(male announcer) PREVIOUSLY ON BIONIC WOMAN... WHAT IS GOING ON, JAIME? JUST TELL ME, OKAY? I NEED TO KNOW. I CAN'T. WHAT'S THIS? A STUDENT ID. YOU'RE GOING TO COLLEGE. TRANSFER STUDENT FROM OXFORD. MY SCHOOL T.A. TOM GILCHRIST. CAN I INTEREST YOU IN A TASTY BEVERAGE? (laughing) BE RIGHT BACK. WHO ARE YOU? WHO ARE YOU? I ASKED YOU FIRST. YOU'RE FRICKIN' F.B.I., AREN'T YOU? YOU SUPPOSED TO LEAVE THIS TO US. WHAT, ARE YOU, LIKE, A CIA AGENT? WELL, WHAT THE HELL ARE YOU? I'M WITH THE BERKUT GROUP. (Jaime) THEY'RE MAKING THE DROP. ALL RIGHT, I'LL GO DOWN. YOU STAY UP HERE AND COVER ME. DON'T UNDERESTIMATE ME. (beeping) YOU ALL RIGHT? YEAH. NOT A GOOD IDEA. WHAT ABOUT YOU? WHAT'S YOUR STORY? IT'S MY LAST NIGHT AT COLLEGE. CAN WE JUST HANG OUT? YEAH. $250,000 CASH. WALKING AROUND MONEY. FIVE MILLION IN BEARER BONDS. AS REQUESTED. I'VE DONE MY PART. WHERE'S THE LIST? RIGHT, THE LIST. MOVE MOVE MOVE! (gunshots) THIS ONE'S STILL ALIVE. GET THE CHOPPER DOWN. I WANT HIM ALIVE AND BROUGHT TO BERKUT. BRING IT IN. (male pilot over radio) Copy that. (hard rock music) (Becca) HE IS? OKAY, EXCELLENT. UM, WAIT, DID YOU MENTION ME? WELL, WHAT DID HE SAY? REALLY? SHUT UP. YEAH, TONIGHT AT 8:00. OKAY, ALL RIGHT, SEE YOU THEN. GUESS WHO'S COMING OVER TONIGHT FOR TARANTINO MOVIE NIGHT? BRENNAN. BRENNAN. ACTUALLY, I THINK I'M GONNA CALL HIM. ACTUALLY, I THINK I'M GONNA CALL HIM. NO, YOU ARE NOT CALLING HIM. ACTUALLY, I THINK I'M GONNA CALL HIM. RULE NUMBER ONE, LET HIM CALL YOU. RULE NUMBER ONE? MM-HMM. COME ON. THERE ARE A LIST OF RULES, AND THEY ARE IRONCLAD. OH, THE LIST OF RULES. OKAY, I CANNOT BELIEVE YOU READ THAT BOOK. IT IS SERIOUSLY ANTI-FEMINIST. I'M JUST SAYING CALLING A GUY IS THE KISS OF DEATH. EVEN IF YOU THOUGHT YOU SPENT AN INCREDIBLE, MEANINGFUL NIGHT WITH SOMEBODY, AND THEY FOLLOW THAT UP WITH EIGHT DAYS OF STONE COLD SILENCE. WHAT ARE YOU TALKING ABOUT? THE RULES. LET HIM TAKE THE LEAD. RULE FIVE. BE MYSTERIOUS. RULE SIX. AND DON'T EVER SPLIT THE CHECK. RULE TEN. WOW. I MEAN, AM I ALLOWED TO VOTE OR OWN PROPERTY? HA HA. I'M TRUSTING YOU AND YOUR FRIENDS TO HAVE A GOOD NIGHT, OKAY? NO SMOKING, NO DRINKING, NO DRIVING. AND MORE IMPORTANTLY, NO CALLING BRENNAN. OKAY, YOU ARE SERIOUSLY WAY BEHIND THE TIMES YOU SHOULD HAVE A WORD WITH HIM. (beeping) I UNDERSTAND YOU WORKED FOR VICTOR BOOTH. I ALSO UNDERSTAND YOU HAVE A WIFE. CHILDREN. THE LAST THING YOU WOULD WANT IS FOR SOMETHING TO HAPPEN TO THEM. (beeping speeds up) WHAT'D YOU FIND OUT? THE SALE IS SET UP AT THE SAHRAWI EMBASSY IN PARIS. PUT A TEAM