH A VARIETY OF... # DUST IN THE WIND. # ALL THEY ARE IS DUST IN THE... # ...LEADERSHIP SKILLS. UH, WE'LL TIE IT OFF FROM THE FAR SIDE. Worker: WHOA, WHOA! WHOA! WHAT THE HELL? PETER, DID YOU FEEL THAT? WHAT? SOMETHING'S WRONG. (SAW BUZZING) (CRACKING) Worker: LOOK OUT! MOLLY, COME ON. CANDICE. GO! GO, GO! (HORN HONKS) CANDICE! CANDICE! PETER! PETER! PETER! NO, CANDICE! (SCREAMS) (SCREAMS) (SCREAMING) NO! PETER! COME ON, PETER, LET'S GO! MOLLY, COME ON! (INDISTINCT SHOUTING) WHAT THE FUCK?! Man: COME ON, MOVE! GET OUT! Sam: OH, NO! NO! NO! (GRUNTING) (SCREAMING) (INDISTINCT SHOUTING) (PANTING) (GASPS) OH SHIT! Sam: OVER HERE! SEE THE RAILING? (MAN SCREAMS) Man: WHERE IS SHE?! YOU CAN DO THIS. LET'S GO. LET'S GO. COME ON. LET'S GO. DO IT! YOU CAN DO IT. DON'T LOOK DOWN! Woman: WAIT FOR ME! WHERE ARE YOU?! GOOD. GOOD. Man: RUN! (BREATHING SHAKILY) HELP ME! SAM! OLIVIA! OLIVIA! SAM! I'M RIGHT HERE. I'M RIGHT HERE. OK. Man: IT'S COMING LOOSE! DO YOU FEEL IT? YEAH. ALL RIGHT. Molly: OLIVIA, COME ON. IT'S OK, IT'S SAFE. NOW, YOU'VE JUST GOTTA FOLLOW THIS TO MOLLY'S VOICE, ALL RIGHT? JUST FOLLOW IT TO MOLLY. COME ON. YOU'RE ALMOST THERE! COME ON. (SCREAMS) (GRUNTING) COME ON. COME ON. COME ON. COME ON! NO! NO! (SCREAMING) (COUGHING, SPUTTERING) (SCREAMS) OLIVIA! Man: HURRY! GO! SAM! WAIT FOR US! OH MY GOD! SAM! SAM! SAM, BE CAREFUL! (ALL SCREAMING) (SIZZLING) (SCREAMING) (SCREAMING) Peter: SAM! PETER! HURRY! SAM! SAM! (PEOPLE SCREAMING) Molly: HOLD ON! COME ON, COME ON. SAM, HOLD ON! Molly: NO! PETER! (METALLIC THUD) (SCREAMS) (PANTING) (AIR BRAKE HISSES) THAT ENVIRONMENT INFLUENCES EMPLOYEE BEHAVIOUR... DAMN IT. ...AS WELL AS DEFINE CONTROLS AND PROCEDURES. WE WILL HELP YOU BUILD A CULTURE OF CORPORATE ETHICS BY DEFINING RISK MANAGEMENT. # DUST IN THE WIND. # ...MANAGEMENT PROCESS. WE ALL GOTTA GET OFF. WHAT ARE YOU TALKIN' ABOUT? THE BRIDGE IS GONNA COLLAPSE. WHAT? WE'RE ALL GONNA DIE. WHAT THE HELL IS GOING ON? WE'RE ALL GONNA DIE IF WE DON'T GET OFF THIS BRIDGE NOW! Woman: WAIT, IS HE SERIOUS? STAN, RELAX, IT'S JUST SOME CONSTRUCTION. MOLLY, PLEASE. PLEASE, GOD, FOLLOW ME. OPEN THE DOOR. THIS IS A MAJOR LIABILITY ISSUE. IF SOMETHING HAPPENS TO THEM, IT'S ON US, YOU GET THAT? YEAH. THEN GO GET THAT. YEAH. YEAH, YEAH. (SIGHS) HEY, SAM? MOLLY? PETER, PLEASE, JUST FOLLOW. GUYS, COME ON! OK, EVERYBODY, JUST` JUST CALM DOWN. I'M GONNA GO HELP. PLEASE DON'T. Peter: HEY, GUYS, COME ON! Sam: LET'S GO! SAM, JUST GET BACK ON THE BUS. WE CAN TALK ABOUT IT. MOLLY, SAM, COME ON, GUYS. DID HE SEEM WEIRD TO YOU WHEN HE GOT ON THE BUS? NO, NO, HE WAS FINE. IT'S LIKE HE JUST SNAPPED. WHAT'S GOIN' ON? WHAT THE HELL IS GOIN' ON OUT HERE? Dennis: WE SHOULD, UH... Isaac: HOLY SHIT! Dennis: GET OFF THE BUS! GET OFF THE BUS! (ALL PANTING) (TYRES SCREECH) COME ON! (INDISTINCT SHOUTING) (PEOPLE SCREAMING) HOW DID YOU KNOW? HOW DID YOU KNOW? IT SAYS RIGHT HERE IN YOUR STATEMENT ` 'I SAW IT COLLAPSE. I KNEW IT WOULD HAPPEN.' THAT SOUNDS PREMEDITATED TO ME. NO, NO, NO. THAT'S` THAT'S NOT WHAT I MEANT. I H... HAD A VISION. OK. A VISION. PSYCHIC PHENOMENA, GHOSTS, BIGFOOT. YOU ACTUALLY BELIEVE IN THAT STUFF? I DON'T KNOW. I'LL TELL YOU WHAT I BELIEVE ` THERE'S AN ANSWER FOR EVERYTHING. WHICH MEANS THERE'S AN ANSWER FOR WHY YOU KNEW TO WARN EVERYONE THE BRIDGE WAS GOING TO COLLAPSE. AND MINUTES LATER, IT DID. I TOLD YOU, I SAW IT COMING. I DON'T KNOW HOW. I JUST DID. AND NO ONE ELSE DID? LIKE I SAID, IT JUST CAME OUTTA NOWHERE. DID SAM HAVE ISSUES WITH AUTHORITY? DID HE EVER DEMONSTRATE ANY SORT OF, UH, EXTREMIST BEHAVIOUR? NO. WAIT. 'EXTREMIST BEHAVIOUR'? YOU MEAN LIKE A TERRORIST? YOU SEE HIM TALK TO ANYONE THAT MORNING? ON A CELL PHONE, PAY PHONE? JUST HIS GIRLFRIEND. UH, HIS EX-GIRLFRIEND, I MEAN. UH, MOLLY. BUT THAT WAS IN PERSON. MOLLY. EX. TELL ME ABOUT THE BREAKUP. WAS HE UPSET? SCALE OF 1 TO 10. IT'S PERSONAL. YOU MUST HAVE BEEN PISSED, RIGHT? GETTING DUMPED LIKE THAT. WHAT DOES THAT HAVE TO DO WITH ANYTHING? I'M JUST TRYING TO GET ALL THE PIECES OF THE PUZZLE TOGETHER BEFORE I START MOVING THEM AROUND, MAKING THEM FIT. LOOK, I JUST HAD A HUNCH THAT SOMETHING BAD WAS GONNA HAPPEN. THAT'S IT. (KNOCK ON DOOR) 'SCUSE ME. FORENSICS CAME BACK WITH THE ANALYSIS. AND? THEY'RE CHALKING IT UP TO HIGH WINDS AND STRUCTURAL DAMAGE FROM THE ROAD CONSTRUCTION. 