* < Mr Crown? I'm sorry? < Mr Crown? I'm sorry? < Women. < You've yet to talk about women. < Women. < You've yet to talk about women. Oh, I enjoy women. < Enjoyment isn't intimacy. And intimacy isn't necessarily enjoyment. < Enjoyment isn't intimacy. And intimacy isn't necessarily enjoyment. < How would you know? < Has it occurred to you that you have a problem with trust? < How would you know? < Has it occurred to you that you have a problem with trust? I trust myself implicitly. < Yes, but can other people trust you? What, you mean society at large? people trust you? What, you mean society at large? < I mean women, Mr Crown. Yes. A woman could trust me. < Good. Under what extraordinary circumstances would you allow that to happen? A woman could trust me... as long as her interest didn't run too contrary to my own. And society, at large? If its interests were to run counter to your own? SWEEPING MUSIC PLAYS MUSIC CONTINUES Jimmy, I think I'll walk for a while. I'll meet you at the office. You want me to take your briefcase? while. I'll meet you at the office. You want me to take your briefcase? Er, no, I'll carry it. HORN HONKS, TYRES SCREECH Er, no, I'll carry it. HORN HONKS, TYRES SCREECH Yo! Jesus Christ. Look at this jerk. Jesus Christ. Look at this jerk. ENGINE REVS LATCH CLACKS > CLACK! > Morning, Mr Crown. > Bobby. Back for your haystacks, huh? Don't ever let it go on tour, Bobby. Back for your haystacks, huh? Don't ever let it go on tour, Bobby. Oh, I'll lay down the law. (CHUCKLES) You're odd. Everybody else goes right for the Monet. Well,... it looks very nice. Nice? Do you know what it's worth? I just like my haystacks, Bobby. HORNS HONK Yo! You gonna move it? Come on, buddy. Let's go. Move it! Jesus Christ. Bring it on. BRAKES SQUEAK REVERSE WARNING BEEPS Something's screwed up. My list says some kind of sarcophagus. What do you want me to do? It's a horse. You want I should dump it? says some kind of sarcophagus. What do you want me to do? It's a horse. You want I should dump it? Nah. Nah, just unload the damn thing Boy, it's gonna be hot today. SIREN WAILS IN DISTANCE < Good morning, Mr Crown. SIREN WAILS IN DISTANCE < Good morning, Mr Crown. Sam. Can't let 'em know what's going on. Sam. Can't let 'em know what's going on. (CLEARS THROAT) Do you own the building or something? (CLEARS THROAT) Do you own the building or something? Excuse us, sir. Do you own the building < What the hell? What's going on? Excuse us, sir. Do you own the building < What the hell? What's going on? < He does own the building. DING! Good morning, Mr Crown. DING! Good morning, Mr Crown. Good morning. Good morning, one and all. Good morning, Mr Crown. Good morning, Mr Crown. morning, one and all. Good morning, Mr Crown. Good morning, Mr Crown. John. Welcome back. Good morning, Mr Crown. Good morning, Mr Crown. John. Welcome back. Good morning, Mr Crown. Good morning. Give me good numbers, Jimmy. Good morning, Daria. Good morning. Give me good numbers, Jimmy. Good morning, Daria. Good morning, Mr Crown. You forgot your briefcase? I must have left it here last night. PERCUSSIVE PIANO MUSIC PLAYS We have a disparity here. Yeah, I saw that. Well, we can't leave it here. Let's find out what the problem is. BEEP! MOTOR WHINES That is not a sarcophagus. It's Friday. What did he mean by that? It's Friday. What did he mean by that? I'd say come Monday there's gonna be hell to pay. (LAUGHS) Times in this thing, I never thought I'd see that. Thomas Crown forced to sell something. So, what do you think, Crown? No regrets? Regret is usually a waste of time. As is gloating. Have you figured out what you're going to tell your board... when they learn that you've paid me $30 million more than others were offering? Morning, gentlemen. PERCUSSIVE MUSIC RESUMES SAWING NOISE CREAKING (BREATHES HEAVILY) All right. English only from now on. (BREATHES HEAVILY) All right. English only from now on. (SPEAKS ROMANIAN) (BREATHES HEAVILY) < MAN LAUGHS < Upon closer inspection, your proposal is not as generous as you led us to believe. < There is no executive compensation. Look, gentlemen, we understand your objection to the merger. executive compensation. Look, gentlemen, we understand your objection to the merger. It's not a merger! I'm afraid your stockholders have spoken. It's not a merger! I'm afraid your stockholders have spoken. We anticipated your reluctance. We won't be a Crown subsidiary. > stockholders have spoken. We anticipated your reluctance. We won't be a Crown subsidiary. > Our attorneys are prepared to go head to head at the SEC. I thought that kid was gonna bust a gut when you went into that thing about the SEC. How's it go? Sad to see another tired man` Time to see another tired man lay down his hand and quit the holy game of poker ` that's the line. He's right. Third-generation company, you'd think they would have shown more grit. SPARKS CRACKLE BANGING LASERS WHINE ADVISERS TALK OVER EACH OTHER Speak to Scully. CLANG! Go. Go. Go. This painting is considered to be the first Impressionist work in history. It started the Impressionist movement. It influenced dozens of artists... who went on to found the first major school, or style, of the 20th century. OK. Try this. It's worth 100 million bucks. ALL EXCLAIM WHIRRING The government guy we paid off to make a state deal is back. WHIRRING The government guy we paid off to make a state deal is back. This is the second time they've lied < Don't forget about the Douglas conference call in 10 minutes. Young lady,... do not touch. I'll let you go this time. On your way. ZAP! CLUNK! CLUNK! CLUNK! CLUNK! SOFT CLUNKING CONTINUES MACHINERY POWERS DOWN Argh! MACHINERY POWERS DOWN Argh! CLANG! Hey. Jimmy, would you take a look in the compressor room? There's something wonky with the AC. Jimmy, would you take a look in the Can't we pass it on to engineering? wonky with the AC. Jimmy, would you take a look in the Can't we pass it on to engineering? The book says we check it first. All right. Would be one of the hottest days of the year. All right. Would be one of the hottest days of the year. Can you believe it's nearly October? DING! DING! Bring the kids. Are you kidding? You know her. She'd probably ring the court saying I was endangering them. DING! DING! You're not kidding, are ya? DING! DING! You're not kidding, are ya? < You wouldn't believe the shit that woman deals up. OMINOUS MUSIC PLAYS The whole air-conditioning plant's crapped out. OMINOUS MUSIC PLAYS The whole air-conditioning plant's crapped out. Why didn't they call maintenance? > Hm. See you in the morning, Daria. Hm. See you in the morning, Daria. Found your briefcase, I see. Hm. See you in the morning, Daria. Found your briefcase, I see. Evidently. Goodnight, sir. Goodnight. > That's good. Here you go. Goodnight. > That's good. Here you go. OK. Thanks. Hey, they want to talk to you upstairs. Me? Or the regular proctor? McKinley will be back in just a couple of seconds. I think you should talk to them. Call them, if you like. Administration. Hello. Call them, if you like. Administration. Hello. This is Jeff in wing eight. I was told you wanted to