TOGETHER. THIS IS THE LAST KNOWN PHOTOGRAPH OF VICTOR BOOTH. WHO'S VICTOR BOOTH? HE'S AN ARMS DEALER, AMONG OTHER THINGS. DOESN'T SEEM TO HAVE ANY PERMANENT ADDRESS. MULTIPLE RECONSTRUCTIVE SURGERIES. USES DECOYS. DOESN'T GET PHOTOGRAPHED, SO NOBODY KNOWS WHAT HE LOOKS LIKE. THAT IMAGE IS EIGHT YEARS OLD. THE ONLY GOOD THING ABOUT IT IS WE CAN SEE THE EYES. WHAT DOES BERKUT WANT WITH HIM? KILLED ONE OF MY MEN LAST NIGHT. OUR OPERATIVE WAS SET UP AS A BUYER FOR A LIST WE REALLY NEED. SOMEHOW VICTOR GOT WIND OF THE FACT THAT HE WAS BERKUT. HE KILLED HIM AND LEFT THE CASH. WHICH WAS SMART, 'CAUSE THE BILLS WERE TRACEABLE. WE'VE SINCE LEARNED HE'S SET UP ANOTHER BUYER. LEARNED FROM WHO? (inhales deeply) THE CIA. I THOUGHT CIA AND BERKUT HATED EACH OTHER. WE DO, BUT IN THIS CASE, WE'RE FORCED TO WORK TOGETHER. WE BOTH NEED VICTOR'S LIST. WHAT'S ON THE LIST? THE IDENTITIES OF CIA AND BERKUT OPERATIVES. NOW, INTEL SAYS VICTOR'S ON HIS WAY TO PARIS. GIVEN THE NATURE OF THE SITUATION, CIA'S GONNA INSIST THAT WE SEND SOMEBODY IN THERE WITH YOU. SO I'M GOING TO PARIS WITH A CIA AGENT. THAT'S RIGHT. CAN I PICK WHO? THIS ISN'T A KICKBALL GAME, JAIME. WELL, I JUST THOUGHT THAT, YOU KNOW, SINCE TIME IS OF THE ESSENCE, IT'D BE GOOD TO SKIP THE GETTING TO KNOW YOU PART AND JUST HIT THE GROUND RUNNING. TOM GILCHRIST AND I SEEMED TO GET THE JOB DONE LAST WEEK. OKAY, YOU WANNA CALL HIM? NO, YOU GO AHEAD. I DON'T CALL GUYS. (grunting) YOU'RE MISSING THE POINT, JAIME. REALLY? 'CAUSE I THINK I JUST KICKED YOUR ASS. DISCRETION. YOU HAVE TO BE ABLE TO NEUTRALIZE THE ENEMY IN PUBLIC WITHOUT ANYONE EVER SEEING. ONCE YOU'RE EXPOSED TO THE WORLD, YOU'LL LOSE ALL VALUE AS A WEAPON. YOU KNOW WHAT I LOVE MOST? BEING REFERRED TO AS A WEAPON. (grunts) YOU ALL RIGHT? HI. (laughing) TOM. JAE. GOOD LUCK. (laughs) LONG TIME. NINE DAYS. SO YOU READY FOR PARIS? YEP. BY THE WAY, THANKS FOR CALLING ME OUT IN THIS. OH, I DIDN'T CALL YOU. JONAS CALLED YOU. OKAY, SO HERE'S THE PLAN. WHEN WE LAND IN DE GAULLE, WE GOTTA MOVE FAST. OH, DE GAULLE, HA HA. I HATE PARIS. IF I'M BEING HONEST, I JUST--I DON'T GET THE ALLURE. I'VE NEVER BEEN. YOU HAVEN'T? OH, IT'S THE MOST ROMANTIC PLACE IN THE WORLD. YOU'RE GONNA LOVE IT. REALLY. YEAH, ROMANTIC. YEAH, MY PARENTS TOOK ME THERE WHEN I WAS 12. 