'HIGH WINDS'? YEAH. SEND EVERYONE HOME. YOU'RE FREE TO GO. I HAVE A FEELING WE'LL BE SEEING EACH OTHER AGAIN. CALL IT A HUNCH. Reporter: AUTHORITIES ARE NOW CALLING THE NORTH BAY BRIDGE COLLAPSE A FREAK ACT OF NATURE, CITING A HIGHWAY IMPROVEMENT PROJECT THAT MAY HAVE WEAKENED THE SUPERSTRUCTURE. AMONG THE SURVIVORS WERE EIGHT EMPLOYEES OF PRESAGE PAPER, ON THEIR WAY TO A BUSINESS RETREAT. THE OTHER 17 EMPLOYEES WERE KILLED IN THE COLLAPSE. AND ALTHOUGH THEY'VE BEEN BRANDED THE 'LUCKY EIGHT', THE SURVIVING EMPLOYEES NOW FACE AN UNCERTAIN FUTURE. WOMAN SOBBING HEY, GUYS. HEY. Peter: HEY. ANYBODY KNOW WHEN THIS, UH, THING'S SUPPOSED TO START? UH, WHEN DENNIS GETS HERE, I GUESS. THAT AGENT STILL HOUNDING YOU? NO. YOU HEARD THE NEWS, IT WAS NATURAL CAUSES. YEAH, MORE LIKE SUPERNATURAL. HOW YOU HOLDIN' UP? I TRIED CALLING. UH, NO, YEAH, I SAW. I WAS... I WAS JUST TIRED. Isaac: SO? HOW DID YOU EXPLAIN IT? I DIDN'T. I COULDN'T. SAM, THERE HAD TO BE A REASON. THAT IS EXACTLY WHAT THE AGENT KEPT SAYING. WHATEVER ANSWER YOU'RE LOOKING FOR, I DON'T HAVE IT. YEAH, SAM'S RIGHT. IT DOESN'T MATTER HOW IT HAPPENED. WE SHOULD ALL JUST PUT IT BEHIND US AND BE GRATEFUL WE'RE STILL ALIVE. DEFINITELY BEATS THE ALTERNATIVE, RIGHT? Dennis: I LOOK OUT AT THE FACES TODAY AND I SEE FAMILY MEMBERS, FRIENDS. BUT THE PEOPLE THAT LEFT US ON THE BRIDGE THAT DAY, THEY WERE MORE THAN THAT. PEOPLE LIKE JENNIFER ALCOTT,... CHRIS BOYLAN,... DAVID BUCKLER. MAYBE YOU WORKED NEXT TO THEM. MAYBE YOU WORKED FOR THEM. BUT WE ALL WORKED WITH THEM, HUH? WHO CAN FORGET TREVOR WINN'S SMILE? OR ISAAC PALMER. DID HE JUST SAY MY NAME? (SNICKERS) THAT'S NOT FUNNY. I KNOW, I'M SORRY. I JUST GET WEIRD WITH TRAGEDIES. I'M SORRY. Dennis: WE'RE NOT LESS OF A FAMILY... I see dead people. (CHUCKLES) GUYS. (INDISTINCT CONVERSATIONS) DEATH... DOESN'T LIKE TO BE CHEATED. 'SCUSE ME? WHAT'S THAT SUPPOSED TO MEAN? YOU ALL JUST BE CAREFUL NOW. OK. THANKS FOR THE ADVICE! CREEPY GUY. (WHISTLING 'LEANING ON THE EVERLASTING ARMS") Cook: HOW'S THAT FOIE GRAS, SAM? WAITIN' ON YOU. (DANCE MUSIC PLAYS) THANKS. YEP. GOT MY DESSERT? (CLEARS THROAT) WHAT` WHAT'S THE MATTER WITH IT? SAID IT WAS FLAT. NO FLAVOUR. DO THEY WANT SOMETHING ELSE? YEAH. THE CHECK. LET ME TASTE IT. THE CUSTOMER IS AN ASSHOLE. THE BOURGUIGNON IS GOOD. (HORN HONKS IN DISTANCE) HOLD ON. YOU MIND IF I COME IN? YEAH. SURE. (THUNDER RUMBLES) THANKS. I THOUGHT YOU'D BE WORKING TONIGHT. YEAH. YOU KNOW, I WORKED THE FIRST SHIFT, BUT THERE'S SOMETHING ELSE I NEEDED TO DO. (TEAPOT WHISTLING) CAN I...? OH. YEAH. SURE, GO AHEAD. (WHISTLING STOPS, CUPS CLINK) (ELECTRICITY CRACKLING) (THUNDER CRASHES) THANK YOU. LISTEN,... WHEN EVERYTHING STARTED GOING DOWN ON THAT BRIDGE,... THE ONLY THING I THOUGHT ABOUT WAS YOU, GETTING YOU TO SAFETY. YOU ARE THE ONLY THING I CARE ABOUT, MOLLY. WHATEVER'S WRONG, I CAN FIX IT. I CAN` YOU HAVEN'T DONE ANYTHING WRONG. THEN, WHAT? WHAT` WHAT IS IT? PARIS. WE TALKED ABOUT THAT. I'M NOT GOING TO UPROOT MY LIFE, LEAVE YOU FOR THAT JOB. BUT IT'S THE ONLY THING YOU'VE EVER DREAMED OF. LIFE IS TOO SHORT, SAM. YOU... YOU HAVE TO GO AFTER WHAT YOU LOVE. I AM. YOU SHOULD TAKE THE JOB. (SCOFFS SOFTLY) GO TO PARIS. (INDISTINCT CONVERSATIONS) HEY. HEY. WHAT'S THE MATTER? I DON'T KNOW. I'M JUST... I'M NOT READY. I DON'T FEEL READY. IT'S BEEN REALLY HARD TO CONCENTRATE AFTER EVERYTHING. YEAH? ARE YOU SURE? BECAUSE THIS IS THE LAST PRACTICE BEFORE THE CHAMPIONSHIP. AND IT'S YOUR LAST PRACTICE OF YOUR COLLEGE CAREER. I KNOW, BUT... I THINK YOU GOT THIS. REALLY? YEAH. I MEAN, YOU LOVE IT OUT THERE. OK. YOU'RE RIGHT. AND BESIDES, COACH WOULD KILL ME. CHUCKLES YEAH. HERE. THANKS. COME HERE. BYE. YOU GOT THIS. (UP-TEMPO MUSIC PLAYING) Young woman: SO, I MEAN, DOES IT LOOK