speak to me. OK. I'll be right up. I'll, er, just... go up. Sorry, this exhibit is closed. I'll have to ask you to leave. I'll, er, just... go up. Sorry, this exhibit is closed. I'll have to ask you to leave. This exhibit is now closed. The exhibit is now closed. We are closed for the evening. This exhibit is now closed. The exhibit is now closed. We are closed for the evening. We are closing. Thank you. OMINOUS MUSIC PLAYS Thank you. Right this way. Thank you very much. I'm sorry, sir, this exhibit is closed. What have we got here? Hm, it's only quarter to 5. We are closed. For cleaning. ENGINE ROARS Hey, Bobby. I've been evicted. What do you mean? Hey, Bobby. I've been evicted. What do you mean? The Impressionist gallery, closed for cleaning. What do you mean? Cleaning? closed for cleaning. What do you mean? Cleaning? Yeah. Doing it right now. Ed, want to lend me a hand here for a minute? Yeah. Doing it right now. Ed, want to lend me a hand here for a minute? Certainly. (SPEAKS ROMANIAN) Excuse me. What do you think you're doing? Yes. think you're doing? Yes. What? Upstairs sent us down to clean this exhibit. They've got some VIPs coming through. I didn't hear about it. I oversee this section. coming through. I didn't hear about it. I oversee this section. Call upstairs, if you like. No. You're right. They've been having people down here all week. MEN YELL Get out! Get out! > Stop him! Aw! (SHOUTS IN ROMANIAN) Aw! (SHOUTS IN ROMANIAN) Look out, Mr Crown. Aw! (SHOUTS IN ROMANIAN) Look out, Mr Crown. ZAP! ZAP! ALARM BLARES Please. One at a time. > Keep moving. Move in a calm manner, please. Keep moving. No need to panic. Thank you. ALARM BLARES Stop! ALARM BLARES Stop! Hold it right there. Freeze! Get your hands up. ENGINE ROARS SIRENS WAIL (WHISTLES) 68th and Lexington. (BLOWS) Kia ora. (SIGMA'S 'CHANGING' FEATURING PALOMA FAITH) # Hell down, heaven now, livin' in the same town, trying to find somethin' new. Hello. (HORN TOOTS) (BUTTONS BEEP) Hey! # Everythin' is changin'. No, it's a wee one. (OINKS) (INDISTINCT CONVERSATION) Jambo. Salaam alaikum. (DRONE WHIRRS) Hello. I'm home. (BEEP!) (BEEPING) ALL: Hey! (ELECTRONIC WHIRRING) Hello. (BUZZING, CHILDREN CHUCKLE) Hello from the children of Planet Earth. Good evening, sir. Good evening, sir. Hey, Paul. Wanna put this in the study? Good evening, sir. Hey, Paul. Wanna put this in the study? I set out a bottle of wine. Hey, Paul. Wanna put this in the study? I set out a bottle of wine. Thank you. Huh, I may have won a cruise. LATCHES CLICK (LAUGHS) Oh yes. Mikey. (LAUGHS) Oh yes. Mikey. Hey. Find the chopper? (LAUGHS) Oh yes. Mikey. Hey. Find the chopper? Abandoned in Queens. We know it was stolen? Hey. Find the chopper? Abandoned in Queens. We know it was stolen? Checking. Probably off some guy's pad in the Hamptons. Mr Lenox! Mr Lenox is the director of the museum. Mr Lenox! Mr Lenox is the director of the museum. Yeah. Mr Lenox is the director This is Detective Michael McCann. Yeah. Mr Lenox is the director This is Detective Michael McCann. Sorry to be here, sir. What are the actives? This is Detective Michael McCann. Sorry to be here, sir. What are the actives? Four. Probably Eastern European. No print records. Illegals? Check with Interpol. Russian government might help. Point of entry was a hollow statue delivered this morning. They brought it in through security. Next you're gonna tell me it was a horse. A Trojan Horse? me it was a horse. A Trojan Horse? Bingo. Somebody's got a sense of humour. A Trojan Horse? Bingo. Somebody's got a sense of humour. Got three digits of the truck plate. Bingo. Somebody's got a sense of humour. Got three digits of the truck plate. This place been hit before? Somebody's got a sense of humour. They just lost their cherry. This place been hit before? Somebody's got a sense of humour. They just lost their cherry. It was just the one painting? It's such an important one. It's a seminal work, a historical watershed. It's irreplaceable. Some of these broads are wearing my salary. So, the skylight was rigged to blow. Some of these broads are wearing my salary. So, the skylight was rigged to blow. Yeah, and there were cargo nets spread out, ready to use. And they were wearing repelling harnesses underneath their clothes. spread out, ready to use. And they were wearing repelling harnesses underneath their clothes. OK. All right. Let's just track this thing through. So, they kill the air, make the place uncomfortable,... drive out the tourists. Then they lower these gates so nobody can disturb them, they lower the paintings into the cargo nets. Haul the paintings, ditch the frames, figure they're gonna fly out of here like Peter Pan,... but somebody makes them early, chopper takes off, some of the crew make it, some don't. Amateur night. Right? What's that? Right? What's that? It was wedged under the gate. And? Not exactly a Samsonite. Titanium. The engineers said it would have to absorb 15 to 20 tons to stop this gate. FOOTSTEPS APPROACH Seems there may be a couple of holes in your theory. They shut off the air to drive out the tourists, then they escort them out anyway? Then they close the gates to keep everybody out, but block one of them open while they prepare to load... conservatively 1000lb of paintings and 800lb of men, that we know about, in a... What was the chopper? Sikorsky S76. Right. In a chopper with a 600lb useful load. You, er, figure you'll wrap this by morning, do ya, Lieutenant? It's Detective, and I'm a little fuzzy about who you are. by morning, do ya, Lieutenant? It's Detective, and I'm a little fuzzy about who you are. Oh, I'm Catherine Banning. It's Detective, and I'm a little Of? Oh, I'm Catherine Banning. It's Detective, and I'm a little Of? Zurich Underwriters requested... It's Detective, and I'm a little Well, actually, they` Zurich Underwriters requested... It's Detective, and I'm a little Well, actually, they` You're insurance. Some Swiss gentlemen would rather not write a $100 million cheque. So I'm stuck with you on my back. Some Swiss gentlemen would rather not write a $100 million cheque. So I'm stuck with you on my back. Aw, come on, Lieutenant. Who knows? You might enjoy it. (CHUCKLES) Oh. CRACK! Whoa. A thousand bucks says you can't do that again. Tony, put another ball down there. Tommy, it was a figure of speech. Let's make it interesting, shall we? 10 to one? Tommy, it was a figure of speech. Let's make it interesting, shall we? 10 to one? Fine, I'll take your money. CRACK! Let's go again. Still 10 to one. CRACK! Let's go again. Still 10 to one. Tommy, that's $100,000 on a goddam golf swing. It's a beautiful Saturday morning, John. What the hell else have we got to do? CRACK! All right. She does live in Europe, but she's actually from the Midwest. Born Catherine Olds. What was Banning? but she's actually from the Midwest. Born Catherine Olds. What was Banning? Englishman she married for six months. What was Banning? Oh, so, she's not law enforcement. married for six months. What was Banning? Oh, so, she's not law enforcement. Worse. Bail bonds and bounties. Oh. Tough beat. Yeah. Her father's an Ohio hard case