15 CHURCHES AND FIVE MUSEUMS IN ONE DAY. GUN, MOUTH. THE LOUVRE, DON'T DO IT TO YOURSELF. NATHAN, CAN WE CONCENTRATE ON THE CASE? LET'S GET DOWN TO IT. ALL RIGHT, JAE, YOU AND I WILL TAKE NATHAN TO THE SAFE HOUSE AND WE'LL SET UP SHOP WITH THE REST OF THE CIA TEAM. MEANWHILE, TOM AND JAIME, YOU'RE GONNA ASSUME YOUR COVER AND CHECK INTO THE HOTEL. HOW DID BERKUT FIND VICTOR? LAST WEEK, ONE OF OUR TOP OPERATIVES MADE CONTACT. HE WAS KILLED TRYING TO BUY THE LIST. VICTOR MEANS BUSINESS. HE'S SOLD NAMES BEFORE. THE THREE OPERATIVES ON THE LAST LIST WERE ALL DEAD 48 HOURS AFTER IT WAS SOLD. AND IF OUR INTEL IS CORRECT, THERE'S OVER 100 NAMES ON THIS LIST. WHICH MEANS WE'RE TALKING ABOUT NOT ONLY AMERICAN SECURITY, BUT THE IMMEDIATE SAFETY OF OVER 100 MEN AND WOMEN AND THEIR FAMILIES. SO IF WE CAN GET THOSE NAMES, WE CAN PROTECT THOSE PEOPLE. SO IS THE SALE DEFINITELY GOING DOWN TONIGHT? THE ONE THING THAT WE KNOW FOR SURE IS IT'S HAPPENING TONIGHT. AND WE NEED TO GET A POSITIVE ID ON VICTOR FROM AMONG 200 TO 300 GUESTS. SO YOU TWO HAVE TO EYE MAKE CONTACT AS MANY EUROTRASH TOOLBAGS AS YOU CAN. AND WE'LL TAKE CARE OF THE REST AT THE SAFEHOUSE. ALL RIGHT, WE BRING VICTOR INTO CUSTODY AND WE KEEP THE LIST FROM GETTING INTO ENEMY HANDS. LET'S GO DO IT. SOUNDS GOOD. HEY, LET'S KEEP IT PROFESSIONAL, YOU TWO, HUH? (clears throat) (upbeat music) YOU EVER SEEN BREATHLESS? JEAN-LUC GODDARD? NO. I BET YOU HAVEN'T SEEN A SINGLE MOVIE MADE BEFORE 1983. THE BREAKFAST CLUB? (buzzer) THANKS FOR PLAYING. WE HAVE SOME LOVELY PARTING GIFTS. (speaking French) WE NEED TWO ROOMS. (speaking French) (muzak) (sighs) (clears throat) I WAS IN TURKMENISTAN... I DIDN'T KNOW YOU SPOKE FRENCH. NO, NO, YOU GO AHEAD. THAT'S WHY I DIDN'T CALL. THAT'S WHY I DIDN'T CALL. BAD SERVICE? WHO'S YOUR CARRIER? THAT'S WHY I DIDN'T CALL. I KNOW--IT SOUNDS LAME, DOESN'T IT? NO, NO, IT SOUNDS REALLY IMPORTANT. WELL, IT WAS IMPORTANT. BUT YOU UNDERSTAND THAT, RIGHT? SAVING LIVES, NATIONAL SECURITY, THAT KIND OF THING. I MEAN, YOU'RE IN THE GAME TOO, RIGHT? SURE. YEAH. C'EST LA VIE. I GATHER I'M MADAME LODATO. DOES THAT MAKE ME YOUR WIFE OR YOUR MOM? UH, MY VERY CHIC WIFE. I'M A LUCKY MAN. OH, I ALMOST FORGOT. YOU ALL RIGHT? YEP. WOW. WOW! LOOK AT THE VIEW! YEAH, IT'S GREAT, RIGHT? WELL, SINCE WE'RE A MARRIED COUPLE, WE SHOULD JUST WATCH TV AND NOT HAVE SEX. THAT'S A GREAT IDEA. I WONDER IF THEY HAVE DEAL OR NO DEAL. SAY IT IN FRENCH. (speaking French) UM, YOU KNOW... YOU DON'T HAVE TO WORRY. I'LL... I'LL JUST... I'LL SLEEP ON THE COUCH. I THINK THAT'S A BETTER IDEA. YEAH. AH! BONJOUR, MI AMI. WHAT'S UP, JAE! HEY. COMMENT C'EST VA, EVERYBODY? NATHAN. WOW, THEY'RE NOT VERY FRIENDLY. THIS THE FRENCH CIA? WAIT TILL YOU MEET THEIR HANDLER. ALL RIGHT, I INSTALLED THE IRIS RECOGNITION SOFTWARE I GOT