SLOPPY? IS MY ARM TOO BENT OR SOMETHING? Male coach: YOU JUST HAVE TO GET A LITTLE MORE SPEED. YOU KNOW? YOU GOTTA HIT THAT FOLLOW-UP. IT'S HOT IN HERE, RIGHT? I'M STILL SORE FROM THE BACK EXTENSIONS. (CREAKING) (INDISTINCT CONVERSATIONS) OK, SERIOUSLY, THIS IS STUPID. THEY'VE GOTTA MAKE IT COOLER OR WE'RE GONNA PASS OUT. THEY'RE WORKING ON IT. WELL, THEY SHOULD HAVE IT FIXED BY NOW. (BEEPING) (BEEP, HUMMING) COME ON, CANDICE. YOU'RE UP. COME ON, CANDICE. YOU GOT THIS. Male coach: NO. OK, TAKE YOUR TIME. GO EASY ON IT. (SNAP) Female coach: CANDICE, NOW. (HUMMING) Gymnast: HEY, COACH, HOW WAS THAT?! (RATTLING, SQUEAKING) Male coach: ALL RIGHT, I WANNA SEE YOU GUYS RUN THE ROUTINE ALL THE WAY THROUGH ONCE PERFECTLY BEFORE WE LEAVE HERE TODAY. (ELECTRICITY BUZZING) THAT'S GOOD. ALL RIGHT, JANINE, NEXT. LET'S GO. LET'S GO, LADIES, AND DRINK WATER. THAT'S IT. EVERY TIME, CANDICE. (ELECTRICITY CRACKLES) THERE YOU GO. THANKS. Female coach: NICELY DONE, CANDICE. OK, GO TO BARS. Peter: GO HARD THIS TIME, CANDICE. LET'S BE AGGRESSIVE. HERE WE GO, CANDICE. STAY LOOSE. (CREAKING) Male coach: OK, PORTER, IT'S YOUR TURN. STAY FOCUSED. Peter: GOOD. Female coach: AND HIT IT! (CREAKING) Female coach: LOOKING GOOD, CANDICE. Man: YES, LIGHTLY. woman: I'M TRYING TO KEEP MY TORSO VERTICAL AND MY LEGS` EXACTLY. ARGH! ARGH! NO. NO. UGH! (WOMAN SCREAMS) CANDICE? CANDICE?! OH, WHAT HAPPENED? OH MY GOD. Male coach: DON'T TOUCH HER. SOMEONE CALL 911. OH MY GOSH. CANDICE?! (POLICE RADIO CHATTER, SIREN CHIRPS) (INDISTINCT TALKING) Man: OK, WE'LL TALK TO JENSEN. PETER. I CAME AS SOON AS I HEARD. SHE WAS DOIN' GREAT. SHE WAS ALMOST FINISHED WITH HER ROUTINE AND THEN... (SNIFFLES) WHY... WHY DID IT HAPPEN? THIS DOESN'T MAKE ANY SENSE. I DON'T KNOW, MAN. I'M SORRY. I'M SO SORRY, PETER. LET'S JUST GO, SAM. HEY. HOW'S IT GOIN'? IT'S WEIRD. BEING HERE, I MEAN. IT'S JUST SO QUIET. YEAH, WELL, DENNIS HAD ALL THE CALLS REROUTED TO CORPORATE. YEAH, WELL, IT'S DEPRESSING. Olivia: HOLY CRAP. DID YOU GUYS GET YOUR BEREAVEMENT PAY YET? HEY, WHAT'S HE DOING HERE? I THINK HE JUST NEEDED THE DISTRACTION. YEAH. YEAH, THAT'S A BUMMER ABOUT CANDICE. GUESS WE ALL SHOULDA SEEN THAT COMING. WHAT? WHAT, YOU SEE THE CRAZY SHIT THOSE GYMNASTS DO. I'M SURPRISED IT DOESN'T HAPPEN MORE OFTEN. MAN: Once you've handled the e-mail, you'll need to deactivate all the key cards of the deceased employees. Instructions are in your binder. WELL, SHOULDN'T THAT BE THE, UH, JOB OF THE FACILITY MANAGER? The facility manager's dead. (SIGHS) Dennis, you want me to fly someone up there? NO, NO, I GOT IT. AW, DEBBIE. (SIGHS) YOU WERE SO NAUGHTY. (COINS RATTLE) FUCK IT. ROBERT, MY MAN. OW! (INHALES SHARPLY) (TELEPHONE RINGS) SHIT. YOU SHOULDN'T HAVE, BUDDY. (ELEVATOR BELL DINGS) HEY, MAN, WHAT ARE YOU DOIN' UP HERE? HAD TO GET OFF THE FACTORY FLOOR, MAN. ROY'S DRIVIN' ME CRAZY. SO, UH, WHO WANTS ONE? WHERE'D YOU GET THESE? I STOLE IT... OUT OF ROY'S TRUCK. IT'S GOOD, RIGHT? (LAUGHS) I GOT SOMETHIN' BETTER. Olivia: OOH, NICE ONE. YEAH, COUNT ME IN. ARE YOU SURE YOU WANNA SHARE THAT? IF I DON'T, I'LL END UP DRINKING IT ALONE, WHICH IS JUST SAD. WELL, THIS DAY JUST GOT WAY MORE FUN. 1 NO, I DID CALL YOU. OF COURSE. I JUST CALLED YOU RIGHT NOW, DIDN'T I? BECAUSE I REALLY DO WANNA TAKE YOU OUT AGAIN. YEAH, YEAH, WE'LL DO, LIKE, A NICE ROMANTIC DINNER. YOU KNOW, SOMEWHERE MAYBE OUTSIDE THE CITY. HOLD UP. YOU KNOW WHAT? I GOTTA GO. NO, NO, NO, NO, NO, NO, NO, NO, NO, NO, NO. I'M NOT BLOWING YOU OFF. HEY, LISTEN. HEY, WHO'S MY GIRL, KIMBER? AMBER, YES, THAT'S WHAT I SAID. EXCUSE ME. AMBER? AMBER, I'M SORRY, WAIT A SECOND. IS THAT WEIRD SOUND ON YOUR END OR MI... SORRY ABOUT THAT. MY, UH, SISTER TENDS TO GET A LITTLE CHATTY SOMETIMES. UH-HUH. UH-HUH. SO, TELL ME ABOUT STRESS RELIEF. AND WHAT DOES THIS... REALLY GET ME? THIS COVERS A SESSION FOR TWO DIFFERENT PHYSICAL THERAPIES. LIKE MASSAGE THERAPY? EROTIC MESSAGE? THIS IS A FAMILY OPERATION. EVERYONE ON STAFF IS PROFESSIONAL. HEY, THAT'S GREAT. I PREFER A PROFESSIONAL. IN FACT, YOU