named Clarence Milton Olds, called Bumper Olds. Story goes he kept a chain on his back bumper. Guy ran on him, brought him back on the end of the chain. Guess you don't want to cross old Clarence, huh? Morning. How are you? I said, er, how are you? Jet-lagged. Thank you. We thought we'd start with the, um, security tapes. What is that? Jet-lagged. Thank you. We thought we'd start with the, um, security tapes. What is that? You don't wanna know. Right, these are yesterday's tapes from the Impressionist wing. < Why are they different from the corridor cameras? tapes from the Impressionist wing. < Why are they different from the corridor cameras? < We're upgrading to thermal imagery It works in the dark. Even senses body heat. < We're upgrading to thermal imagery It works in the dark. Even senses body heat. Mm-hm. Got it. So, that's the Monet that morning. Even senses body heat. Mm-hm. Got it. So, that's the Monet that morning. < Right. Mm-hm. Got it. So, that's the Monet that morning. < Right. < OK, skip forward to the robbery. So, that's the Monet that morning. < Time of the robbery. < OK, skip forward to the robbery. So, that's the Monet that morning. < Time of the robbery. Whoa. Zip. > Was your camera still working or what? Did they cut the feed? Whoa. Zip. > Was your camera still working or what? Did they cut the feed? Oh. No. That's why they cut the air. That could be. These things need a 10deg difference. If the temperature of the ambient... gets within 10deg of the bodies` 10deg difference. If the temperature of the ambient... gets within 10deg of the bodies` ...the camera can't tell between people and walls. How hot did it get in the museum? Check the other cameras. Why can you see people in this room? The ambi in that room only went up to the mid-80s. OK, wait. You're telling me that for some reason the area around that particular painting went above 90. What? I don't know. Something. What? Are we channelling now? How long have you been doing this? What? Are we channelling now? How long have you been doing this? A while. Where? Europe? And other places. Where? Europe? And other places. Oh, you're a real self-promoter (!) Give me a 'for instance'. And other places. How many legs? Give me a 'for instance'. And other places. How many legs? What? The bench. Two. Do you still have that tape up? Two. Do you still have that tape up? Yeah. Great. Back it up to the morning part of the tape. Stop. > Hello. Jesus. So, they bring this thing in earlier in the day ` what's in it? Jesus. So, they bring this thing in earlier in the day ` what's in it? I mean, it could be a heater. So, they bring this thing in What? I mean, it could be a heater. So, they bring this thing in What? In the briefcase, on a timer. Bring the temperature up 10 more degrees. In the briefcase, on a timer. Bring the temperature up 10 more degrees. You ever eat? < Hm? Lunch, for instance. Do you like pizza? I know a great place we could stop. I'm on London time. Pizza's not your thing. OK. What's the matter, Lieutenant? She leave you for a stockbroker? Pizza's not your thing. OK. What's the matter, Lieutenant? She leave you for a stockbroker? It's Detective. First grade. And, er,... he was a urologist. Can I drop you someplace? At your hotel? One, I keep an apartment here, and two, I'm going to your office. She keeps an apartment. I keep goldfish. PHONES RING Oh, hey. Hello there, little lady. How are you doing? Oh, hey. Hello there, little lady. How are you doing? Detective. Look, they don't seem to be Russian. Maybe Romanian. The witness is here. be Russian. Maybe Romanian. The witness is here. Right. Number four. The witness is here. Right. Number four. You're sure? Right. Number four. You're sure? I'm sure. OK. Would you mind indicating that here? OK. Would you mind indicating that here? Certainly. Sure. < Sign down here, please. < These gentlemen will take you out. < Sign down here, please. < These gentlemen will take you out. < Appreciate it, Mr Crown. < Sign down here, please. < These gentlemen will take you out. < Appreciate it, Mr Crown. < Thank you. We're gonna go beat up the Romanians. < Thank you. We're gonna go beat up the Romanians. OK. Thank you. (SIGHS) Oh, wait a minute. I've gotta get some coffee. Thank you. (SIGHS) Oh, wait a minute. I've gotta get some coffee. < That sums it up, gentlemen. And you'll be willing to testify to that? < That sums it up, gentlemen. And you'll be willing to testify to that? Sure. Absolutely. Mr Crown, people like this, they might have friends. You realise they might try to make it ugly. Well, I understand, gentlemen, and I guess I'll just take my chances. might try to make it ugly. Well, I understand, gentlemen, and I guess I'll just take my chances. < We'll nail these jokers. < I can't imagine somebody thinking they could get away with a thing like this. MYSTERIOUS MUSIC PLAYS PRISONER SPEAKS IN ROMANIAN They say anything yet? Not in English. Still trying to find somebody to translate. Let me try. Do not tell me you can speak Romanian. God, who would ever bother with Romanian (?) Give me the quiet one. OK. (SPEAKS ROMANIAN) (SPEAKS ROMANIAN) (SPEAKS ROMANIAN) (SPEAKS ROMANIAN) (SPEAKS ROMANIAN) Hmm? (SPEAKS ROMANIAN) (SPEAKS ROMANIAN) (SPEAKS ROMANIAN) (SPEAKS ROMANIAN) Ugh! BANNING SPEAKS ROMANIAN They do speak English. It was a pre-packaged robbery. He picked them up in Little Odessa. They were given timetables, a` It was a pre-packaged robbery. He picked them up in Little Odessa. They were given timetables, a` OK, who's 'he'? You don't think they know, do you? They were intermediaries. They never saw his face, never heard his voice. You don't think they know, do you? They were intermediaries. They never saw his face, never heard his voice. That's why they failed. What makes you think they failed? Maybe it was a successful robbery. Maybe they were set up to fail. Why? Diversion. Make a lot of noise, so over in this room you can take 100 million off the wall and waltz out. Oh, that's good. It doesn't matter, cos as soon as he tries to sell it, we nail him. Oh, that's good. It doesn't matter, cos as soon as he tries to sell it, we nail him. (LAUGHS) Oh. He's not gonna sell. He's not? Mm-mm. This is an elegant crime done by an elegant person. It's not about the money. OK, so who's gonna risk prison to steal a Monet just to not sell it? A Monet lover. Whose desk is that? A Monet lover. Whose desk is that? Um... A Monet lover. Whose desk is that? Um... Could I use it? Yeah, sure. OK. Let's dig up every major auction in the last five years and see who's been bidding on Monets. See anyone we know? Him? A big day for this guy's taking off his tie. He's a finance geek. Him? A big day for this guy's taking off his tie. He's a finance geek. Is he? WAVES LAP WINCH RATTLES < How's that? WINCH RATTLES < How's that? Yeah! Go! Go! WAVES CRASH Whoo-hoo! < Yeah! Yeah! Ease off. Whoa. (LAUGHS) Come on! Come on! Let's go! Yeah! Whoo! Argh! SPLASH! I saw him wreck a $100,000 boat because he liked the splash. Do you know what kind of flesh-eating lawyers this guy's gonna have? Mm-hm. flesh-eating lawyers this guy's gonna have? Mm-hm. Not