www.able.co.nz Captions were made possible with funding from NZ On Air. TVNZ Captioning 2002 "On the Hollywood Freeway we have a multiple-vehicle accident." "An absolute mess from Vine Street to The Valley. Expect long delays." "Seek alternate routes." We can talk about a weekly rate but I'm not going below a million. I'm risking my reputation as host of the number one talk show for a cameo in a cheap slasher flick. They should write me a decent part! I lived through it! Did you see Cathy about that script? Did you see Cathy about that script? (PHONE RINGS) Hang on a sec. Hello? (WOMAN'S VOICE) "Hello?" Who's this? "Who's this?" Who are you calling? "I'm sorry, wrong number." That's OK. "Wait a minute, I know your voice." "You sound a lot like that guy on TV, er, Cotton Weary." "You sound a lot like that guy on TV, er, Cotton Weary." I do, huh? "Yeah. He's got a really sexy voice." (LAUGHS) Oh, well, thank you. "You are Cotton, aren't you? Oh, my God. I am talking to Cotton Weary." "I can't believe this." I've got someone on the other line. Can you hold on? I'll be right back. I've got someone on the other line. Can you hold on? I'll be right back. "Yeah." Andrea, I gotta call you back. Someone's on the other line. So, are you a big 100% Cotton fan? "Yeah, 110%." That's very good. So, er, why don't you tell me who you are? "You're a naughty boy, Cotton. What would your girlfriend say?" "You're a naughty boy, Cotton. What would your girlfriend say?" You think I have a girlfriend? (MAN'S VOICE) "I know you do. I'm outside her bathroom door." Who is this? She's in the shower. She's got a nice little... voice. Let's come in for a closer look. Oh, she's very pretty, Cotton. A step up from Maureen Prescott." "Let's play a little game. Answer right, your girlfriend lives." "Answer wrong, she dies. Where's Maureen's daughter - Sidney?" "Answer wrong, she dies. Where's Maureen's daughter - Sidney?" Who the fuck is this? "Somebody who'd kill to know where Sidney is! Where is she?" Listen, you fucking psycho, lay a finger on Christine, I'll kill you. Listen, you fucking psycho, lay a finger on Christine, I'll kill you. "Wrong answer!" "(PHONE CLICKS)" No, wait! Hello? Shit! (TYRES SCREECH) Hey! Out of the way! (TYRES SCREECH) "(PHONE RINGS)" Christine, pick up the phone! Pick up the phone! Oh, shit! (HUMS) (SIGHS) (HUMS) "You have reached 911. All operators are busy. Please hold." Someone pick up the phone! Move! Shit! (HUMS) "(LOUD MUSIC PLAYS)" Cotton? Is that you?! # What if I... Cotton? # One eye for an eye... # Honey? "# What If? - Creed" OK, Cotton. You know I don't like your Stab games. (DOOR CREAKS) (DOOR CLOSES) (DOOR CLOSES) Who is it? Who's there? (COTTON'S VOICE) Christine? You all right? I'm home! You scared the shit out of me. You won't believe what happened. What are you talking about? (SCREAMS) Ah! (WHIMPERS) (SCREAMS) Get the hell out of here! (COTTON'S VOICE) I'm sorry, babe. I didn't mean to scare you that bad. It's me. Come on, open the door. I didn't mean to scare you that bad. It's me. Come on, open the door. Oh my God. What are you doing? What the fuck are you doing? What the fuck are you doing? I was just, you know, trying to take the game to the next level. I'm sorry. Open the door. trying to take the game to the next level. I'm sorry. Open the door. Game? What are you talking about? How much fun it'll be to rip your insides out! Open the fucking door. Oh my God! Cotton! You're fucking history! (TYRES SCREECH) Christine? Hon? (TV NOISE) "..the recent epidemic of road rage." "Innocent commuters terrorised,..." Chris? "..even killed by these madmen of the freeway." "We make them confront their victims face to face on 100% Cotton." "Tune in to carnage on our streets. Remember, it could happen to you." "Tomorrow on 100% Cotton, road rage. LA drivers fight back." "The entertainment report live from tonight's premiere in Hollywood." "Followed by Night-Time Classics." (CREAKING) Oh, shit. (THUDDING) Chris? Is that you, babe? Chris, if you're in there, open the door. Come on, baby. Open the door. Chris... Whoa. Jesus! (SCREAMS) It's me, Chris. What are you doing? Stay back. Stay back. Why? What's going on, babe? You've gone crazy! Was somebody here? Get back! OK. Just calm down. Why do you want to kill me? What? Why do you want to kill me? Gimme the club. Gimme the club, please. Christine, get out of the way! Oof! Argh! (WHIMPERS) Behind you! Behind you! (SCREAMS) Argh! Shit! (DEEP VOICE) "It was a game. You should've told me where Sidney was." "Now you lose." Come on, Cherokee. Come on. Come on, Cherokee. "California Women's Crisis Counselling." It's Laura from Monterey. Can you patch me in to work? It's Laura from Monterey. Can you patch me in to work? "Sure. Thanks, Laura." Thank you. California Women's Crisis Counselling. How can I help you? "Hi. Do I have to say my name?" You don't have to say anything you don't want to say. How can I help? "Er, I'm 18 years old and I have a boyfriend." "Sometimes he hits me." It's OK. You can talk to me. "Thanks." As America's future journalists remember this, be willing to do what the others would not. Stop at nothing. Have the world hate you cos that is the only way you'll get the story, the facts and the fame. Thank you. Excuse me. Excuse me. Yes? You think we should cut each other's throats because that's what you did? Metaphorically, yes. Miss Weathers, was it worth it? I'm so sorry. We're out of time. Gale Weathers, anchorwoman for Total Entertainment, thank you very much. There is a man who wants to see you. He says he's with the police. There is a man who wants to see you. He says he's with the police. The police? Detective Mark Kincaid, LAPD. Hello. That's an impressive resume. That's an impressive resume. You're not here for an autograph. I'm here because Cotton Weary's been murdered. Someone killed Cotton? And his girlfriend. He left this. I'll show you cos you knew Cotton. Share this with the world, I'll arrest you. I swear on my future Pulitzer Prize. This was left on Cotton Weary's body. Any idea who the girl is? This was left on Cotton Weary's body. Any idea who the girl is? Oh my God! This is Maureen Prescott. This is Sidney Prescott's mother. "Hollywood is reeling today after the murder of Cotton Weary. Weary had finished shooting a cameo role in Stab 3, the final part of the series based on the Woodsboro and Windsor College murders." "Cotton had been imprisoned for the murder of Maureen Prescott, his -" # "Red Right Hand" - Nick Cave and The Bad Seeds Yesterday Cotton Weary was shooting a cameo in a feature film, Stab 3. Security is tight. We'll see if we can get a statement. Not only was he a controversial man... Hey! # Alone he moans # He crosses flames # As he breaks into chest with his red right hand # Protect