KNOW WHAT? I KIND OF DEMAND IT. I'M JUST TRYIN' TO CLARIFY, THOUGH, THAT THIS PROFESSIONAL EXPERIENCE ENDS, UH,... HAPPY. I KNOW EXACTLY WHAT YOU NEED. OH, I'M SURE YOU DO. FOLLOW ME, PLEASE. I'D LOVE TO. WHOA, WHOA, WHOA. SLOW DOWN THERE A LITTLE BIT. YEAH. YEAH, YOU HAVE A LOVELY LITTLE CANTER. (CHUCKLES) YUM, YUM, DIM SUM. HOLD UP THERE A SECOND. ALL RIGHT, THESE ARE SOLID. JUST MAKING SURE. TEND TO BE A BIT NOISY, IF YOU KNOW WHAT I MEAN. (CHUCKLES) YO, BUDDHA. SLOW DOWN ON THE RICE CAKES. JUST CLOSE YOUR EYES. MM-HM. RELAX. OOH. AND SOMEONE WILL BE IN TO SERVICE YOU SOON. OH YEAH. (BREATHES DEEPLY) OH. OH YEAH. FEELS DYNAMITE. NO, NO. YOU'RE GOIN' THE WRONG WAY THERE, LITTLE LADY. (SPEAKING CANTONESE) OOH. WAIT A SECOND, WHAT HAPPENED TO THE YOUNGER VERSION OF YOU? (SPEAKING CANTONESE) OK, I'M SORRY. DO YOU COME WITH SUBTITLES? OK, YOU KNOW WHAT, MAYBE I SHOULD JUST GO, HERE. DON'T KNOW WHAT THAT MEANS. NO IDEA. YEP. (BONES CRACK) ARGH! FUCK! NO, NO, THAT'S OK. THAT'S OK, I'M ALL RIGHT. HOLY SHIT, YOU'RE STRONG. HEY, WHAT ARE YOU DOING? OW. YOU'RE A LITTLE AGGRESSIVE THERE, DON'T YOU THINK? WHAT'S CAPAY? I DON'T KNOW WHAT THAT MEANS. NO FOO-HAY. I DON'T WANT A FOO-HAY. NO FOO-HAY. ARGH! (BONES CRACK) ARGH! OH, HO, HO! (GLASSES CLINK) All: CHEERS. MMM. OH. HO. (CELL PHONE RINGS) SHIT, THAT'S MY RIDE. SHIT. I GOTTA GO. LEAVIN' MORE FOR US. (GLASS SHATTERS) ALL RIGHT... WELL, MORE FOR ME. ALL RIGHT, BYE. SEE YA LATER. OK, LATER. THIS IS THE END, SO WHAT ARE WE TOASTIN' TO? TO, UH, FINDIN' NEW JOBS. COS IT'S ONLY A MATTER OF TIME BEFORE THEY SHUT US DOWN. Molly: OH. HEAR, HEAR. TO STARTING OVER. PETER? IT JUST DOESN'T MAKE SENSE. SHE DIES DOING SOMETHING THAT SHE'S DONE ALMOST EVERY DAY FOR THE LAST 15 YEARS OF HER LIFE. SHE SAID SHE DIDN'T WANNA DO IT. SHE SAID SHE W-WASN'T READY. AND I SHOULDA STOPPED HER. I SHOULDA DONE SOMETHING. I-I SHOULD'VE` PETER, THERE WASN'T ANYTHING YOU COULD'VE DONE. HOW DO YOU KNOW? I'M SORRY. I'M SORRY. HELLO, AGENT BLOCK? THIS IS DENNIS. YEAH, PETER JUST FREAKED OUT ABOUT SOMETHING. I DON'T KNOW WHAT. DOES THAT MEAN ANYTHING? You told me to call if I saw anything odd. I DON'T KNOW YET, BUT THANK YOU, DENNIS, AND CALL ME IF YOU SEE ANYTHING STRANGE. STRANGE-ER. UH, SHOULD WE MAYBE HAVE CODE NAMES FOR ONE ANOTHER, DO YOU THINK? OVER AND OUT. (HANGS UP RECEIVER) ALL RIGHT. (CLEARS THROAT) SHOW ME HOW THIS HAPPENED. I DON'T THINK I CAN. WHAT DO YOU MEAN? I MEAN, I COULD TRY IT A HUNDRED TIMES AND NEVER RE-CREATE EXACTLY WHAT HAPPENED HERE. (SIGHS) THIS IS SOME FREAKY SHIT. (BONES CRACK) OH! GOD! (GROANING) OH, THAT ACTUALLY FELT GREAT. (SPEAKING CANTONESE) OH, YEAH. AWESOME. (MOANS) WAIT, WAIT, WAIT, WAIT. ARE THOSE THINGS EVEN STERILISED? NO, NO, NO, NO. NO, NO. I'M NOT CATCHING ANY DISEASES UNLESS I'VE EARNED THEM. (SCOFFS) WAIT A SECOND. YOU UNDERSTOOD THAT. YOU SPEAK ENGLISH. (CHUCKLES) ALL RIGHT, YOU KNOW WHAT? LET'S DO THIS. TWO BILLION PEOPLE CAN'T BE WONG. I SAID WONG. YOU FOLLOW ME? OH, YOU GET IT, YOU'RE CHINESE. (SNIFFS) OW, OW. OK, IT'S IN. IT'S DEFINITELY IN. OW! OK, YES, IT IS IN. HOW MANY-A THESE ARE YOU GONNA PUT IN ME? (JENS GAD'S 'THE ORBITING SUNS') (CELL PHONE VIBRATING) OH, UH, HEY, CAN YOU GRAB THAT FOR ME? THANKS. OW! HEY. (VIBRATING CONTINUES) THAT'S NOT VERY NICE, YOU KNOW. OK, YOUR` YOUR THUMBS ARE KINDA IN MY EYES THERE. I'M NOT GONNA LIE TO YOU, IT'S A LITTLE ANNOYING. OK, ONCE AGAIN, CHINESE LADY, I DON'T HAVE A CLUE WHAT YOU'RE SAYING. NOT EVEN A LITTLE CLUE. 30 MINUTES. YOU SLEEP. SLEEP. (WIND RUSHES) OH. HEY! FIRE! HELLO?! HEY! HEY! HEY! HEY, THERE'S A FIRE IN HERE! HEY, THERE'S A FIRE! GET IN HERE! (GASPS, COUGHING, GURGLING) (WHIMPERING) (CELL PHONE VIBRATING) (GASPS) OH SHIT. ARGH! OH! (GASPS) (SIGHS) ARGH! TO PARIS? YEAH, YOU KNOW, YOU SAID IT YOURSELF. LIKE, YOU'RE GONNA HAVE TO START OVER. START OVER WITH ME. (SCOFFS SOFTLY) HOW` HOW MANY DRINKS HAVE YOU HAD? ENOUGH. MOLLY, I'M SERIOUS. LOOK, YOU WERE RIGHT. IF I DON'T TAKE THE JOB, I'LL REGRET IT. BUT I'M NOT WILLING TO LOSE