to mention political connections. (GIGGLES) Mr Thomas Crown has very generously loaned us a Pissarro while our own Monet is recovered,... not to mention personally apprehending one of the suspects. APPLAUSE I'm afraid Jim embellishes horrendously. I just did what Jim does at these fund-raisers ` I waved my arms in the air and shrieked for help. LAUGHTER AND APPLAUSE I waved my arms in the air and shrieked for help. LAUGHTER AND APPLAUSE Hello. How are you? Lovely to see you. I knew him, you know. > Did you, madam? I knew him, you know. > Did you, madam? His son, that is ` Lucien Pissarro, in the '30s, in Paris. > It's very impressive. Well, it seemed the right size for the space. It's very impressive. Well, it seemed the right size for the space. Or maybe you were bored with it. Do we know each other? Not yet. I'm Catherine Banning. Thomas Crown. Vodka rocks. Twist. Thomas Crown. Vodka rocks. Twist. OK. > And, um, Scotch neat. Mm-hm. How did you know that? Mm-hm. How did you know that? I've been reading about you. Mm-hm. How did you know that? I've been reading about you. Oh. Where? In a file. Who do you work for? In a file. Who do you work for? I'm in the art world. Dealer? Who do you work for? I'm in the art world. Dealer? Mm-mm. I'm in the art world. Dealer? Mm-mm. Gallery owner? No, it's closer to insurance. I'm covered. Not for this. The painting. The Monet. You don't think they'd simply cut a cheque for $100 million, do you? The Monet. You don't think they'd simply cut a cheque for $100 million, do you? So, you...? Get them things. When there's this much money involved, it means I get them someone's head. When there's this much money And whose head are you after? someone's head. When there's this much money And whose head are you after? Yours. Good evening, Mr Crown. Are you trying to, er...? Are you trying to imply that I had something to do with that painting? Trying? Thank you. No, I wouldn't call it an attempt. What's your take for all this? wouldn't call it an attempt. What's your take for all this? 5% of the value recovered. Oh, a bounty hunter. If you like. Oh, a bounty hunter. If you like. Always get your man? Oh, a bounty hunter. If you like. Always get your man? Mm-hm. Think you'll get me? Oh, I hope so. Can I, er, drop you somewhere? Oh, I hope so. Can I, er, drop you somewhere? I have a car here, thanks. Then, tomorrow? Us. Dinner. You're on. Let's make it early. I've got a stop to make first. What's happened? > 'Happened'? Whenever I talk, while you're tuning out what I say, the corners of your mouth go up. You're enjoying something. It's not me. What is it? An entertainment. You're enjoying something. It's not me. What is it? An entertainment. Very little entertains you, so I can easily guess. A worthy adversary? Hm? Did someone swindle you? You waltz in there without even a heads-up, without one word to me or anyone else in the department. I, er, had a little chat with him. You had a little chat. You told him balls-out he was a suspect. I, er, had a little chat with him. You had a little chat. You told him balls-out he was a suspect. I cut through the crap, all right? How long was it going to take you, Mike? Weeks of wire taps, if you could get them,... guys tailing him to the bathroom. I found out in 10 minutes. He did it. The smug son of a bitch did it. You compromised the investigation. son of a bitch did it. You compromised the investigation. I jump-started it. Oh, really? What do you have to show for it? Besides a date. I'm gonna play with him for a while. I can come up with some questions as to who's playing whom. I'm gonna play with him for a while. I can come up with some questions as to who's playing whom. You saying I shouldn't go? Don't piss on the department, Catherine, OK? We're on this. TYRES SCREECH COMEDIC MUSIC PLAYS How do you do? This is a warrant. We're here to conduct a legal search of these premises. Jack, get someone up here. I want two more men in this room right here. Move, move, move. John, take the back room. Mr Crown. John, take the back room. Mr Crown. Thank you. Er, excuse me. W-Why are you in my house? I'm sure it's a mystery to you, but your lawyer will be able to explain. W-Why are you in my house? I'm sure it's a mystery to you, but your lawyer will be able to explain. Wallace. This, gentlemen, happens to be my attorney. ENGINE STARTS TYRES SCREECH Oh, keep your knickers on. I'll get into his house. You look wonderful. I'll get into his house. You look wonderful. Thank you. How are you? Popular. Mikey. You're not gonna believe this. You know where he's taking her? To the museum. The fucking museum? That's kinda sweet, you know, for a first date. Hey, I didn't know your portrait was here. The faceless businessman in a bowler hat. Everything but the briefcase. Did you have to sit long for the artist? Actually, um,... I do own a copy of that. Actually, um,... I do own a copy of that. (LAUGHS) Oh, of course you do. And where might you be taking me? (LAUGHS) Oh, of course you do. And where might you be taking me? Come, come, come, come. Good evening, sir. The museum is closing in 15 minutes. Come, come, come, come. Good evening, sir. The museum is closing in 15 minutes. Thank you. Oh, your loaner. Uh-huh. That's the least I could do. Oh, your loaner. Uh-huh. That's the least I could do. Mm. (INHALES) Oh, I see they've had the air back on. I shouldn't have checked my coat. (INHALES) Oh, I see they've had Thank you. checked my coat. (INHALES) Oh, I see they've had Thank you. Mm-hm. You know, if I had my pick in this room, I wouldn't have taken the Monet. No? room, I wouldn't have taken the Monet. No? No. Monet. No? No. What would you take? No? For my personal choice? What would you take? No? For my personal choice? Mm-hm. Oh,... that one. You? that one. You? Mm. > You'd like to have that? Why? > Would you get it for me? > Anything's obtainable. OK, I'll bite. What would you do to get it? I'd buy a print. (LAUGHS) Uh-huh. They're going into Cipriani. I thought they were supposed to go to Le Cirque. They're going into Cipriani. I thought they were supposed to go to Le Cirque. I'm watching them walk into Cipriani And with no reservation. Scotch, neat, for me, and I guess the lady would like a, um... And with no reservation. Scotch, neat, for me, and I guess the lady would like a, um... What? Scotch, neat, for me, and I guess The lady actually likes champagne. What? Scotch, neat, for me, and I guess The lady actually likes champagne. < We have Krug Grande Cuvee 1981. Scotch, neat, for me, and I guess Sounds great. Thank you. < We have Krug Grande Cuvee 1981. Scotch, neat, for me, and I guess Sounds great. Thank you. < Wonderful. On the way. You've been busy. Sounds great. Thank you. < Wonderful. On the way. You've been busy. (CHUCKLES) I'm sure your files are thicker than mine. Well, the thing that impressed me most was getting from Glasgow to Oxford on a boxing scholarship. Not bad for a wee lad from Glasgee. It was easy. Rich kids cannae box. Oxford on a boxing scholarship. Not bad for a wee lad from Glasgee. It was easy. Rich kids cannae box. (LAUGHS) The hard part was learning to