the movie. Hire more security. Just don't kill the movie. Violence in cinema is a big deal. It's not the news this studio needs. If we stop making scary movies, psychos will retire? In 30 years I've never had a psycho problem. An ex-con with a talk show? He must've pissed people off. Detectives? Did Cotton's death have anything to do with this movie? He was making a movie called Stab. He was stabbed. < Probably some psycho fan pissed off they killed Randy in Stab 2. < Probably some psycho fan pissed off they killed Randy in Stab 2. That'd make you next. I am not a Randy substitute. I'm my own character. I am not a Randy substitute. I'm my own character. Ricky who works at the video store. It's an homage. Hey! What if the killer's Sidney? What happened to her? She's probably living in the woods. I see why Tori Spelling didn't come back. Guys, this was about Cotton. We are not in danger. "We are not in danger." Page 15. I don't see you leaving. You think black actors my age can throw away jobs? It's a business. Usher's doing Pinter off-Broadway. LL Cool J - Shakespeare in the park. Maybe it's not meant to be. Not meant to be? You win a talent search. 50,000 girls, they pick you for Sidney. You've got to be praying this movie keeps going. You've got to be praying this movie keeps going. Not at the expense of lives. Oh, cue the violins, right? (LAUGHS) Jesus. Deja voodoo. (WHIRRING) Gale Weathers. Oh my God! Shit. I know we've never met and I don't mind you never returning my calls but after two films, I feel like I am in your mind. That would explain my constant headaches. 60 Minutes didn't work out. Total Entertainment is a good fall-back. 60 Minutes didn't work out. Total Entertainment is a good fall-back. Thank you. It didn't work out with Brad Pitt. Being single is a good fall-back. It didn't work out with Brad Pitt. Being single is a good fall-back. Gives me more time for my work. You're such a complex character. To be played by an actress with depth and range. Jennifer, Nick said you wanted to use... Gale. Dewey. Well, surprise, surprise. Someone dies and Gale comes running. I think you'll really appreciate my character work in this. Someone's helped me understand the real you. Someone? Your ruthless ambition, your private self-loathing and that lost and lonely little girl inside. Lost and lonely what? Lost and lonely what? You heard me. I'll return it. I'll return it. Lost and lonely what? Little girl inside. I thought you were in Woodsboro. I'm surprised you thought about me. Listen, I gotta get back to work. Wait. You work here? They needed a technical advisor. Someone who went through it. Hey, Dewey. Hey, Tom. Hey, it's the real Gale Weathers. Real from top to bottom. Tom Prinze. Watch your show all the time. You're right. Pop culture is the politics of the 21st century. Pop culture is the politics of the 21st century. Thank you. That story you did on me crashing my car, powerful journalism. That story you did on me crashing my car, powerful journalism. Right, er... You said it was caused by drinking and the blow-out was faked. Great. Tom, in journalism you have to - You parked in the lot? Check that nobody's messed with your brakes. Who's he supposed to be? (LAUGHS) He's playing you? Him? (LAUGHS) Him? (LAUGHS) What? I did not come here to fight with you, Dewey. Cotton's killer left a picture. Cotton's killer left a picture. Of Sid's mom. Does Sidney know? She doesn't need you or your camera. Do you see a camera? (CLEARS THROAT) You bought me this purse, didn't you? Yeah. Yeah. Look, it's a habit. What is this? Gale Weathers? Could I be more popular? No press. Get her out of here. Yes, Mr Milton. I am working with Detective Kincaid. Rules are rules, Gale. But really, it was great seeing you. Come on, now. Let's move. Stab 3 is a closed set. Here is the Seinfeld stage. Potty break, anyone? Me, me. Me, too. Let go! Thanks for your help, boys. Holy shit, Silent Bob. It's the news chick, Connie Chung! How's Maury? Dude, she likes me. See how she's looking at me? Or you work from home, so drive mostly on the weekend. You might only drive short distances to work each day. You might not drive your car to work at all. You might park securely at work. Or these days, everybody travels to you. Maybe you only do school runs. Or you work from home, so drive mostly on the weekend. At Youi, we get that everyone's not the same, so we tailor your insurance premium to how you use or don't use your car. Call: Or go to youi.co.nz today. But it's hard to let it go. . All right, so, this is Tim. 34-year-old male. RTC. Multi-vehicle... VOICES OVERLAP I think about the car crash a lot. I know he caused it and I reacted the best way possible. But it's hard to let it go. SOMBRE MUSIC When I asked what had happened to him, the doctors said he really wore the impact ` any more and things would've been much worse. They said he was lucky ` lucky I wasn't going any faster. Thank you. SOMBRE MUSIC CONTINUES It's OK. MUSIC CONTINUES It's OK. * It's happening again. Cotton had many enemies. The police aren't saying it's related to us. Do you ever think about her? Your mom? None of this would've ever happened if she hadn't... If she hadn't... (SIGHS) Why'd she have so many secrets, Dad? Listen, maybe it's time you came home. I'm worried about you, kid. You never see anyone, people you talk to don't know your name. It's as if you don't exist. That's the idea. Psychos can't kill what they can't find. Sid? Come here. Mother needs to talk to you. Everything you touch, Sid, dies! You're poison. You're just like me. You're just like me. (SCRAPING) Oh my God. What have they done to me? (They'll do it to you.) They'll do it to you. Baby. (They'll do it to you.) They'll do it to you. Baby. Mom? (WHIMPERS) (CLANKING) Roman? Stab 3. Jesus, I gotta get a new agent. Roman? (DOOR CLOSES) (DOOR CLOSES) Is someone here? (SHOUTS) (SCREAMS) Stan does good work, huh? Thank you very much. Fuck you very much. Tyson, go to hell. Fuck you very much. Tyson, go to hell. Excuse us. Make-up test. Yeah, you can use it. Have you seen Roman? Everyone has gone home. He said it was important. Everything's important to Roman. Everything's important to Roman. (SIGHS) (BANGING) (PHONE RINGS) Oh, shit. (RINGING CONTINUES) Director's office. "It's Roman." "I'm 10 minutes away." It's no problem. I'm looking at your music video awards. "Let's talk about your character." What character? I get killed second. I'm only in two scenes. "You're not happy with your part." "You're not happy with your part." I'm 35, playing a 21-year-old. I'm not happy I have to die naked. I'm not happy she doesn't have a gun after her boyfriend was cut up. "Great, OK. Let's run the lines." Fine. "Page 28. Candy's big moment." (SIGHS) (Page 