FROM MY FRIEND AT... OH, WAIT, I CAN'T TELL YOU WHERE I GOT IT, 'CAUSE THEN... NO, DON'T SAY... I HAVE TO KILL YOU. I HAVE TO KILL YOU. ...BECAUSE THEN YOU HAVE TO KILL ME. ALL I NEED TO KNOW IS WHETHER THIS WILL EFFECTIVELY IDENTIFY VICTOR. JAIME NEEDS TO LOCK ON TO PEOPLES' EYES. ONCE SHE DOES, THE PROGRAM CONVERTS THE DETAILS OF THE IRIS STROMAL PATTERN INTO A BIT PATTERN, AND I CAN CROSS-REFERENCE. ONCE I AFFIRM THE MATCH, I APPRISE AGENT SUMMERS SO THAT SHE CAN DETERMINE THE MEANS TO EXTRICATE THE MARK TO THE JIMJAM. YOU REALIZE THAT SPIES DON'T REALLY TALK THAT WAY. I KNOW. IT BLOWS. I'M JUST TRYING TO BRING BACK THE COOL. ANYWAY, IF JAIME MEETS VICTOR'S EYES, WE'LL FIND HIM. VICTOR'S ALTERED HIS APPEARANCE NUMEROUS TIMES. EVEN IF VICTOR HAS GONE VICTORIA, THE PROGRAM IS AIRTIGHT. OKAY, THIS BIOMETRIC TECHNOLOGY MAKES PHOTOSHOP LOOK LIKE PONG. UNPRECEDENTED FALSE RATE MATCH. LIKE, NEVER. EVEN THESE GENIUSES CAN'T CHANGE THEIR EYES. WOULDN'T BE SO SURE ABOUT THAT. ALEXIS. RUTH. NICE WORK IN DUBAI. WHERE'D YOU FIND YOUR FLOATER? HIGH SCHOOL SWEETHEART. JAIME SUMMERS, THAT'S A NEW NAME. HOW LONG HAS SHE BEEN... WHAT IS SHE, 12? HOW DID YOU FIND HER? HAPPY ACCIDENT. IRIS RECOGNITION. I DOUBT YOUR OPERATIVE CAN GET 200 CAPTURES DURING THE COCKTAIL PARTY. I DON'T KNOW, OUR GIRL IS PRETTY GOOD. DUDE, DON'T... DON'T TOUCH MY STUFF. THERE'S A LOT OF SECURITY, BUT WE KNEW THAT. YEAH, PACKING SEMIAUTOMATICS OUTSIDE THE EMBASSY IS A PRETTY BIG DEAL. IF THEY'RE DOING THAT. ARE THEY? THEY ARE. SO WHAT'S THE EMBASSY PARTY FOR, ANYWAY? ENVIRONMENTALISTS. I DIDN'T KNOW ENVIRONMENTALISTS LIKED TO PARTY. HEY, IF WE I.D. VICTOR BEFORE 8:00, CROISSANTS ON ME. IT'S GONNA BE MORE COMPLICATED THAN THAT. I KNOW. JUST TRYING TO LIGHTEN THE MOOD. JEEZ. JAIME... I HAVE TO GO OUT IN THE FIELD WITH A CLEAR HEAD. IF I LOSE FOCUS FOR A SECOND, I'M DEAD. NOW, I CAN HANDLE THAT RESPONSIBILITY IF IT'S JUST ABOUT ME. BUT I CAN'T EVEN BEGIN TO THINK ABOUT SCREWING UP AND, AS A RESULT, YOU... PERSONAL RELATIONSHIPS CAN COMPROMISE A MISSION... YEAH, I GET IT. I DO. I LIKE YOU. I REALLY DO. LOOK, I THINK WE SHOULD JUST BE FRIENDS. GOOD. GOOD. WE HAVEN'T EVEN HAD A SECOND DATE. WE HAVEN'T EVEN HAD A SECOND DATE. EXACTLY. WE HAVEN'T EVEN HAD A SECOND DATE. IT'S GONNA BE FINE. JUST PARTNERS EXECUTING A JOB. THAT'S RIGHT. (clears throat) I THOUGHT YOU GUYS SAID THAT BRENNAN WAS GONNA CALL. 