YOU. WHY DOES IT HAVE TO BE ONE OR THE OTHER? I'M BETTER WHEN YOU'RE WITH ME. UH, GUYS, YOU` YOU'RE NOT GONNA BELIEVE THIS. (POLICE RADIO CHATTER) THEY'RE SAYING IT WAS A FREAK ACCIDENT. YEAH, RAISE YOUR HAND IF YOU BELIEVE THAT. WHO DIES DURING A MASSAGE? SERIOUSLY. FIRST CANDICE, NOW ISAAC. IT CAN'T BE A COINCIDENCE. IT'S NOT. WHERE ARE YOU GOING? Nathan: IT'S THAT CREEPY DUDE. WHY ARE YOU FOLLOWING US? WHO ARE YOU? YOU WERE AT THE... THE CEMETERY, THEN THE GYM, NOW HERE. WHAT ARE YOU DOING? MY JOB. (WHISTLING 'BRINGING IN THE SHEAVES') WHAT'S HAPPENING TO US? WHAT MAKES YOU THINK I KNOW ANYTHING? YOU WARNED US. AT THE MEMORIAL SERVICE. YOU SAID DEATH DIDN'T LIKE TO BE CHEATED. IT'S JUST THAT I'VE SEEN THIS BEFORE. YOU'VE SEEN WHAT? A LUCKY FEW SURVIVE A DISASTER. AND THEN ONE BY ONE,... DEATH COMES FOR THEM ALL. YOU CHANGED THINGS ON THAT BRIDGE. THERE'S A WRINKLE IN REALITY. AND THAT WRINKLE IS YOU. SO, WHAT, WE'RE DOOMED TO DIE? I MEAN, IS` IS THAT IT? WE JUST GOT OUR LIVES BACK, SO WHAT KINDA FUCKED UP KARMA'S THAT? ARE YOU SAYIN' THAT WE CAN'T STOP THIS? YOU WERE SUPPOSED TO DIE ON THAT BRIDGE. YOU'RE NOT SUPPOSED TO BE HERE. YOU SHORTED DEATH. SO YOU LET DEATH HAVE SOMEBODY ELSE IN YOUR PLACE, AND THEN YOU TAKE THEIR SPOT IN THE REALM OF THE LIVING. ALL THE DAYS AND YEARS THAT THEY HAVE YET TO LIVE. AND THEY TAKE YOUR PLACE IN DEATH. THEN THE BOOKS ARE BALANCED. WAIT A MINUTE. WE KILL SOMEONE, WE GET THEIR LIFE? IS THAT WHAT YOU'RE TELLIN' ME? I DON'T MAKE THE RULES. I JUST CLEAN UP... AFTER THE GAME IS OVER. (ENGINE TURNS OVER) MAYBE THAT'S WHY CANDICE AND ISAAC ARE DEAD. THEY WEREN'T SUPPOSED TO SURVIVE, AND NOW IT'S COMIN' AFTER THE REST OF US. NO. NO, NOT ALL OF US. MOLLY MADE IT, SHE DIDN'T DIE. WHAT? WELL, WHEN I HAD THAT VISION ` OR PREMONITION, OR WHATEVER IT WAS ` I GOT YOU ACROSS BEFORE THE BRIDGE COLLAPSED. YOU SURVIVED. YOU SAVED HER? WHY, BECAUSE YOU DECIDED THAT SHE DESERVED TO LIVE MORE THAN THE REST OF US? NO, THAT'S NOT WHAT HE'S SAYING. I DON'T DESERVE TO LIVE MORE THAN ANYONE ELSE. WELL, APPARENTLY, YOU DESERVE TO LIVE MORE THAN CANDICE. HEY, WHOA. PETER, HANG ON. Nathan: NO, LOOK, GUYS, COME ON. YOU'RE NOT DRINKING THE KOOL-AID, ARE YOU? KILLING PEOPLE TO SURVIVE DEATH'S LIST. REALLY? I MAY NOT KNOW WHAT'S GOIN' ON, BUT IT'S NOT WHAT THAT GUY'S SELLIN'. YEAH? WHAT ELSE IS IT, THEN? SHIT. WE NEED TO TELL OLIVIA. COME ON. Olivia: MY FORMS ARE ALL SIGNED. Dr Leonetti: I SEE THAT IT'S BEEN QUITE A WHILE SINCE YOUR FIRST CONSULTATION. WHAT MADE YOU DECIDE TO TAKE THE LEAP TODAY? UH, WELL, UH, A LOT IS GOING ON IN MY LIFE, AND, UM, I JUST... I DON'T WANNA MISS ANYTHING,... YOU KNOW, IMPORTANT. SAME REASON I HAD IT DONE MYSELF. COME ON IN BACK. LET'S GET YOU STARTED. OK. OH. YEP, THAT'S THE FIRST STEP. YEAH. YOU'LL NEVER NEED THOSE AGAIN. HERE WE ARE. COME ON IN. WHAT'S WITH THESE? OH, JUST, FOR SOME OF OUR YOUNGER PATIENTS. AND, UH, SOMETIMES OUR OLDER ONES TOO. COME ON. (MACHINES HUMMING) (MACHINE RUMBLES) WHAT WAS THAT? RELAX. YOU KNOW, IT LOOKS A LOT WORSE THAN IT REALLY IS. OK, I'M GENTLY GOING TO POSITION YOUR HEAD, AND I WANT YOU TO TELL ME... WHEN THIS FEELS SNUG. I CAN'T MOVE MY HEAD. PERFECT. JUST WHAT WE WANT. THERE WE GO. OK. NOW COMES THE FUN PART. HERE COMES A DROP. AND YOU WILL FEEL A LITTLE NUMBNESS IN YOUR EYE, WHICH IS A GOOD THING. DEEP BREATH. RELAX. VERY GOOD. THATTA GIRL. THERE. THAT'S NOT SO BAD, IS IT? LOOKS GOOD. (REMOVES GLOVES) (CLICKING) WHAT WAS THAT? JUST RELAX, OLIVIA. I'M JUST GONNA ENTER SOME DATA INTO... DOTTIE! DOT... UH, DO YOU KNOW WHAT? MY ASSISTANT'S GIVEN ME AN INCOMPLETE FILE. I'LL BE RIGHT BACK. HOLD ON, YOU'RE LEAVING?! (TELEPHONE RINGS) (BEEPING) IS THAT SUPPOSED TO BE HAPPENING?! (BEEPING QUICKENS) (BEEPING QUICKENS) (GASPING) (BEEPING QUICKENS) (WHIMPERS) (MACHINE WHIRRING) (SCREAMING) HELP ME! OLIVIA CASTLE. WHERE IS SHE? SHE MIGHT BE IN DANGER. NO, NO, NO, SHE'S FINE. WE DO THIS KIND OF PROCEDURE ALL THE TIME. (OLIVIA SCREAMING) HELP ME! HELP ME! (SCREAMS) (POLICE RADIO