28.) "Ring, ring. Hello?" "Ring, ring. Hello?" "Hello?" "Who's this?" "Who's this?" "This is Candy. Let me get some clothes." Why do I have to be in the shower? The shower thing's been done. Vertigo. Hello? My boyfriend just died. Why am I showering? "Why don't we just read the scene?" "Candy. Nice name. Is that like Candy cane or Candy apple?" Whatever. "Come on, who is this? I think you have the wrong number." "You know my favourite name?" "I'm hanging up right now." "I'm hanging up right now." "It's Sarah." Roman, that's not the line. Roman, that's not the line. "It is in my script." Has there been another goddamn rewrite? How can I learn my lines if there's a new script every 15 minutes?! How can I learn my lines if there's a new script every 15 minutes?! "It's a new movie." What? What movie? "My movie." (DEEP VOICE) "And it's called Sarah Gets Skewered Like A Fucking Pig!" "Still in character, Sarah?" (GASPS) Shit. (RATTLING) (BANGING) "(PHONE RINGS)" "Thank you for calling Sunrise Pictures Studios..." Mr Bridger? (CLANKING) (DOOR LOCKS) "For previews of upcoming releases, press 4." "For information about Sunrise Pictures merchandise, press 5." "For information about Sunrise Pictures merchandise, press 5." Come on. Come on. "If you have an emergency, press..." (SCREAMS) (PANTS) Shit! (SCREAMS) Oh, fuck! Look, I wanna get something straight. I only got into this cos the police asked for my help. Why come to you? I wrote the Woodsboro Murders book. You can't wait to write another one. What about you? What about me? You said you'd stay there. "The only place that's real." You're here. But not with me. Dewey, I took care of you. I waited until you were well, but I couldn't stay. It was dog years. So, it's off to Paris for a week? New York for a month? LA forever? It was fucking 60 Minutes II. I could've been the next Diane Sawyer. What's wrong with being Gale? I liked her. It didn't work, Dewey. We tried. We're different. That was our strength. Here you go. Thank you. Dewey, are you here cos of the second-rate, straight-to-video version of me? are you here cos of the second-rate, straight-to-video version of me? Brace yourself, Gale. All of this is actually not about you. All of what, Dewey? You do know something, don't you? Off the record? Always. Two months ago the Woodsboro police got a call from a woman who was with Stab 3. She wanted the file on Sid. The boys said no. She wouldn't give her name. The station gets broken into. File room gets ransacked. Someone stole Sid's file? I removed it. I think someone on the film is trying to find Sid. Incredible. Off the record. Right. (BUZZING) It's Jennifer. She needs me. Jennifer? Gotta run. Where are you going? I'm on duty. * Stop following me. I am working for the police, damn it! You're not a detective, Gale. You're not a detective, Gale. Neither are you, Mr Incognito. You left your motor running. You left your motor running. Damn it! I can handle fans that want a photo, that want a conversation. See this? I haven't had one for a year and a half. Someone will pay for this. Settle down. What happened? I'm with him. I'll never win an award playing you. I'll never win an award playing you. There's been a second murder. Who? Sarah Darling. Where? At the studio. Cotton, Sarah. Don't you get it? Someone's killing them in the order they die in the movie. Someone's killing them in the order they die in the movie. Who gets killed third? Who gets killed third? (You do.) I get killed in Stab 3? I get killed? I get killed in Stab 3? I get killed? Yeah. Where are you going? I have to get something from my trailer. I have to get something from my trailer. You live here with her?! Yeah. Yeah. Oh my God. I needed a place to stay. She likes having me around. I needed a place to stay. She likes having me around. Why? She says I make her feel safe. She says I'm her rock. She says I make her feel safe. She says I'm her rock. Her rock? If you weren't so concerned with appearances, you'd appreciate the emotional centredness I provide a woman. Stone, I'm headed to the crime scene. You stay by Jennifer's side. I suggest a search of the grounds. Hey, Dewdrop, can I have a word? We can be straight. I'm the professional guard. My resume lists Julia Roberts, Salman Rushdie, Posh Spice. You are "the Hollywood hanger-oner." You're no good as a cop. Your resume is like the obituaries. You take suggestions from me. Whatever you say. Same deal? Found with the body? Same deal? Found with the body? Maureen Prescott again. This is great. 10 more murders and we can publish a calendar. The old killer-playing-with-the-cops routine. Very Hannibal Lecter. Doesn't the killer come after the cops in those movies? Doesn't the killer come after the cops in those movies? Usually one cop makes it. And? One cop doesn't. Usually. Detective Kincaid, what do we know? Terminal Entertainment. This is a crime scene. Miss Weathers is working with me. Thank you. You're welcome. I'm gonna go dust for fingerprints. Photos, Wallace, please. New pictures. Same person. Anything turn up? Nothing that will help. Jennifer dies next in the script. She has a bodyguard. There's three versions of the script to keep the ending off the Internet. You're the technical advisor, right? Three different characters die next. Which one did the killer read? Hold up. All I wanted to do was make a love story. I had to do a scary movie first. Now I am fucked! It's not that bad. Easy for you to say. You can go back to "Must-See TV". I have no movie, I'm nearly 30, and the next target. You? Why you? Do you think this wasn't a message? Roman Bridger? What?! You didn't say you spoke with Sarah Darling before she was murdered. You didn't say you spoke with Sarah Darling before she was murdered. Spoke with her when? She was here for a meeting with you. What meeting? Her roommate says you called. Told her to come here. Roommate answered the phone. Roommate answered the phone. I never called her. Roommate knows your voice. She wasn't speaking with me! I did not call Sarah. Sarah said you did. They want to ruin my movie. Someone wants to kill my movie. Someone wants to kill my movie. We'll talk at the station. This is the scene where you come with us. Dewey, Jennifer, she wasn't talking with me on the phone. I'm coming. I'll call him in. Battery. Mr Riley, do you have a phone I can borrow? Yeah. Thank you. God, Roman. Remind me not to sleep with him again. Come on, Cherokee. (PHONE RINGS) California Women's Crisis Counselling. My name is Laura. California Women's Crisis Counselling. My name is Laura. "(WOMAN'S VOICE) I have a crisis." Whatever it is, you can tell me. "Oh my God. I've killed someone, Laura." Are you sure? "I'm sure. I killed someone. I know it. My God." Well, then... "I did." You need to call the police. You need to call the