'CAUSE HE DIDN'T. THAT'S A BAD SIGN, RIGHT? CALM DOWN. HE'S COMING OVER. YOU GUYS'LL HANG OUT, WE'LL WATCH RESERVOIR DOGS, AND YOU TWO'LL HOOK UP. THE END. NO, NO, I DON'T REALLY WANNA HOOK UP DURING RESERVOIR DOGS. OKAY, I GUESS I CAN MAKE THAT WORK. MM-HMM. (doorbell) HEY, BECCA. THIS IS MY FRIEND ANNIE. HI, REBECCA. IT'S BECCA. OH. ANNIE DIDN'T EVEN KNOW WHO QUENTIN TARANTINO WAS. OH, SHUT UP. HEY. HEY! SORRY, EXCUSE ME. HOPEFULLY THE RECEIVING LINE'S STILL HAPPENING. THAT WAY WE CAN SPLIT UP AND COVER MORE GROUND. VICTOR COULD LOOK LIKE ANYONE, SO WE HAVE... (upbeat seductive music) COULD YOU ZIP ME UP? (sighs) THE DROP NEEDS TO HAPPEN BY 9:45. WE'VE GOT TO ID VICTOR BEFORE THEN. SECURITY AT 3:00 AND 9:00. SURVEILLANCE CAMERAS IN THE GRANDFATHER CLOCK AND UGLY FLOWER ARRANGEMENTS. OKAY, HOW ARE YOU GETTING THAT? OH, COME ON. WHAT DID THOSE GUYS TEACH YOU AT LANGLEY, ANYWAY? (scoffs) POSSIBLE TARGET ID, NORTHWEST CORNER. FUNNY, I WOULD HAVE SAID BY THE BUFFET. SHUT UP. (Indian woman) WELL, PERHAPS WE CAN DEBATE LITHUANIAN TARIFFS ANOTHER TIME. MRS. VARNAS IS IN BASLE TONIGHT. (JAIME) NOT OUR GUY. HE'S ABOUT TO LEAVE WITH HER AND IT'S NOT EVEN 9:00 YET. OKAY. GOD. WHAT DO THESE EURO DOUCHES HAVE OVER ME? WEALTH, POWER, DIGNITY. EH. UH, NO MATCH. PLENTY OF TARGETS, LET'S LOOK AROUND. HIM? NO. NO WAY, WHAT'S THIS GUY, SHAOLIN MONKS HERE. THIS IS A GREAT PARTY. WHY AM I NOT THERE? BY THE BAR. NOPE. NO, LOOK AT HIS HANDS. THEY'RE IN THE BROKEN ZIPPER POSITION. LOW AND IN FRONT OF THE WAIST. THE SIGN OF DEFENSIVENESS. EVERYTHING WE HAVE ON OUR GUY SAYS HE'S A SOCIOPATH. COOL AND CONFIDENT. OKAY. FERNANDO! IS THAT YOU? MAY I HELP YOU, SENORITA? THAT'S SO GOOD. HE LOOKS LIKE A FERNANDO. NOT HIM, LET'S GO. NO MATCH. SORRY, I MISTOOK YOU FOR SOMEBODY ELSE. AND IT'S SENORA. NOW... HE COULD BE OUR MAN. HE'S NOT A DIPLOMAT, HIS SHOES AREN'T SHINED, HE'S NOT WEARING A CUMMERBUND, AND HIS JACKET'S ONE SIZE TOO BIG. AND HIS JACKET'S ONE SIZE TOO BIG. OOH. TOM, YOU'RE AN ANA-- YOU PSYCHOANALYZE PEOPLE. NEUROSURGEON, AND YOU'RE A THERAPIST. WE'RE RUNNING OUT OF TIME. DRINKING, WHY NOT? LET'S DRINK NOW. THIS IS WHAT WE DO AT WORK. DO YOU KNOW YOU'RE AT WORK? WHAT ABOUT HIM? YEAH, HOW ABOUT--YEAH, COLONEL SANDERS OVER HERE? HE LOOKS GOOD. THAT'S A RARE VINTAGE IN THIS TOWN. ONLY THING I ORDER WHEN I'M IN PARIS. DRIVES THE FRENCH NUTS. (laughs) SO I TAKE IT YOU'RE NOT FROM PARIS. NO, I JUST COURIERED A PACKAGE OVER HERE THIS MORNING. GOT ROPED INTO THIS LITTLE GET-TOGETHER. IT'S A RENTAL. CATCH HIS EYE, CATCH HIS EYE. CATCH HIS EYE. C'EST LA VIE. COME ON, LOOK HER IN THE EYE, COME ON. I'M BASED IN D.C. UH, YOU? I'M A PROFESSOR AT STANFORD, AND