talk. But you, now... The matador, the Italian industrialist, the ambassador's son. But you, now... The matador, He was cute. ambassador's son. But you, now... The matador, He was cute. He was 17. Yes, he was. He was cute. He was 17. Yes, he was. You must admit, that's a fair litany for a young girl from Lima, Ohio. But the part I didn't get ` I mean, it's obvious that you like men, but you never keep any around long. Oh, well, men make... women messy. Thank you. Here's to the fear of being trapped. DRAMATIC MUSIC PLAYS < Here's the fish for the lady. DRAMATIC MUSIC PLAYS < Here's the fish for the lady. Thank you. You're welcome. And the lamb chops for the gentleman. Thank you. You're welcome. And the lamb chops for the gentleman. And we'd like to pre-order souffles. I'd like to send a bottle of burgundy to the two gentlemen there. And we'd like to pre-order souffles. I'd like to send a bottle of burgundy to the two gentlemen there. < Of course, sir. Enjoy. At least they look uptown. The ones yesterday looked like flashers. < Of course, sir. Enjoy. At least they look uptown. The ones yesterday looked like flashers. We do our best. I'm under glass. Soon you'll know everything about me. There are things we don't know. Like what? Like why? Were you bored? > Acquisitions and mergers looking a little stodgy? Is it more fun getting it than keeping it? And is this the fun part for you? it than keeping it? And is this the fun part for you? How do you mean? > It's not about the money. You like the chase. Not many women get to chase. It's like poker ` we don't let you in the game. You're right. My brothers said I didn't have the mind for it. > game. You're right. My brothers said I didn't have the mind for it. > Now they're plumbers. Oh, but you knew that. METAL SCRAPES Can I ply you with anything else? METAL SCRAPES Can I ply you with anything else? Nothing. METAL SCRAPES Can I ply you with anything else? Nothing. Cheese? Would you like a`? Would you like a deal? Make it easy on yourself. We'll just get more warrants, searches, mess up your carpeting. May I`? May I ask you a very personal question? Why not? Would you like another hit of espresso? Would you... like another`? Would you like another hit of espresso? Would you... like another`? Like another hit of espresso? hit of espresso? Would you... like another`? Like another hit of espresso? Mm. That's the very personal question? Like another hit of espresso? Mm. That's the very personal question? < That's as good as it gets. Mm. That's the very personal question? < That's as good as it gets. Oh. Excuse me. May I ask you a very personal question? Excuse me. May I ask you a very personal question? Oh, sure, by all means. Do you really think I'm going to sleep with a man I'm investigating? Oh, sure, by all means. Do you really think I'm going to sleep with a man I'm investigating? (CHUCKLES SOFTLY) Do you really think I'm going to Is that the question? (CHUCKLES SOFTLY) Do you really think I'm going to Is that the question? Yes, that's it. Why should I answer your question when you didn't seriously commit to my espresso? All right, I'll seriously commit to your espresso. (SNIGGERS) DINERS CHAT INDISTINCTLY KEYS JANGLE I'd let you in... KEYS JANGLE I'd let you in... ...but the world is watching you. Yes, they are. And, besides, you've got no furniture. Yes, they are. And, besides, you've got no furniture. Oh, that's good. That's very good. Goodnight. Goodnight. JAZZY SAXOPHONE MUSIC PLAYS Alone? NEWS PLAYS INDISTINCTLY ON TV You ready? OK. Grounded. OK. 10,... < 11,... 12,... < 13,... < 14,... 15,... 16,... > < 17,... 18,... 19... 18,... 19... < Got it. Good. < Got it. Good. You're slipping, Larry. < Give me a break, all right? The guy's got a 10-digit PIN. Check the basement first. The guy's got a 10-digit PIN. Check the basement first. < You got it. CLACK! RUMBLING NOISE > Excuse me. Is that it? Excuse me. Is that it? We got it. Excuse me. Is that it? We got it. She got it. APPLAUSE AND WHISTLING Is the expert here?! APPLAUSE AND WHISTLING Is the expert here?! Ready and waiting, darling. Look, this is George French, head of forensics. And this is Dr Cornelius. Come on in, Doc. This is Catherine Banning. forensics. And this is Dr Cornelius. Come on in, Doc. This is Catherine Banning. How do you do? Come on in, Doc. This is Catherine Banning. How do you do? Hello. Well, go to work, Doctor. Don't glare at me, Michael. So, are the laws of the United States completely unknown to you? Or is it because you've been living in fucking Morocco` States completely unknown to you? Or is it because you've been living in fucking Morocco` Monaco. I don't give a shit, OK? It's illegal entry, theft, trespassing. Monaco. I don't give a shit, OK? It's illegal entry, theft, trespassing. I'm not a cop. I can tell, cos if you were a cop you'd know that this won't hold up. I'm not a cop. I can tell, cos if you were a cop you'd know that this won't hold up. My job is the painting. You've got a ghost here. What? You've got a ghost here. What? Another painting underneath. < Monet reused his canvases. Monet's unknown masterpiece ` dogs at cards. Where is that sack of shit? Where is he right now?! BAND PLAYS GENTLE MUSIC Let's just dance. Excuse me? I'm cutting in. Hm. It's all right. I'll see you. It's a black-and-white ball. Oh, sorry. I wasn't invited, anyway. You left yourself wide open. Oh, sorry. I wasn't invited, anyway. You left yourself wide open. Mm. You're all flushed. Oh, sorry. I wasn't invited, anyway. You left yourself wide open. Mm. You're all flushed. How many people can forge a Monet? Five? Maybe six? I can't be arrested for a joke. Oh, but this was a little too good. I can't be arrested for a joke. Oh, but this was a little too good. I think you're just inches away. I am inches away. You think I'm just gonna pick up crumbs you lay out? I can smell blood on my own. (CHUCKLES) You smug son of a` (CHUCKLES) You smug son of a` BONGOS BEAT BOSSA NOVA PLAYS You wanna dance? Or do you wanna dance? MUSIC CONTINUES WASIS DIOP'S 'EVERYTHING (IS NEVER QUITE ENOUGH)' PLAYS (SHRIEKS WITH LAUGHTER) Get away! Get away! Oh. You are... most remarkable. Mm. You don't think we're finished, do you? (LAUGHS) (SHRIEKS) (LAUGHS) Good morning. (LAUGHS) Good morning. Good morning. (LAUGHS) Good morning. Good morning. < Morning, Paul. Good morning. Can I get you anything else? < Morning, Paul. Good morning. Can I get you anything else? Not a thing. Good morning. Thank you, Paul. Not a thing. Good morning. Thank you, Paul. Thank you, Paul. > I suppose you didn't just run out for that. No. just run out for that. No. No. Damn, I hate being a forgone conclusion. You live very well. Thank you. It would be a shame to lose it all. Thank you. It would be a shame to lose it all. Well, that depends on a very large presumption. Yes, it does. I won't back off, you know. Not even for a minute. I'd be hugely disappointed if you did. How do porcupines mate? > disappointed if you did. How do porcupines mate? > Old joke. Very carefully. Carefully, or unsuccessfully. Don't see many porcupines. > Creatures with highly evolved defence