police. "No. I need to call you." "Just you." I'm sorry, your voice... "Don't you wanna know how you can help, Laura?" "Are you listening to me?" "Are you listening to me?" Who is this? "It's Mother, Laura. Be a good girl and turn on the news." "Do as Mother tells you!" You're not my mother. How did you get this number? Who is this? "You know your mother's voice when you hear it! Now turn on the news!" "With a second actor murdered, Stab 3 has shut down. Those involved pray these killings may be over." (DEEP VOICE) "One question. Do you think it's over, Sidney? Do you?!" # The sky was dark this morning # Not a bird in the trees... (RUSTLING) # Something sounds suspicious... Is this a wrap party or is this a wrap party? "Scene 34. Maureen's Murder Flashback." I never liked that scene. You weren't in it. "Scenes 40 through 47." "The Prescott House Flashbacks." Tom, stop it. You're scaring me. People are dead. Scaring you? Give the sweet young ingenue act a rest. You're drunk. I'm coping. I bet she fought for that part, stood on any poor girl that got in her way. You asked her out and she said no? You asked her out and she said no? That has nothing to do with it. Right. Come on. "Scene 50." "Dewey Saves the Day." She's so focused on success that she doesn't care who she hurts for it. She's so focused on success that she doesn't care who she hurts for it. You saved her life how many times? She wants the world to love her. One man's not enough. She's a dreamer. She's a narcissistic psycho bitch. She's a narcissistic psycho bitch. She's not. She's got a good heart. She just hides it away because she thinks people see that as weak. This is a good picture of you. You look just like her. God, Dewey, you make it sound like you're still in love with her. I left out the part that she's cruel and selfish, obsessive and annoying. (GASPS) One Gale Weathers here is enough. Hey, Dewdrop! Got your girlfriend out here. Look who I found slinking around the yard, the nightly news. I was walking. You were eavesdropping at the bedroom window. You were eavesdropping at the bedroom window. You seemed awfully at home there. All right, let's talk. Come on. What's this about? Roman's out. Sarah's call wasn't from his phone. Where did it come from? It's untraceable. Thanks for the update. Go back home. Dewey, wait a minute. How old do you think Maureen Prescott is here? 19 to 20. That's what I thought. I cannot find anything about her at this age. Well, she lived in Woodsboro her whole life. Almost. Two years before she met Sidney's father she left Woodsboro. No one knows where she went. It's like she fell into a black hole. She vanished. So? Why is the killer leaving pictures of Maureen? Why these pictures at that point in her life? I don't know. If I thought like a homicidal maniac then I'd know how one thinks. What? Jennifer. Jennifer? Look at the buildings. The second story. It's the same street 28 years ago. Oh my God. Maureen Prescott was at the back lot at Sunrise Studios! I gotta make some calls. You might only drive short distances to work each day. You might not drive your car to work at all. You might park securely at work. Or these days, everybody travels to you. Maybe you only do school runs. Or you work from home, so drive mostly on the weekend. At Youi, we get that everyone's not the same, so we tailor your insurance premium to how you use or don't use your car. Call: Or go to youi.co.nz today. * (PHONE RINGS) Steven Stone Protection Services. (DEWEY'S VOICE) "Where are you?" In your tin can. "Come stay with Jennifer. Something's happened." "I have to go to the police." "I have to go to the police." Is that an order? Cos Steven Stone doesn't work for you. Cos Steven Stone doesn't work for you. "Get back in the house!" "Would I call if it wasn't important?" "What are you doing?" Making sure the killer's not waiting for you like he did your sister. "What did you say? I can't believe you said that. That makes me..." (DEEP VOICE) ..angry! Fucker! Gotta call Kincaid. Dewey, where is everybody? (CREAKING) Damn! (BOTH SIGH) Jennifer? Angelina? Tom? Angelina? Tom? (DOOR OPENS) (BOTH SCREAM) God! What happened? (SCREAMS) Don't do that. I'm overreacting. < Dewdrop? Stone? Oh my God. Oh, God, Stone. Oh, God, Stone. (SCREAMS) Dewey, is he dead? Dewey, is he dead? Yeah. (RUSTLING) Everyone, back inside! It's all right. Don't panic. (ALL SCREAM) Outside! OK, outside. Everyone, stay together and try to remain calm! OK, outside. Everyone, stay together and try to remain calm! (PHONE RINGS) It's not mine. It's not mine. Shit! (BEEPING) It's the fax. It's a fax. "Jennifer's house." It's a script. What's it say?! "The five stand trapped." He's rewriting the movie. "As the killer waits outside, the fax sends news of their fates!" "As the killer waits outside, the fax sends news of their fates!" It's a trap! Everybody, outside! Where he can pick us off? "The killer grants mercy to one." The killer says he's outside because he wants us here inside! The killer says he's outside because he wants us here inside! (SHOUTS) "Who will survive? Jennifer? Tom? The killer will give mercy to..." "Who will survive? Jennifer? Tom? The killer will give mercy to..." Outside! I wanna know what happens! I wanna know what happens! I wanna know what happens! I wanna know what happens! Wait for the fucking movie! I've gotta know! I'm going back in! I've gotta know! I'm going back in! Everyone, back. Stay together! What's it say?! "The killer will give mercy to... whoever..." "The killer will give mercy to... whoever..." Whoever? Whoever? You piece of shit. "..whoever... whoever smells the..." (SCREAMS) I can't stop rolling. Gale! Jennifer! Dewey! Dewey! Dewey, where are you? Over here, Dewey. Dewey! Dewey! Gale. Behind you! (SCREAMS) Dewey, are you all right? Yeah. Never been better. Yeah, I'm all right. Where'd he go? He must've rolled under the car. He must've rolled under the car. Stay close. Is he back there?! No. No? He's fast. I could've sworn I hit him. Are you all right? Thanks for saving me. It's habit. Oh, God. What the fuck... (YELLS) ..happened to you?! Jennifer, wait a minute. You're supposed to be protecting me! Hey! (GRUNTS) My... lawyer... liked... that. Not as much as I did. (RUSTLING) (GASPS) Angelina? Tom was in the house. How'd you end up over there? Tom was in the house! (SOBS) (SIRENS) Are we safe? Safe from who? Wait a second. Another picture. Whoever it is is now taking credit for Maureen Prescott's murder. Billy Loomis and Stu Macher killed her. They told Sidney. Sidney got it wrong once before. She accused Cotton and he was sent away for it. Maybe there is a third killer. I don't know where Sidney is. Even if there was a third killer, Sidney doesn't know about it. Even if there was a third killer, Sidney doesn't