MY HUSBAND IS AN ART HISTORIAN DOING RESEARCH AT THE PICASSO MUSEUM. OH, COOL. NO, I'M HERE FOR THE VAN GOGH RETROSPECTIVES, ACTUALLY. SHE'S A BEAUTIFUL LADY. COME ON! WHAT ARE YOU DOING? HE'S LOOKING AT EVERYTHING BUT YOUR EYES. COME ON, CASINO ROYALE. I'M SHAKEN AND I'M STIRRED, OKAY? COME ON. UH, WHAT'S YOUR FAVOURITE PICASSO? MY FAVOURITE? WELL, NO, I'M FOCUSED MAINLY ON THE IMPRESSIONISTS. RIGHT, BUT AS AN ART HISTORIAN, YOU MUST HAVE AT LEAST A PASSING INTEREST IN PICASSO. I LIKE THE BLUE PERIOD. YEAH, BLUE PERIOD ROCKS. FAVOURITE, DORA MAAR AU CHAT. YOU KNOW IT? NO, I DON'T. YOU'D KNOW IT IF YOU SAW IT. LOOK, WHEN I WAS DROPPING OFF THIS PACKAGE THIS MORNING, THERE WAS THIS PIECE IN THE SECRETARY'S OFFICE. A PICASSO. BUT I CAN'T TELL IF IT'S AN ORIGINAL. MAYBE YOU COULD, UH... TAKE A LOOK AT IT FOR ME? WELL, MAYBE LATER. WE JUST GOT HERE. HONEY, LET'S SEE IT. MAYBE IT'S ONE YOU DON'T KNOW. ATTAGIRL. THAT'S WHAT I'M TALKING ABOUT, OKAY. IT'S CLOSE, JUST ONE FLIGHT DOWN. OH. RIGHT UP YOUR ALLEY. THANK YOU. THANKS. I'VE GOT A HUNCH. WHAT ARE YOU DOING? JUST GO WITH IT. ALL RIGHT, THERE WE GO. COME ON, WE GOTTA GET A CLEAR SHOT OF HIS EYES. LET'S DO THIS. RIGHT THROUGH HERE. FIRST DOOR ON THE LEFT. (Nathan) YES, FINALLY. WE HAVE A MATCH. THAT'S HIM. THAT'S VICTOR. SEE YA. OH, COME ON! (yelling) I KNOW IT'S HIM. WE LOST HIM. HOW? (yelling) HE LOCKED US IN A WINE VAULT. GETTING LOCKED IN A WINE VAULT IS A CLICHE. AND DO I NEED TO REMIND YOU THAT YOU'RE BIONIC? YEAH, I KNOW, I'M ON IT. I'LL CALL YOU BACK. LET ME HELP. OH, YOU'VE BEEN SUCH A GREAT HELP SO FAR. PARDON ME? HONEY, LET'S GO SEE THAT PICASSO. MAYBE IT'S ONE YOU DON'T KNOW. UM, EVERYONE KNOWS THAT'S PICASSO'S MOST FAMOUS PAINTING. EVERYONE. HEY, YOU'RE THE ONE WHO WENT DOWN PICASSO ROAD. I WAS BRIEFED IN VAN GOGH. AND THEN YOU'RE LIKE, "OH, LET'S JUST DO DOWN INTO THIS DARK BASEMENT WITH A STRANGE MAN." ANYBODY CAN BE SURPRISED. IT'S EMBARRASSING IS WHAT IT IS. ASS! YOU KNOW, THE BUY IS HAPPENING NOW. CAN WE JUST TRY THIS TOGETHER? WHAT DO YOU WEIGH, A BUCK TEN? YEAH, THAT'LL MAKE A HUGE DIFFERENCE. YEAH, WE'LL SEE. WHATEVER. WHATEVER. THANKS. BUT I LOOSENED IT. WHATEVER. COME ON. EXCUSE ME. DID YOU SEE THAT? (Tom) SEE WHAT? UH-OH. WORK WITH ME. HEY! HEY! (speaking French) EXCUSE ME. YES. THE ONLY PLACE WE COULD FIND A LITTLE PRIVACY. OKAY, I NEED YOU NOW TO TURN AROUND AND GO UP THE STAIRS, OKAY? MERCI. UH, HOW MUCH AM I GONNA HAVE TO PAY YOU TO LOOK THE OTHER WAY? (speaking French) NO. SORRY. YOU KNOW, I WAS GONNA DO THAT. SORRY. THAT'S