systems` Don't see many porcupines. > Creatures with highly evolved defence systems` Like porcupines. Like 42-year-old successful, self-involved loners. If you have a female mirror image and think you'll form a relationship` ...think again? Good morning. Nice dress. Looks like it was a great party. Nice dress. Looks like it was a great party. Mm-hm. Nice dress. Looks like it was a great party. Mm-hm. (CHUCKLES) You gonna be a cliche? Did you even think twice? You gonna be a cliche? Did you even think twice? No. You knew what you were doing? > No. You knew what you were doing? > My job. He likes me, he'll keep liking me. Keep him right next to me. And you don't care what that makes you? (SIGHS) I know what I'm doing. (SIGHS) I know what I'm doing. Do you, really? This is just about money, Mike. He's got a problem. PLANE ENGINE DRONES I could get used to this. PLANE ENGINE DRONES I could get used to this. Just hold on, now. Hold on. Why? (SCREAMS) > BANNING SHRIEKS WITH LAUGHTER (SHRIEKS) Now you're gonna take the stick. (SHRIEKS) Now you're gonna take the stick. Oh, I'm not taking it. (SHRIEKS) Now you're gonna take the stick. Oh, I'm not taking it. Take the stick. I'm not taking` Oh, I'm not taking it. Take the stick. I'm not taking` Put your hands on the stick. Take the stick. I'm not taking` Put your hands on the stick. Oh no. AIR RUSHES Just to the right. That's it. That's good. AIR RUSHES Just to the right. That's it. That's good. Oh my God. (SHRIEKS WITH LAUGHTER) Head for that hill over there. Head for the hill. Don't lose it, now. Don't lose it. There you go. Yes. This is ridge-running. You're doing it. Oh, this is great. You're doing it. Oh, this is great. I'm in your hands. Just feel that. Feel that movement? Just feel that. Feel that movement? I do. To the left. To the left. Pick up the thermal coming over the hill. Just like a hawk. UPLIFTING MUSIC PLAYS COW MOOS Cows. Well, that's OK. We're only about four states from your car. ENGINES ROAR That island isn't Manhattan. It's not (?) That island isn't Manhattan. It's not (?) No. I have appointments. Wanna keep them? (SPEAKS FOREIGN LANGUAGE) (KNOCKS) Door's welded. Throw your leg over. (KNOCKS) Door's welded. Throw your leg over. Throw my leg over. ENGINE STARTS ENGINE ROARS JAUNTY MUSIC PLAYS (SHOUTS INDISTINCTLY) JAUNTY MUSIC PLAYS OVER DIALOGUE Whoo! < This must go over. With whom? > < This must go over. With whom? > Whomever you bring here. I never bring anyone here. Voila. (LAUGHS) I bet they're all my size, huh? Could be. Might be off a little, here and there, but I think they'll make do. I'll go make dinner. BIRD CALLS (SIGHS) Come on. (SIGHS) Come on. You want some wine? > (SIGHS) Come on. You want some wine? > Yes. Whoo! It's beautiful. MAJESTIC MUSIC PLAYS Wanna see it? No. Are you sure? No. Are you sure? I'm sure. Like a splash? Come here. Wanna see it? > No. Sure? You wouldn't leave your stolen painting lying around a Caribbean hut. < What if I did? I bet you'd tell me. < What if I did? I bet you'd tell me. Why would I trust you? You know you can't. You don't believe it's possible that you could ever trust me, do you? You know you can't. You don't believe it's possible that you could ever trust me, do you? You know how likely I think that is? Excuse me. Should I open another bottle? Mm. Yes. I think so. Mm. Yes. I think so. I think so. '85 wasn't very good. I think so. '85 wasn't very good. No. No, it's not. No. Truce. A truce would be good. That would be great. That would be good. What was it? It was a nice little Renoir. What was it? It was a nice little Renoir. Oh. Renoir. Nice little copy? We'll never know, will we? OK, I give up! < Easy, easy. I think I'll get that bottle. < Easy, easy. I think I'll get that bottle. Oh, yeah, that would be good. (LAUGHS) Oh, you're not boring, I'll give you that. Hello. (HORN TOOTS) (BLOWS) Kia ora. (SIGMA'S 'CHANGING' FEATURING PALOMA FAITH) # Hell down, heaven now, livin' in the same town, trying to find somethin' new. Hello. (HORN TOOTS) (BUTTONS BEEP) Hey! # Everythin' is changin'. No, it's a wee one. (OINKS) (INDISTINCT CONVERSATION) Jambo. Salaam alaikum. (DRONE WHIRRS) Hello. I'm home. (BEEP!) (BEEPING) ALL: Hey! (ELECTRONIC WHIRRING) Hello. (BUZZING, CHILDREN CHUCKLE) Hello from the children of Planet Earth. BIRDSONG > MURMUR OF CONVERSATION IN THE DISTANCE (SPEAKS FRENCH) GULLS CRY You've complimented me. GULLS CRY You've complimented me. How? They were bankers. Who? (CHUCKLES) Who? The suits. You're transferring assets; getting ready to run. Suppose I did run ` then what would you have? Not the painting, not the $5 million fee, not me. Yes. Suppose I gave you 10. (LAUGHS) To fail? How would I hide it? (LAUGHS) To fail? How would I hide it? I'd teach you. You really think there's 'happy ever after' for people like us? So, just how big of a thief are you? If you count Wall Street,... pretty big. If you mean art,... I'm just an amateur. Beginner's luck, huh? Gentleman jockey wins the Derby. Something like that. CICADAS CHIRRUP Well, you've got your hand caught in the cookie jar now. How are you going to get out of it? It's just a game, love. Just a game. Nice tan. Just a game. Nice tan. Thanks. Went to the beach a couple of days. On the job? > That's right. And did you pick anything up? Well, he's got an ornament worn by Frederick Barbarossa at his coronation in 1152. Really? Stolen? No. So, that's it. After two days and two nights. That was it. Would you like to know where he was the night before you left? Or after he left you last night? Not really. OK, suit yourself. Michael. Huh. She's, um,... striking. He seems to think so. Three dates in six days. Well,... where does he find the time? Are you OK? where does he find the time? Are you OK? Yeah. You know, I was OK once. My girlfriend got drunk, stayed out all night, came back in the morning, married. Yeah. I told people I didn't care and then I fucked five women in three days, flipped my car on an on ramp,... beat a suspect unconscious, got suspended, but, um,... I was OK. Is there a point to this story? They both had to come. What's this? They both had to come. What's this? Photos of the borders of the Monet. The borders? Before insurers indemnify a painting they remove it from the frame and photograph the borders. Borders are never seen, so if a picture's stolen and someone tries to pass off a forgery,... the borders won't match. If the borders do happen to match? the borders won't match. If the borders do happen to match? The forger was in the presence of the original painting. > If Crown's prank Monet happens to be too good` Then we find the forger, and nail the bastard. How long have you had these? and nail the bastard. How long have you had these? Five days. And you didn't open them? Five days. And you didn't open them? Yeah, well, they're open now. It's beautiful. You're not gonna say, 'I couldn't possibly'? No. I, er,... I wouldn't say anything that boring. She's an old friend, but it will be like having dinner at a morgue. I might be able to bear it if you came with me. Tomorrow? That's so soon. I sense irritation. > No. Do you...? Do you find my company