know about it. I need to talk to her, Mr Riley. I need to explain why there are three dead stars and a bodyguard. I need to explain why there are three dead stars and a bodyguard. And a very angry mayor. It has something to do with Stab 3. We do not know why the killer leaves 25-year-old pictures of Maureen. Taken at the Stab studio. What does this have to do with Sid? She's Maureen Prescott's daughter. Sid's dad couldn't help you and he was married to Maureen. Sid's dad couldn't help you and he was married to Maureen. What's your problem? Last night you were almost charcoal. You gonna help us or what? Wanna talk with a polygraph? Is that a threat? When it's a threat, you'll know. Was that a threat?! Boys, compare gun calibres later. The issue is Maureen Prescott. The issue is Maureen Prescott. Wrong! The issue is Sidney Prescott. Mr Riley will put me in touch with her. So, where is she? "(PHONE RINGS)" "Hi, you've reached the machine. You can leave a message." It's me. This is the fifth time I've called. I wanna make sure you're... ..OK. Sid. Dewey. What are you doing down here? What are you doing down here? Actually, what was I doing up there? Jesus, Dewey, are you OK? Yeah, I'm all right. Is she all right? You know Gale. The news said this was the precinct. Who's this Kincaid? (Come here.) I told you to stay hidden. It's not safe for you to be here. It's not safe for you to be here. The killer called me. What? He found me. I'm no more safe there than here. I'm not alone here. OK, come on. Detective Kincaid? Yeah? There's someone who wants to help. My God, Sidney. Is the man fast or what? Hi. Hi, Gale. I'm glad you're all right. Thank you. Sid, this is Detective Kincaid. Nice to finally meet you, Sidney. The killer called her. What? What did he say? The usual. "How you been? How do you want to die?" Do you have any idea how he got your number? Did you call her from the set? No. Is her number in your memory? Phone memory! Yeah, I guess. Has anyone used your phone? Jennifer. And you. I'm the cop here. You're in my office, Riley. The killer leaves a photograph. And they were taken at the same studio that they're shooting Stab 3. And they were taken at the same studio that they're shooting Stab 3. Why didn't you say? This is my mother. I was afraid they were bait to trick you out of hiding. Was she an actress or a model? They look like publicity stills. They look like publicity stills. I, er, I don't know. I want to see this place in the pictures. Are you sure? Absolutely. * Slow down. Sorry. Watch the fucking aliens. I'm gonna see the studio brass about those photos. I know where you're going. Keep an eye on Sidney. I know where you're going. You're going to get her flowers and candy. I know where you're going. You're going to get her flowers and candy. Give me a break. Give me a call. That stairwell, that's where one of the pictures was taken. She never mentioned any of this. Dewey! Sorry. Martha? Oh my God. Hold it! Don't shoot! I'm only 17! We know her. If that's his ex, I'll shoot myself. It's Martha Meeks. Randy's sister. Randy's sister? Can't you tell? We miss you in Woodsboro. Why are you here? You should see this. "Told you I'd make a movie someday." Oh my God. "If you're watching this, I did not survive Windsor College's killings." "Losing my virginity to Karen Kolchak was bad." Karen Kolchak? Karen Kolchak? "Yes." Creepy Karen? "Shut up! We were at work, putting away videos in the porno section, shit happens." shit happens." "Open the door, Randy!" "15 minutes." "It's my room, too!" "Paul, 15 minutes! I'm leaving my legacy." "15 minutes, Paul! Damn! Anyway, I am here to help so my death is not in vain." "My life's work will help save some poor soul from getting mutilated." "If the killer comes back, there are a few things you gotta remember." "Is this a sequel? Yes? Same rules apply." "If it's an unexpected back story, the sequel rules do not apply, you're not dealing with a sequel. You're dealing with the last chapter of a trilogy. It's a rarity in the horror field, but it does exist." "A trilogy's about finding something that wasn't true from the start." "Godfather, Jedi, revealed something that wasn't true. If it's a trilogy, here are some trilogy rules. You got a killer who'll be superhuman." "Stabbing and shooting won't work." "You got to cryogenically freeze his head, decapitate him, blow him up!" "Anyone can die. This means you, Sid. Sorry. It's the final chapter." "It could be Reservoir Dogs by now." "Whatever you think you know about the past, forget it." "Any sins committed in the past are about to break out and destroy you." "Let me say good luck, Godspeed, and, for some of you, I'll see you soon." "Some of you ain't gonna make it. I didn't if you're watching this." Thank you. You be careful. Say hi to your folks for me. You be careful, too, Sid. Bye, Dewey. Visit us soon. I will, Martha. Thank you. I will, Martha. Thank you. Bye. I'll hook up with you later. Shall we come with you? No. Figure out where those pictures were taken. I can see nothing's changed. I can see nothing's changed. No. Shit. Hello? (SCREAMS) Jeez. What are you doing? Being Gale Weathers. You? I am Gale Weathers. I got no house, bodyguard or movie because someone wants to kill you. Now I go where you go. If someone wants to kill me, I'll be with you. He'll kill you, not me. Make sense? None. I play you as being smarter. And a sane person. That must be quite a stretch. Funny. Need to get in that building? Funny. Need to get in that building? Yeah. There a story in that building? Maybe. Gale Weathers would find a way. Bitch. All right, wait. Don't tell me what to do. Basements, wow. Basements creep me out. You'd make a fascinating interview. (BANGING) Hello? (COUGHING) Hi. I am Gale Weathers and I'm here researching with the police... ..this photo. Her name is Maureen Prescott. Back then it was Roberts. Hey, you're... Are you...? No. You look... Like her? I've heard it all my life. I was up for Princess Leia. I was this close. Who gets it? The one who sleeps with George Lucas. I'm sorry. I didn't mean to bring up a sore subject. I'm sorry. I didn't mean to bring up a sore subject. Sure. None of them did. How can I help? Do you wanna know who you look like? How about information on Maureen Roberts? I don't work for the cops, sweetie. I work for the studio. I don't work for the cops, sweetie. I work for the studio. Really? Well, would you work for... the President? The President... of the studio. $50? Who are you, a reporter for Woodsboro High? It's worth two grand. Are you gonna help Gale Weathers or not? I know every face. I got respect for unknown actors. If they're looking for Maureen Roberts, they're never going to find her. Rina Reynolds, they will. Rina Reynolds. Stage name. You should talk, Judy Jurgenstern. What are these movies? Amazombies. Creatures From the San Andreas Fault. Horrors. Back in Milton's heyday. (BOTH) Back in what? John Milton, horror producer. They're his movies. (CLANKING) Come on, Sid. (CLANKING) (BANGING) (BANGING) Oh my God! Oh my God! Sidney Prescott? I'm Angelina Tyler! I'm you! I mean, I'm not. I mean, I was. I thought if there's no movie, then no one'll care if I took some souvenirs. if there's no movie, then no one'll care if I took some souvenirs. Souvenirs? I may never win another role. These may be my memories of Hollywood. I know it's weird cos it's your life but I wanted to make you proud. Oh, well, I'm sure I would have been. The real Sidney. The real person. I wish... I wish it would have worked out. Hey! Angelina. Hello? '(WHISPERING)' 'It occurred to me that I've never snuck through your bedroom window.' 