CHATTER) SAM. STAY WITH ME TONIGHT, PLEASE. OF COURSE. Man: I'M JUST TRYING TO GET THIS CLEAR BECAUSE WE'VE GOTTA FIGURE THIS OUT. UH, SO SHE WAS LEFT IN THE ROOM ALONE WITH... FIVE DIFFERENT SYSTEMS HAD TO GO WRONG FOR THAT LASER TO FAIL US SO SPECTACULARLY. FIVE. WHAT DO YOU WANT FROM US? I WANT YOU TO TELL ME WHAT YOU THINK IS GOING ON. TWO DEATHS? OK, ALL RIGHT. THAT'S A COINCIDENCE. THREE? THAT'S A PATTERN. NOW,... I KNOW YOU TWO DIDN'T DO THIS. ALL RIGHT? BUT I THINK YOU KNOW SOMETHING. WHAT IS IT? (SCOFFS) WE DON'T KNOW ANYTHING. TAKE A GUESS. WE THINK WE WEREN'T SUPPOSED TO SURVIVE ON THAT BRIDGE. WHAT? AND NOW SOMETHING IS TRYING TO SET IT RIGHT. 'SOMETHING'? THAT` THAT'S ALL YOU GOT? RIGHT NOW, YEAH. BUT IF YOU COME UP WITH ANY OTHER EXPLANATIONS, LET US KNOW. THANK YOU. 'SOMETHING'. 1 HEY. BEEN UP LONG? UH, I DON'T KNOW. I, UH, COULDN'T SLEEP. I JUST KEPT THINKIN' ABOUT THE BRIDGE. SAM, YOU CAN'T DO THIS TO YOURSELF. NO. NO, NO, NO. I WAS THINKIN' ABOUT, IN THE PREMONITION... WE ALL GOT OFF THE BUS, BUT THE GROUND GAVE WAY AND CANDICE FELL. THEN THE BUS TIPPED OVER... AND ISAAC, HE NEVER GOT OFF THE BUS. HE WENT WITH IT. WHAT ARE YOU GETTING AT? I KNOW THAT THERE WAS JUST SO MUCH GOIN' ON... LOOK, I KNOW THAT I HELPED YOU ACROSS. THEN I REACHED BACK FOR OLIVIA, BUT SHE DIDN'T MAKE IT. SHE FELL. SO, FIRST WAS CANDICE. THEN ISAAC. THEN OLIVIA. THEY'RE DYING IN ORDER. WHO DIES AFTER OLIVIA? (SIGHS) (CAMERA WHIRRING (INDISTINCT SHOUTING) Nathan: ROY, WOULD YOU COME UP TO THE CONTROL ROOM, PLEASE? Man: UH-OH, ROY, THAT'S THE BOSS. YOU IN TROUBLE, ROY. Man: PRESSURE, PRESSURE! MOVE IT UNDER 81 ON YOUR SIDE. IT'S IN SECTOR C. (BUZZER) OK, SCHOOLBOY, WHAT DO YOU WANNA TALK TO ME ABOUT? WHAT IS WITH YOUR TIMECARD? YEAH, LET'S TALK ABOUT MY TIMECARD. YOU CUT MY HOURS, WHICH MEANS YOU CUT MY PAY! I CUT EVERYONE'S HOURS, OK? CORPORATE HAS US OPERATING AT LESS THAN 50% UNTIL THIS WHOLE THING BLOWS OVER. MY BOOKIE AIN'T OPERATING AT 50%. MY DUMBASS KID AIN'T OPERATING AT 50%. ROY. MY WHORE OF AN EX-WIFE, SHE'S TAKIN' 50%, SO I'LL TELL YOU WHAT I'M GONNA DO. NO, NO, WE GOTTA MOVE, MAN. HEY, I'M NOT GOIN' ANYWHERE. LOOK, WE GOTTA MOVE! GOTTA MOVE! HEY! GET YOUR HANDS OFF ME, MAN! WE GOTTA MOVE NOW! HEY, LOOK, MAN, GET OFF ME! (PANTING) Man: ROY! YOU OK DOWN THERE? HEY, DENNIS? Dennis: HEY. THEY'RE CLOSIN' US DOWN. THEY'RE SHUTTING DOWN THE PLANT? NOT THE PLANT, JUST US. JUST SALES AND ADMINISTRATION. CAN YOU BELIEVE IT? US? I MEAN, IT'S THE FACTORY GUYS THAT USUALLY GET LAID OFF. NOT US, WE'RE SUPPOSED TO BE SAFE. YEAH, UH, DENNIS, WE GOT BIGGER PROBLEMS. OLIVIA AND ISAAC ARE DEAD. WHO'S ISAAC? ISAAC PALMER, TECH SUPPORT. WASN'T HE DEAD ALREADY? NO, DENNIS. LISTEN,... IT'S GOING TO HAPPEN TO US TOO IF WE DON'T DO SOMETHING ABOUT IT. YEAH, I UNDERSTAND. LISTEN, IT'S CALLED SURVIVOR'S GUILT. NO. NO, GUILT DOESN'T KILL YOU. OBVIOUSLY, YOU'VE NEVER MET MY IN-LAWS. I'M NOT FUCKING AROUND HERE, DENNIS. ANYONE COULD BE NEXT. IT COULD BE YOU. UNDERSTAND? NOBODY'S SAFE. WHAT ARE YOU TALKIN' ABOUT? WE WEREN'T SUPPOSED TO SURVIVE THAT BRIDGE COLLAPSE. AND SO NOW IT'S KILL OR BE KILLED. YOU GET THAT, DENNIS? WHATEVER. I WARNED YOU. DO WHATEVER YOU WANNA DO. (DOOR CLOSES) I WILL. HEY, AGENT BLOCK, IT'S DENNIS. UM, LISTEN, PETE JUST CAME IN HERE, AND HE'S JUST COMPLETELY LOST IT. HE'S YELLIN' ABOUT 'KILL OR BE KILLED' AND... OH, YEAH, IT DEFINITELY SOUNDED LIKE A THREAT. (INDISTINCT CONVERSATIONS) Man: YEAH, THEY AIN'T TELLIN' US ANYTHING ABOUT IT. WHAT HAPPENED? I DON'T KNOW. I DON'T KNOW. IT JUST` IT JUST HAPPENED SO FAST. NATHAN. ARE YOU OK? YEAH. WE HEARD, AND WE THOUGHT` NO. NO, UH, I'M GOOD. DID YOU KILL HIM? WHAT? NO. NO, I... I JUST... IT WAS JUST TIMING, YOU KNOW? HE GOT IN THE WAY AND` NO, YOU DID, DIDN'T YOU? YOU... YOU SAW IT COMING, AND THEN YOU TOOK HIS LIFE. YOU PUT HIM IN THE WAY. NO, I DIDN'T REALLY DO ANYTHING. TELL US THE TRUTH ` DID YOU OR DIDN'T YOU? HEY, PETER, CALM DOWN. DID YOU OR DIDN'T YOU? DID YOU OR DIDN'T YOU? YES. I-I THINK I DID. I KILLED