monotonous? No. Do you...? Do you find my company monotonous? (LAUGHS) Do you...? Do you find No. (LAUGHS) Do you...? Do you find No. Because I'd hate to think you could. What, be bored by you? Require a little variety? You're referring to Anna. (CHUCKLES) Did they photograph me with Anna? (CHUCKLES) Did they photograph me with Anna? You know, that's your prerogative. (CHUCKLES) Did they photograph me with Anna? You know, that's your prerogative. I thought they were. I let it happen. You want to know why? I let it happen. You want to know why? No. I'll tell you why. You want to know why? No. I'll tell you why. I don't want to know why. No. I'll tell you why. I don't want to know why. I want to tell you why. Jimmy, I'd like to get out. Jimmy, keep driving. > Jimmy, I'd like to get out. Jimmy, keep driving. > Jimmy, could you stop? I don't want to know why! Jimmy, keep driving. > Jimmy, could you stop? I don't want to know why! Just let me tell you why. Jimmy, could you stop? I don't want to know why! Just let me tell you why. No! Oh sh... Now ask me why! I don't want to know. You're upset. Yeah, I'm upset because that's what you wanted me to be. You're upset. Yeah, I'm upset because that's what you wanted me to be. I needed you to be upset. Oh, he's sadistic! Oh no (!) Oh, he's sadistic! Oh no (!) Did it ever occur to you that I needed to know? Know what? Did it ever occur to you that I needed to know? Know what? Know whether all it was to you was the painting? How else could I know? What about you? I can leave here tomorrow. So can you. We'd be fugitives. So can you. We'd be fugitives. Fugitives with means. > All the difference in the world. I don't know. I don't know. Oh dear, Peter Pan decides to grow up and finds there's no place to land. (LAUGHS) The only sad part is, if she's anything like you, she won't know what she's lost... until it's gone. Hey. Let's go. Where? The painting's borders match perfectly. Then again, I'm sure you knew that. Didn't you? Come on, let's go meet some forgers. I was never an Impressionist. Anyway, I pay taxes now. Doing what? > I was never an Impressionist. Anyway, I pay taxes now. Doing what? > Portraits. Inserting the rich into old masterpieces. The wife's face on the Mona Lisa. From Brooklyn to Greenwich in a generation. You need the paintings to match. So, who did it? > The German. Heinrick... < ...Knutzhorn. Art's a small world, Michael. So, who do you think did this? Friedrich Golchan. He said you did it. So-So-So, you think if I want paint, it just comes FedEx and the guards think it's therapy,... while I'm madly copying Monet in my cell from the original? What? < What? What? < What? Nothing. What? I was just wondering about what he wouldn't say. Give. There's nothing. You know what? Life is full of shitty conflicts, OK? Give. I just wondered if there was a connection between them, that's all. shitty conflicts, OK? Give. I just wondered if there was a connection between them, that's all. Between Crown and that old man? Yeah. SULTRY SAXOPHONE INSTRUMENTAL PLAYS SHUTTER CLICKS You are spooky. You are really spooky. They owned a gallery together. Crown and Knutzhorn, in Berlin, 1990. And another one in Hamburg, and one in Paris in '94. You notice the one-man show in Paris in '95? The artist is Knutzhorn. show in Paris in '95? The artist is Knutzhorn. So? So look at the first name. Tyrol Knutzhorn. Yeah, we spoke to a Heinrick. You know what it was,... the way he smiled at the painting? Pride. Paternal pride. I bet you it's his son. Son of a great forger, who paints as well as Dad. Just hasn't been caught yet. Well, I assume if you look,... you'll find Tyrol Knutzhorn lives in New York. You know what? I, er,... I owe you an apology. I didn't think you had the chops to see this through. You don't know me. Yeah, but I should have. Cos... I bet you'd stand at the Pearly Gates and kick St Peter in the teeth... before you'd let somebody play ya. Harold, listen carefully and please don't interrupt. If I had to be gone, and I mean seriously gone, in about eight hours, how much could I take with me If I had to be gone, and I mean Are you all right, Catherine? hours, how much could I take with me If I had to be gone, and I mean Are you all right, Catherine? Harold. You'll take an enormous loss if you liquidate like this. I understand that, and that can't be helped. But what could I leave with? If you call me back in an hour, I'll have a number for you. OK. Leavin' us? > No, you're not that lucky. I'm organising. No Knutzhorn's ever been to see the old man. lucky. I'm organising. No Knutzhorn's ever been to see the old man. No? There was Knudsen, though, three times last month. You think that's just a coincidence? Could be. Yeah. Probably is. Hm. Look, here's an extra hundred. Just go. Go. Hm. Look, here's an extra hundred. Just go. Go. HORN HONKS Paul, is he here? hundred. Just go. Go. HORN HONKS Paul, is he here? He's in a meeting at the moment. HORN HONKS Paul, is he here? He's in a meeting at the moment. It's very important. I'll get him. < Ma'am, wait. I know we have a plug adaptor. I just can't find the bloody plug adaptor. Would you go downstairs`? DOOR CLOSES > Well,... we seem to have backtracked. Well,... we seem to have backtracked. No. No. Take your hands off me! What's fresh? Who's that girl and why is she here every time`? Take your hands off me! What's fresh? Who's that girl and why is she here every time`? < Anna works for me. You never took me for a fool before. and why is she here every time`? < Anna works for me. You never took me for a fool before. I owe her money, and I wanted to pay her before I go. Oh, really? And what is it she does for you? I would be compromising her to say. Oh, really? And what is it she does for you? I would be compromising her to say. Tommy, you're going away together. is it she does for you? I would be compromising her to say. Tommy, you're going away together. No. I'm going with you. Of all the things in the world to take with a leap of faith,... how can I possibly trust you? to take with a leap of faith,... how can I possibly trust you? I'm not going to ask that. I'm gonna trust you. Isn't that what you wanted? My trust? Tomorrow afternoon I'll put the Monet back. (CHUCKLES) Where? Hanging back on the wall in the museum? (CHUCKLES) Where? Hanging back on the wall in the museum? Yes. You know, Tommy, I'm all checkmated out. If the painting's back, we're free of it all. We're only for each other. Back on the wall in the museum. Yes. Then you'll meet me at 4 o'clock at the Wall Street heliport, and we'll leave together. < Or... Or you can have them at the museum waiting for me. I'm trusting you. I can't. I... can't do this! (GRUNTS) Get away. SAD MUSIC PLAYS THUNDER RUMBLES THUNDER RUMBLES Hey. THUNDER RUMBLES Hey. (SIGHS) Hi. I need to talk to you. You ready? You ready? Yeah. You ready? Yeah. You're in the lobby, right? Yeah, Mikey, I'm here. Me and about 30 other guys. INDISTINCT CHATTER Let up on yourself. You did the right thing. Assuming the son of a bitch shows up. TYRES SCREECH SIRENS WAIL Stay with the car. Get a uniform man on the fire