'See what you do to me?' 'What did I do to you?' 'About the, er, the sex stuff, I'm not trying to rush you at all.' Would you settle for a PG13 relationship? (BANGING) Dewey! DEWEY!! (SOBS) '(Sidney. I'm in here.)' '(Over here.)' 'Yes. Mother will protect you from the bogeyman. Come on.' 'Hide in Mommy's bed.' 'I lied, Sidney. I can't protect you at all.' 'You don't deserve to be. You didn't protect me!' 'Your mom was a whore who flashed it around like she was Sharon Stone.' 'Your mother was no Sharon Stone.' 'Your mother was fucking my father.' Sid, where are you?! Dewey! Dewey, help me! 'Give Mom a kiss and we'll make up.' NO! Sidney! Sid! Are you OK? What happened? The killer's upstairs in the house. And my mother. My mother. (SOBS) Let's go. I heard her voice. I saw her, Dewey. < Upstairs. Let's go. It's OK. You weren't supposed to go in. It's all set up for the murder scene. I'm sorry you saw that. He was there. I swear. I believe you. What happened? Kincaid? There's nobody up here. Come on. Come on. * I stole the mask. I didn't know you got the gas chamber for that. I stole the mask. I didn't know you got the gas chamber for that. You stole the mask? I took it. You took it or you stole it? I took it as a souvenir. I didn't take shit. He was there. I am not dreaming. I am not crazy. He was in Woodsboro. He was there. I am not dreaming. I am not crazy. He was in Woodsboro. That's not Woodsboro. He was there. He or she or whoever this is. We're taking you back to the station, put you in a safe house, whatever it takes. put you in a safe house, whatever it takes. Come on. It's all right, Sid. We all believe you. He's watching. And he wants you. Hey, Dew. Come on, we have to catch up with Sid. Look at this first. Someone we know? Look at this first. Someone we know? Where'd you get this? Archives. Maureen was an actress. Horror movies. Know who produced them? Who? There'll be other movies. They killed the film and they killed my cast. Variety called me a pariah. I don't know what a pariah is. Why couldn't somebody kill the cast from Stab 1 or 2? What did we do? Hollywood is full of criminals whose careers are flourishing. Hollywood is full of criminals whose careers are flourishing. I'm not a criminal. I was questioned but that's all. Good for your mystique. I'll get work? Roman. John. Guests. To what do I owe the honour? Rina Reynolds. Who's Rina Reynolds? Head to the house. Tell everybody not to cut the cake without me. Head to the house. Tell everybody not to cut the cake without me. Oh, your birthday. Happy birthday. As if life isn't tragic enough. Shut the doors behind you, please. So, you knew Sidney Prescott's mother? Who? Rina Reynolds. Do you know how many actors have worked for me? Hundreds. Thousands. He didn't say she was an actor. Good catch. So, what's the point? So, what's the point? I'm gonna call Detective Kincaid. I remember her. She was a bit player in a few movies. What does it matter? You have made millions off her murder. You are obsessed with her and with her daughter! Easy, Geraldo. Why don't you tell us the truth? I make horror films. That's what I do. The studio came to me with Stab. They came to me. Check it out. You knew her. When we did Stab 1, I realised I had known Maureen Prescott before. I mean as Rina. I couldn't tell anyone. Imagine the press. I couldn't tell anyone. Imagine the press. And now? I mean, murders on your set and still you say nothing? I mean, murders on your set and still you say nothing? Get real. That would make me a suspect. Because you knew her? What happened to Maureen in Hollywood? Listen to me, Lois Lane, let it go. It's dead and buried. Wanna see it dug up on national TV? What happened? In the '70s everything was different. I was well known for my parties. Rina knew. It was for girls like her to meet men who could get them parts. Nothing happened to her that she didn't invite in one way or another, no matter what she said later. Are you saying she - Maybe they took advantage of her. Maybe the sad truth is this is not the city for innocence. No charges were brought. The bottom line is Rina Reynolds wouldn't play by the rules. You want to get ahead in Hollywood, you gotta play the game. Or go home. What do you know about trilogies? What do you know about trilogies? Movie trilogies? You seem to like movies, Detective. You seem to like movies, Detective. Call me Mark. I call you Sidney. I will when you catch the killer. Well, all I know about movie trilogies is that in the third one all bets are off. Did you request this case? My cases deal with the business. I grew up here. I know my way around. Must be exciting. Beautiful place, beautiful people. To me, Hollywood is about death. Excuse me? I'm a homicide detective, remember? When you see what I see every day, the violence that people do to each other, you get haunted. I think you know about that. What do you mean? I know what it's like to see ghosts. To watch a scary movie in your head, whether you want to or not. Watching it alone. Ghosts are tough. You can't shoot ghosts. Can't arrest ghosts. To stop being haunted you gotta be with people. You're not hiding. You've done the right thing, Miss Prescott. What did you know about your mother? I always thought I had the perfect mom. Perfect family. Till I found out I was wrong. She, er... She had a secret life and I tried to understand that and, er,... ..as soon as I thought that I had, more secrets. I don't know who my mom was. You knew who she was to you. Here's the deal, I'm off to search the set. I think what you saw is real. That's the good news. I think what you saw is real. That's the good news. How is that good news? We're dealing with an ordinary, flesh-and-blood killer. I know how to handle guys like that. I know how to handle guys like that. Yeah? How? Catch him or kill him. Hey, Detective. What's your favourite scary movie? My life. Mine, too. * We have to