HIM. SO IF THE THEORY WORKS, THEN YOU TRADED SPOTS. HE SHOULD HAVE YOUR DEATH, AND YOU SHOULD HAVE HIS YEARS. HOW DO WE KNOW FOR SURE? I THINK THERE'S AN ORDER TO THESE DEATHS. THEY MIRROR THE ORDER EVERYONE DIED IN ON THE BRIDGE. THEN WHO WOULD BE NEXT? WHO WANTS TO BE THE FIRST TO TELL ME WHAT THE HELL JUST HAPPENED? WHO IS IT, SAM? WHO'S WHAT? DENNIS! IT WAS DENNIS. NO SHIT. Peter: JESUS. SIREN WAILS WHY ARE YOU FIGHTING ME ON THIS? YOU'RE NOT SERIOUSLY GOING TO WORK, ARE YOU? MOLLY, ISAAC DIED ON A MASSAGE TABLE. IF DEATH IS GONNA COME FOR ME, I DON'T THINK IT MATTERS WHERE I AM. WELL, YOU HAVE TO DO SOMETHING. WHAT, KILL SOMEONE SO I CAN LIVE? NO, OF COURSE NOT. WE'LL JUST HAVE TO FIGURE SOMETHING ELSE OUT. I HAVE FIGURED IT OUT. SOMETHING SAVED ME ON THAT BRIDGE. MAYBE IT DOESN'T WANT ME TO DIE. MAYBE. WE CAN'T LIVE OUR LIVES IN FEAR, MOLL. SO IF IT HAPPENS TOMORROW, OR 50 YEARS FROM NOW, WHATEVER. AS LONG AS WE'RE TOGETHER... I'LL BE OK. RIGHT? WHY DON'T YOU COME BY AFTER MY SHIFT... AND I'LL MAKE YOU A NICE LATE DINNER, OK? ALL RIGHT, GIMME THIS. Hostess: ENJOY YOUR MEAL. YOUR PEPPER STEAK, SIR. AND THE HALIBUT. Woman: 'SCUSE ME. I MEAN, WE DON'T HAVE TO WAIT FOR THEM, DO WE? I'LL LET YOU KNOW. OK, THANK YOU. (DANCE MUSIC PLAYS) Man: VEAL'S READY, TAKE IT OUT. SAMUEL. GET TO WORK ON THE BOURGUIGNON. ALLEZ, ALLEZ. Woman: COMING OUT, FOUR OF 'EM! Man: ALL RIGHT. IT'S RIGHT HERE. WHOA. Man: DRIZZLE IT WITH SHERRY AND GO. PAN COMIN' THROUGH. Man: WHOA! WATCH YOURSELF. KEEP IT AT 165 FOR FIVE MINUTES. THE GARLIC BUTTER, GUYS. ALL RIGHT, LET'S GO, LET'S GO! OK. MEAT'S IN. JUST PUT IT OUT THERE. (SLICER WHIRRING) (INDISTINCT CONVERSATIONS) Man: IT'S SUPPOSED TO BE ON THE SIDE, ON THE SIDE. WHOA! THAT COULDA BEEN UGLY, HUH? YEAH. COULDA BEEN. Man: I'LL CHECK THE WALK-IN. HOLD ON. SPEED IT UP, OK? WHOA, HEY! (CREAKING) (SIGHS) HEY, CLEAN THAT GRATE. JUST MET YOUR GIRLFRIEND. OH. ARE YOU SURE IT'S OK IF I MAKE HER A LITTLE SOMETHING? MAKE SURE TO CLEAN UP AFTERWARD. I WILL, OF COURSE. THANK YOU. AND, CHEF,... OUI. ...THE APPRENTICESHIP. IF THE OFFER STILL STANDS, I'D LIKE TO TAKE IT. IT'S YOURS. WOMAN ON RADIO: 4972 West 21st St, number 3. OK, NO MORE SUSPENSE. WHAT YOU'VE BEEN WAITING FOR. WOW. YOU'RE GONNA HELP ME WITH THIS, RIGHT? YEAH, SURE, IF YOU WANT ME TO... NO? YOU DON'T WANT ME TO...? SO, HOW'S YOUR FRENCH? (CHUCKLES) TERRIBLE. (Chuckling) OH GOOD. WELL, THEN, WE CAN BE TERRIBLE TOGETHER. WHY? I TOOK THE INTERNSHIP. WHAT? SAM, THAT'S AMAZING. OH, I'M SO PROUD OF YOU. (KNOCK ON WINDOW) (BEEPING) PETER. HEY. (SIGHS) YOU OK, MAN? YOU LOOK A LITTLE, UH, UPSET. YEAH. YEAH, YEAH. JUST A ROUGH COUPLE DAYS. YEAH. YEAH, FOR EVERYONE. FOR SOME MORE THAN OTHERS. DO YOU MIND IF I COME IN? OH, YEAH, OF COURSE. YEAH, COME IN. HERE, HAVE A SEAT. THANKS. HEY, PETER. HI, MOLLY. (SIGHS) PETER, CAN I GET YOU ANYTHING TO EAT? I CAN MAKE YOU UP SOME PASTA. UH, NO. NO, NO, NO. I'M GOOD. UH, THANK YOU. UH, I'M SORRY. I JUST` I JUST THOUGHT` PETER, IT'S GOOD THAT YOU'RE HERE. YOU SHOULDN'T BE ALONE RIGHT NOW. YEAH, YOU KNOW, I'M SURPRISED I'M HERE AT ALL. (SCOFFS) UH,... STILL ALIVE, I MEAN. I'M NEXT TO GO, RIGHT? IT'S ME AND THEN YOU, ISN'T IT? ANYWAYS, UH,... I-I WAS UP ALL LAST NIGHT, YOU KNOW,... THINKING ABOUT IF I COULD REALLY DO IT. DO WHAT? TAKE SOMEONE ELSE'S LIFE. IF I COULD ACTUALLY KILL SOME STRANGER, REPLACE THEIR LIFE WITH MY OWN. AND I THOUGHT ABOUT IT. AND, UH,... I CONVINCED MYSELF THAT, YEAH, I COULD. SO I W... I WENT ON A WALK. YOU KNOW, NOWHERE IN PARTICULAR, BUT, UH, EVERY COUPLE OF MINUTES, AN OPPORTUNITY WOULD JUST PRESENT ITSELF. (CHUCKLES) LIKE` LIKE CLOCKWORK. I COULD JUST GRAB SOMEBODY AND` AND PULL THEM INTO AN ALLEY. OR` OR` OR JUST SHOVE SOMEBODY OFF A CURB INTO TRAFFIC. (TRUCK HORN HONKS) YEAH. IT'D BE REAL EASY. PETER, WHAT DID YOU DO? (BREATHES SHAKILY) DID YOU...? NO, I DIDN'T. I COULDN'T. I REALISED THAT... I COULDN'T KILL SOMEBODY THAT DIDN'T DESERVE TO DIE. AND I THOUGHT ABOUT CANDICE, AND I THOUGHT: WAIT A MINUTE. CANDICE DIDN'T DESERVE TO DIE. OLIVIA DIDN'T. DENNIS DIDN'T. I DON'T. DO I? NO,... OF COURSE YOU DON'T. (SCOFFS) WELL,... NONE OF US... (INHALES) DESERVE TO DIE, THEN, UH, WHY IS IT THAT YOU DESERVE TO LIVE, MOLLY? YOU SAID IT YOURSELF... YOU DON'T. GO! REPEAT, SHOTS FIRED. REQUESTING BACKUP. 