escape. SIRENS WAIL Stay with the car. Get a uniform man on the fire escape. Got it. Detective. Yeah? Oh, God damn it. Did she leave anything behind? Just stake out the whole place. Maybe she'll come back again. No, no, no. Is Jack there? Put Jack on the phone. Get Jack. What? Put Jack on the phone. Get Jack. What? Forger. You didn't think we'd just drop that, did ya? Jack ran it down this morning. It was a daughter, not a son, and she was right under our noses. Tyrol Anna Knudsen, Knutzhorn, whatever. Crown's known her since she was 10. When her father went to jail, Crown became her guardian, put her through college, for Christ's sake. Now she works for one of his companies. < He's in. one of his companies. < He's in. Got him. Call you back. > That's him. Overcoat and briefcase. Yeah, Mikey, we got him. Centre entrance, grey overcoat. Bring up the lobby on the big monitor. Moving quietly. We don't want to make a scene. > on the big monitor. Moving quietly. We don't want to make a scene. > WHISPERS: Tommy. What the hell's he doing? It's almost like he wants to make sure that we see him. Let's play ball. There he goes. Bowler hat. Move in and pick him up. Go. Move it. Quietly. Excuse me. Excuse me. Shit, he switched the painting. Stay with the painting. Excuse me. Shit, he switched the painting. Stay with the painting. No. What? Look, man, I can't` Shit. Look, there's another one. > PERCUSSIVE PIANO MUSIC PLAYS What the hell? > There's guys with bowler hats` What the hell? > There's guys with bowler hats` ...all over the goddam place. Did you warn him? What? No. Did you warn him? What? No. Did you warn him? Did you warn him? What? No. Did you warn him? No. Then he knew you were going to betray him. No. Then he knew you were going to betray him. They're at the staircases. That does it. Now we've got four floors to keep track of. Stay with him. This man disappears it will be 10 years before he surfaces again. Is the Impressionist wing sealed off it will be 10 years before he surfaces again. Is the Impressionist wing sealed off Completely. surfaces again. Is the Impressionist wing sealed off Completely. There's no way in? The gates are down. If he's trying to put that painting back, I guarantee it won't be in that room. If he's trying to put that painting They're coming out of the woodwork. that room. If he's trying to put that painting They're coming out of the woodwork. What's the deal? # Oh, sinnerman, where you gonna run to? # Sinnerman, where you gonna run to? # Where you gonna run to... # all on that day? # Well, I run to the rock. # Please hide me. I run to the rock. # Please hide me. I run to the rock. # Please, hide me, Lord, all on that day. # Well, the rock cried out,... # 'I can't hide you.' The rock cried out... What? No. What? Look, I can't hear you. # ...all on that day. # I said, 'Rock, what's the matter with you? # 'Rock,... # 'don't you see I need you, rock?' # Lord, Lord, Lord, all on that day. # So I run to the river. It was bleedin'. # Run to the sea. It was bleedin'. This is ridiculous. You've got us running around in circles. # ...all on that day. Paretti's trying to reach you. > # ...all on that day. Paretti's trying to reach you. > I know, you're fucked. I'm coming down. # I run to the sea. It was boiling,... # all on that day. # So I run to the Lord. # 'Please, hide me, Lord. # 'Don't you see me prayin'?' What do we do? What do we do? # 'Don't you see me prayin'?' What do we do? What do we do? Just... start arresting people. Come on. Excuse me, sir. One moment. Shit. # He said, 'Go to the Devil,' all on that day. # So I ran to the Devil. He was waitin'. # I ran to the Devil. He was waitin'. # I ran to the Devil... FIZZ! FIZZ! FIZZ! ALARM BLARES I knew it. Excuse me. ALARM CONTINUES # Oh, I run to the river. # It was boilin'. I run to the sea. # It was boilin'. I run to the sea. It was boilin',... # all on that day. # So I ran to the Lord. # I said, 'Lord, hide me. # 'Please, hide me. # 'Please, help me,' all on that day. GATES BANG ALARM CONTINUES # Lord, Lord, hear me prayin'. # Lord, Lord, hear me prayin'. # Lord, Lord... HUBBUB # Lord, Lord... HUBBUB Get the civilians out of here, man. # Sinnerman, you oughta be prayin'. # Oughta be prayin'. Sinnerman, oughta be prayin',... # all on that day. # How do you get this gate open? # all on that day. # How do you get this gate open? Yeah. Kill the sprinklers in the Impressionist wing now. (COUGHS) WATER TRICKLES (COUGHS) It's water paint. > And it's been here the whole time. From what, one, two days after the robbery? There's something jammed in the track. Returned the damn thing practically as soon as he stole it. jammed in the track. Returned the damn thing practically as soon as he stole it. < Er, sir. Oh Lord. practically as soon as he stole it. < Er, sir. Oh Lord. Oh dear. Dear, dear, this-this can't be. Oh Lord. It simply can't be. this-this can't be. Oh Lord. It simply can't be. How the hell did he do that? > (GROANS) OMINOUS MUSIC PLAYS < Where are you going? Um, office. Write up my report. Job's done, right? Write up my report. Job's done, right? Yeah. So, the other painting, why do you think he chose that particular one? I have no idea. But, um,... it's not insured by my people, so I'm out of it. Obviously, you'll still have to pursue it. I don't really give a shit. You don't care if you catch him? I don't really give a shit. You don't care if you catch him? < Well, I'll do what they tell me to do. Did you ever care? Yeah. He pissed me off. But, look, the week before I met you I nailed two crooked real estate agents and a guy who was... beating his kids to death. So, if some Houdini wants to snatch a couple of swirls of paint... that are really only important to some very silly rich people, I don't really give a damn. You're a good man. OK. Get out of here. Tell him I said hello. I've no idea what you're talking about. Tell him I said hello. I've no idea what you're talking about. Go on. And don't stiff us for your phone bill. Go on. And don't stiff us for your phone bill. No. Taxi! TYRES SCREECH Taxi! TYRES SCREECH HORN HONKS SAXOPHONE MUSIC PLAYS You know, I-I'm just gonna run. Thanks. BELL RINGS Excuse me. Can't go out there without an escort. Ma'am! < Tommy! You would be Catherine. Yes. He wanted you to have this. Good day, ma'am. Hi there. How can I help you? I have a reservation. OK. Miss Banning. Will you be carrying any luggage today? Miss Banning. Will you be carrying any luggage today? No. (SIGHS) Can you see that this... gets to this man at police headquarters? This should take care of it. It probably won't get there until the morning. take care of it. It probably won't get there until the morning. That's fine. Departures for international flights are up the escalator, to your left. Ma'am,... is everything all right? Everything's fine. PLANE ENGINES DRONE SAD MUSIC PLAYS (SOBS) SCOTTISH ACCENT: You don't need to cry there, lassie. > < Did you set this up? Did you set this up?! Did you set this up?! Did you?! Miss, please, the seat-belt sign is still` (SIGHS) I'll tell you what,... you pull a stunt like that again,... > I'll break both your arms.