think. Strategise. Milton's the key. He's not a killer. He's involved. We should follow him. We're going to the precinct to tell Kincaid and Sidney what we found. We're going to the precinct to tell Kincaid and Sidney what we found. My Gale would be more aggressive. My Gale would suspect everybody. (BOTH) Shut up! (PHONE RINGS) Riley here. "It's Sidney." I'm with Gale. We're on our way to see you. "John Milton called. It's about my mom. I'm meeting him at his house." I'm not so sure that's a good idea. "Kincaid's with me. I've got big-time LAPD protection." "I'd feel better if you were there." We're on our way. "Thanks." What? We're going to that party after all. Hey, guys. Come in. Join the party. We're here to see Sidney. Sidney's here. Where? Right there! Jesus, not "Sidney", Sidney. Like I'm Gale and she's Gale. Sidney Prescott? Yeah. I'd never invite her. She's on her way. The more the merrier. God, this house is incredible. It's old Hollywood. Yeah, could the dude have more money? Yeah, could the dude have more money? Milton has a secret screening room that was the scene in the '70s. It was drinks, drugs, girls, movies and shit. Wow! Wish I could see it. Shouldn't be hard to find. I'll check this place out. Just one minute! A killer's on the loose and you wanna traipse around this mansion? Have you seen the Stab movies? This dude always ends up a shish kebab! I'll go with you. There you go. Wanna come? It'll be OK. We're gonna stick together. Wait up! We'll wait for Sid. We'll be right back! If you were a screening room, where would you be? I bet in the basement. I don't like basements. Ooh, it's spooky. "Weirdad." It's dark. I love that movie. Forget it. What if Milton jumps out with a blade? He won't. You sure? What's down there? Zombies and aliens. You know, what you look like without make-up. Stop pretending I wasn't the best you had. Stop pretending I remember. Stop pretending! Roman? Roman? (CLANKING) Any sign of her? No. This is so strange. No. This is so strange. It sure is. Dewey, do you have caller ID on your cellphone? Dewey, do you have caller ID on your cellphone? Yeah. Use it and press send. (PHONE RINGS) What the hell? (RINGING CONTINUES) What is this? (DEEP VOICE) "Is this what he...?" "He's got our voices." He's got Sid. He's got us all. Oh my God. We've gotta find them. Take the gun. Go find Roman and Jennifer. I'll get the others. Go find Roman and Jennifer. I'll get the others. Be careful. Tyson?! Angelina? Are you up there?! (DOOR CLOSES) Roman! Tyson! Angelina! Damn it. (YELLS) Come on. We've gotta get out of here. Where's Angelina? She went in here. I came in after her, now she's gone. What's wrong? She went in here. I came in after her, now she's gone. What's wrong? Stab 3's back in production. Roman! Jennifer! Jennifer! Roman! Jennifer! Roman? (GASPS) (BOTH SCREAM) Is he dead?! Very! Dewey! Dewey! * Dewey! Wait. Dewey! (BOTH SCREAM) Sorry. I found a secret passage. Roman's dead. The killer's here. What?! Come on. I'm getting out of here. You're not safe alone! I did not fuck that pig Milton to get a leading role just to die here with second-rate celebrities like you two!! DEWEY: Gale! I'm up here! Come on. Dewey! You guys should get out, too. It's crazy to still be here. (SCREAMS) (SCREAMING) Come on! (BOTH SCREAM) Dewey! Gale! Jennifer! Up here! Gale! Jennifer! Up here! Dewey. Here! He got Roman and Angelina. We'll be safer together. (SCREAMS) What's going on? Oh, shit! Hey! Dewey! Argh! Dewey! (SCREAMS) No! Argh! (SHOUTING) Help! Police! Help! Help! Police! Help! Oh, you motherfucker! (DOOR OPENS) (SCREAMS) (SHOUTS) Dewey! Dewey! (MUFFLED) Dewey! Behind the mirror, Dewey! (SCREAMS) Gale! Dewey! Do you hear something? Get away from me, you asshole! Get away! Look. The mirror's moving! Gale! Stand back! You can't kill me! I'm the killer in Stab 3! Gale, cover! (SCREAMING) Dewey! (SCREAMS) (SCREAMS) Tyson! Tyson! I'll check down here. Call for help. Tyson! Tyson! Any sign of him? No. I'm gonna check out front. (MUFFLED) Dewey! Gale! Gale! Gale! Dewey. Gale! Gale! (PHONE RINGS) Who is it? "Dewey, it's me." Gale. Where are you? "I'm in the basement. Trapped." Where? "There's a door in the kitchen." "Hurry." Wait. How do I know that this is you and not the killer? "Open the fucking door! It's me." Don't you think that's what the killer would say? "Come on! He's out cold at the bottom of the stairs." (SCREAMS) Hey! (GUN CLICKS) Dewey? Dewey. < It's a pizza, not a party. Get back to work. Anybody seen my fucking partner? (PHONE RINGS) Hello? (ECHOES) "Hello?" Who is this? (ECHOES) "Who is this?" Who's calling? (ECHOES) "Who's calling?" Gale, Dewey, whoever, call me back. I can only hear myself. (DEEP VOICE) "I only hear you, too." (CHATTERING) Who is this? "The question isn't who I am, the question is, who's with me?" "Sidney, stay away!" "Don't do it. If you do one thing to attract attention to yourself, I'll kill them both. Now, do you have somewhere we can be alone?" Yes. "Go there." "It's hard being friends with you, Sidney." "If you're friends with Sidney, you die. These friends don't have to." "It's up to you." Are their voices... "Real?" "How do you know you're not hearing things? That I'm not in your head?" "Somewhere you know." "Don't come here!" "Dewey." "Or do you?" You're dead. "I don't want them. I want you. You show yourself, they survive." "You run, they die!" "Argh!" "Don't you want to know, Sidney, who killed her?" "Don't you want to know who killed your mother?" < Seen Kincaid? He went out. Where? "She'd have been so happy, Sidney, to know we'd be together." "She'd have been so happy, Sidney, to know we'd be together." Where?! "I'll call you when you're on your way." Shit. Shit. Shit. * Shit. (PHONE RINGS) What? "You follow directions well." "Now welcome to the final act. See that metal detector? Use it." "All over, Sidney. Everywhere." (BEEPS) "Everywhere. The other leg, too." (BEEPS LOUDLY) "Show it to me." "Throw it in the pool." "Now come inside, Sidney." No fucking way. How do I know they're not dead already? No fucking way. How do I know they're not dead already? "They're inside. Waiting for you." "Look for yourself." "Now that we're all here, the party can begin." Dewey? Sid. Where is he? I don't know. He's right there!! Oh, shit. Think again. It's your turn to scream, asshole! Yeah! It's OK. Oh. It's OK. Hurry, Sid. Hurry, Sid. Isn't he...? Where is he? (CREAKING) Be careful. I heard shots. Tyson's dead. What's going on? What are you doing here? Looking for you. Tyson mentioned a party. I thought, "Uh-oh." Thought I'd check it out. Tyson mentioned a party. I thought, "Uh-oh." Thought I'd check it out. Alone? Miss Prescott, I'm here to help. Put the gun down. Put it down. No! Argh! Sid. Wake up, Sid. Sid, come on! Wake up! Sidney. Shoot