1026 WASHINGTON. HIDE AND I'LL DISTRACT HIM. WHEN YOU CAN, GO. OK. Peter: NOT DONE YET, SAM. WHERE IS SHE? WHERE IS SHE?! I'M NOT GONNA LET YOU HURT HER, PETER. YOU'RE GONNA HAVE TO KILL ME FIRST. WELL, THAT DOESN'T DO ME ANY GOOD. (CHUCKLES) DEATH'S AFTER YOU TOO. THIS IS CRAZY, PETER. DON'T DO THIS. JUST THINK FOR A MINUTE, ALL RIGHT? YOU ARE NOT A KILLER. (GUN COCKS) I DON'T WANNA KILL ANYBODY, SAM. I DON'T WANNA DIE YET EITHER. (CHUCKLES) IT'S NOT YOUR TIME YET. DON'T WORRY, MOLLY. (SWITCHES CLICK) I DIDN'T KILL HIM. (SWITCH CLICKS) (GASPS) BUT I DIDN'T NEED TO, MOLLY,... BECAUSE... (PANTING) DEATH IS GONNA DO THAT FOR ME. DOESN'T MEAN I CAN'T HELP IT. (GUN COCKS) THAT'S IT. (GASPS) ARE YOU OK? WHAT'S GOING ON? IT'S PETER. HE HAS A GUN. (GUNSHOTS) (SCREAMS) OH MY GOD. YOU... YOU KILLED HIM. (BREATHING HEAVILY) IT'S SAM'S TURN. PETER, JUST GO. YOU HAVE BLOCK'S LIFE, YOU'RE SAFE NOW. PLEASE. I'M SORRY, MOLLY. (EXHALES) BUT YOU JUST WITNESSED THE MURDER OF A FEDERAL AGENT. AND I'M NOT GONNA SPEND THE LIFE I JUST EARNED IN PRISON. (GASPS, SCREAMS) (PANTING) GO! MOLLY, GO! GO GET HELP! (SIZZLING) (GROANING) YOU SON OF A BITCH! (GROANING) (PANTING) TELL CANDICE... (INHALES DEEPLY) I LOVE HER. PETER. (GASPS) (GASPS, GURGLES) IT'S GONE. YOU KILLED HIM. SO DOES THAT MEAN I GET BLOCK'S LIFE? (GASPS) (EXHALES SHARPLY) (Shakily) YEAH. I GUESS I DO. (PANTING) (THUNDER RUMBLES) HEY, DO YOU MIND IF I TAKE THE WINDOW SEAT? ARE YOU KIDDING ME? YOU'RE GONNA MAKE ME SIT IN THE MIDDLE SEAT? UH-HUH. I'M, LIKE, TWICE YOUR SIZE. NOT REALLY. ALL RIGHT. Carter: I'LL REMOVE HIM. Alex: FUCK YOU. I'LL REMOVE MYSELF. Ms Lewton: HEY! GET OFF THE PLANE. GET OFF THE PLANE. YOU DON'T UNDERSTAND! Ms Lewton: EVERYBODY... JUST S-STAY WHERE YOU ARE. JUST... WHAT'S ALL THAT ABOUT? I HAVE NO IDEA. (TONE RINGS) Pilot: LADIES AND GENTLEMEN, WE'LL BE PULLING AWAY FROM THE GATE AS SOON A` (STATIC) HERE WE GO. (TONE RINGS) Female flight attendant: THE CABIN LIGHTS HAVE BEEN DIMMED FOR TAKE-OFF. (MALE FLIGHT ATTENDANT SPEAKING FRENCH) # PASS BEFORE MY EYES, A CURIOSITY... (SIGHS) # DUST IN THE WIND. # (GASPS) RUMBLING (GASPS) SORRY ABOUT THAT. (EXHALES SHARPLY) Woman: OH, EXCUSE ME. UM, THOSE PASSENGERS WHO GOT OFF THE PLANE EARLIER, WHAT WAS THAT ALL ABOUT? OH, A KID HAD A PANIC ATTACK AND WANTED OFF THE PLANE. SAID HE HAD SOME KIND OF VISION. NO. OH MY GOD! (GASPS) (INDISTINCT TALKING) SAM. (ALL SCREAMING) (SCREAMS) (SCREAMS) (SCREAMING) I GOT YOU! (SCREAMING) SAM! MOLLY, HOLD ON! (SCREAMING) NO! NO! (SCREAMING) ('DUST IN THE WIND' PLAYS) (INDISTINCT CONVERSATIONS) NICE OF YOU TO COME, NATHAN. I KNOW ROY WASN'T THE EASIEST GUY TO WORK WITH. YEAH. YOU KNOW. I STILL CAN'T BELIEVE HE'S GONE, THOUGH. YEAH. YEAH. NO KIDDIN'. I GUESS IT WAS FOR THE BEST. WHAT DO YOU MEAN? COMPANY DID AN AUTOPSY FOR INSURANCE PURPOSES. TURNS OUT ROY HAD AN ENLARGED BLOOD VESSEL IN HIS BRAIN SO BIG IT WAS ABOUT TO BURST. THEY SAID HE'D BE DEAD ANY DAY NOW. # NOTHING LASTS FOREVER BUT THE EARTH AND SKY... ANY DAY? LIFE'S A BITCH. # DUST IN THE WIND. # (AC/DC's 'IF YOU WANT BLOOD (YOU'VE GOT IT)') # IT'S CRIMINAL. # THERE OUGHT TO BE A LAW. # CRIMINAL, # THERE OUGHT TO BE A WHOLE LOT MORE. # YOU GET NOTHIN' FOR NOTHIN'. # TELL ME, WHO CAN YOU TRUST? # WE GOT WHAT YOU WANT, # AND YOU GOT THE LUST. # IF YOU WANT BLOOD, # YOU GOT IT. # IF YOU WANT BLOOD, # YOU GOT IT. # BLOOD ON THE STREETS, BLOOD ON THE ROCKS, BLOOD IN THE GUTTER, EVERY LAST DROP. YOU WANT BLOOD, # YOU GOT IT. # YES, YOU HAVE. # BLOOD ON THE ROCKS, # BLOOD ON THE STREETS, # BLOOD IN THE SKY, # BLOOD ON THE SHEETS. # IF YOU WANT BLOOD, # YOU GOT IT. # Bludworth: YOU ALL JUST BE CAREFUL NOW. www.able.co.nz Captions were made possible with funding from NZ On Air. Able 2014