him. Sidney. Sid. Shoot the fucker! Shoot him! (GUN CLICKS) You want me, motherfucker? Come and get me. Run!! (MAUREEN'S VOICE) (Sid.) (Sid.) Come here. Please. It's just me, Sid. I was so pretty. Everybody loved me. Have you missed me, Sidney? Would you like to hold me one last time? What's the matter? What are you staring at? Don't you remember your... Don't you remember your... (DEEP VOICE) ..mother? (LAUGHS) You're not going anywhere. It's time to come to terms with me and Mother. Maybe you never knew her at all, Sidney. Maybe you just can't get past the surface of things. Who the hell are you? Who the hell are you? The other half of you. I searched for a mother, too, an actress named Rina Reynolds. Four years ago I actually tracked her down. Knocked at her door, thinking she'd welcome me, but she had a new life and a new name, Maureen Prescott. You were the only child she claimed. She shut me out in the cold forever. Her own son. Roman Bridger, Director. (DEEP VOICE) "And brother." She shut the door in my face. Said I was Rina's child and Rina was dead. And then it struck me. What a good idea. So I watched her. I made a home movie, a little family film. It seems Maureen, Mom, she really got around. I mean, Cotton was one thing. Everybody knew about that. But Billy's father? That was the key. Billy didn't like seeing his daddy in my film. Once I supplied the motivation, all the kid needed was a few pointers. Have a partner to sell out, find someone to frame. It was like he was making a movie. It was like he was making a movie. You? This is all because of you? I'm a director, Sid. I direct. I had no idea they were gonna make a film of their own. What a film it turned out to be, huh? Introducing Sidney the victim, Sidney the survivor, Sidney the star! Oh. You're gonna be OK. Apply pressure. Take this. Get that son of a bitch. Let's go. You got what you wanted. Villain and hero face to face. The villain dies! Exactly! But I'm not the villain. You are. Here he is. The man who gave away your mother's innocence. What he did to her made her a slut, didn't it? She never recovered from that night. Fucked her three ways from Sunday, ruined her life. Ruined yours, too. Do you hate him, Sid? Come on. I know you do. I'm sure you do. "I know. I know what happened to my mother. I'm gonna make you pay!" That's on Milton's answering machine, next to his mutilated corpse. What? Can't hear you. Don't do this, Roman. Tell me what you want. Any picture, name your budget. Final cut. Any picture, name your budget. Final cut. I already have it. (SCREAMS) God, you spineless bastard! That would be you. You did it all. You killed them all, even your closest friends. Living in isolation, another movie, discovering that Milton ruined Mom, you finally just snapped! One, two, three. And who's our hero? Who's the one that faced the psycho and killed her with her own knife? You'll pay for the life you stole from me. For the mother and family and for all you had that should've been mine! Stop your whining. Get on with it! STOP! Know why you kill people? No! Because you choose to! God-fucking-damnit! Take some responsibility! Fuck you! Fuck you! < You bitch! Sidney? Sidney! Sidney! Sidney! Sidney! Leave her alone! Hold on. Dewey, do something. Stand back. Argh! Dewey! (BANGING) Sid! Sid. (Sid.) (Where is he?) Hey. Lose something? Found something. (SCREAMS) < No! < There's gotta be another way in! Come on! < You hurt her, I swear I'll kill you! Dewey? Gale, down this way. There's another door down here! (FOOTSTEPS) (BANGING) This thing's not budging. Look for something heavy. Look for something heavy. OK. (PHONE RINGS) (SCREAMS) (PANTS) I shot you. I guess we think alike. Mother's dead. There's nothing you can do about that. I still got to make my movie. Stab 3, right? Oh my God. Kincaid? Hang in there. Roman? It was Roman? Be careful, Sid. Randy said the killer's always superhuman. Yeah, well, he wasn't superhuman, Dewey. He wasn't superhuman at all. (SHOUTS) Can't you just fucking kill me?! Head, Dewey! What? Shoot him in the head. Thanks. No problem. Oh. (BARKING) Look. Come on, Cherokee. She's doing great. Look. (LAUGHS) What are you doing with that? Er, will you sign it for me, Gale? You hate that book. Besides, I'm done with that kind of reporting. For me. Will you sign it for me? You're a nut. OK. Will you? Dewey. (LAUGHS) I know it'll never work. You know it'll never work, but... What I'm asking is just to see if we're wrong. We don't know everything, Gale. I mean, you think you do but... (LAUGHS) You're a brave man, Dewey Riley. I'm really scared right now. Inside. Sid, We've been waiting for you. We're gonna start a movie. What kind of movie? You have to come and see. (DOOR OPENS) # "Red Right Hand 2" - Nick Cave and The Bad Seeds # Take a little walk # To the edge of town # Now spread your wings and fly # Don't the lights of the city # Look so damn pretty # When you're flying so high? # It's hard to know # That down below # The streets, babe # Are swimming deep in blood # It's enough to make a grown man cry # You really wanna know # What's wrong with this land # As you're scratching your head # With your red right hand # I'm talking 'bout blood, babe # It's in your veins # Your mommy and daddy # They've got the same # You run to the mirror # Day after day # You see your pretty face crumbling away # As you become # Your mom and daddy # Scream once, scream twice # Now scream again # Cover that face # With your red right hand # # "Is This The End?" - Creed # So, is this the end # For us, my friend? # So, is this the end # For us, my friend? # So, is this the end # For us, my friend? # Well, as though # We rise # As the day # Breaks the dawn # And as the moon # Hides the sun # Oh, the sun # No more sorrow # Those crying days are gone # No more sorrow # Now let's go # Now let's go # Now let's go # So, # Is this the end # For us, my friend? # # "Automatic" - American Pearl # Spoke to my God today # Asked him why he'd gone away # He'd stolen a rock and ride in to the sun # Said, "Son I got one for you" # "Down there in California" # So take a look around at all you've done # You're automatic like a burning gun # You're a star like everyone # Talked to my soul today # Couldn't keep my brain awake # So I found a holiday # Behind the sun # Took all the friends I could # Spun out in Hollywood # Get aboard and climb on, everyone # You're automatic like a burning gun # You're a star like everyone # You could save the world # Could be shining on my pearl # You could save the world # Just might find you awake, my pearl # Shine # Shine # You're automatic like a burning gun # You're a star like everyone # IMS Subtitles www.able.co.nz Captions were made possible with funding from NZ On Air. TVNZ Captioning 2002