ALL RIGHT. NICE TECHNIQUE. THANK YOU. OKAY... (clears throat) LET'S GO. YEAH. (dance music) I'M JUST GONNA GO, OKAY? WHAT? GONNA GO. BECCA... LOOK, I'M FINE, OKAY? IT'S FINE. JERK! (engine starts) (horn honks) (siren) LICENSE AND REGISTRATION. UM... (man's voice) YOU'RE LATE. (Victor) I WAS DETAINED. OKAY. HEY. ALL RIGHT, I'M GOING IN ALONE. YOU'RE KIDDING, RIGHT? I KNOW YOU CAN HANDLE YOURSELF, BUT THIS GUY'S GONNA BE ARMED. YOU'RE NOT READY FOR THIS. VICTOR'S IN THAT ROOM. THAT'S THE MISSION. WE BOTH HAVE TO GO IN THERE. NO, IT'S TOO DANGEROUS. WE BOTH KNEW IT WAS DANGEROUS BEFORE WE CAME TO PARIS. NOTHING'S CHANGED. YES, IT HAS! OH, SO I'M YOUR TROPHY SPY. OH, COME ON! THIS IS HARDER THAN I THOUGHT IT WAS GONNA BE. JUST HANG BACK. YOU KNOW WHAT? YOU DON'T GET TO CORNER THE MARKET ON BRAVE. WE BOTH HAVE TO GO IN THERE. YOU MAY THINK YOU'RE BEING A GENTLEMAN, BUT IT'S CONDESCENDING. GET OVER YOURSELF. I'LL TAKE HIM. YEAH. AAH! JAIME, NO! YOU OKAY? YEAH. CLEAR. THERE'S NOTHING ON HIM. THERE'S NO LIST. IT'S NOT VICTOR. IT LOOKS LIKE HIM, BUT IT'S NOT HIM. (Alexis) GO, NOW. (guns engine) WAIT, WE HAVE TO GO BACK FOR TOM! THERE'S NO TIME. WHERE IS VICTOR? HEY, WE HAD A LOCK. IT'S NOT MY FAULT SHE TAKES OUT A WHOLE NEW GUY. WHY HASN'T TOM CALLED? WE'RE TRYING TO LOCATE HIS TRACKING DEVICE. IT SAYS HE'S STILL AT THE EMBASSY, BUT THE GPS COULD HAVE BEEN KNOCKED LOOSE AND LEFT BEHIND. HE'S STILL THERE. WE HAVE TO GO BACK AND JUST GO IN. HELLO? IT'S SOVEREIGN TERRITORY. JUST GOING IN IS NOT AN OPTION. WHERE DID SHE COME FROM? YOU COST ME QUITE A LOT OF MONEY TONIGHT. WHO DO YOU WORK FOR? THE METROPOLITAN MUSEUM OF ART. REALLY? THE ONLY REASON YOU'RE NOT DEAD YET IS... I FORGOT. (cell phone ringing) YEAH? CAN I TALK TO TOM? (laughs) TOM, IT'S FOR YOU. (Jaime) TOM? I CAN'T BELIEVE YOU CALLED ME. SHUT UP. ARE YOU OKAY? HONEY, EVERYTHING'S FINE. YOU KNOW HOW MUCH I LOVE TO HANG OUT WITH THE GUYS. DON'T WORRY, I'M GONNA BE FINE. LET ME GUESS, YOU WANT YOUR HUSBAND BACK. THIS IS THE WIFE, RIGHT? YES. GOOD FOR YOU. YOU WANT HIM BACK. I'M AFRAID IT'S GONNA COST YOU QUITE A LOT. I DO WANT HIM BACK. AND I ALSO WANT THE LIST. THE LIST, REALLY? REALLY. $6 MILLION. FINE. 2 MILLION FOR YOUR HUSBAND. GREAT. ONE HOUR. GO TO THE CAFE SARTRE AT THE CLINGAN COURT. THREE PERCENT IN CASH, THE REST IN BEARER BONDS. IF I SEE YOU WITH ANYONE ELSE, I'LL CUT YOUR FAKE HUSBAND INTO REAL PIECES. DOES TOM HAVE VICTOR? UH, NO, REVERSE THAT. WE CAN GET TOM AND THE LIST FOR 8 MILLION. THE DROP'S IN 58 MINUTES. WHAT MAKES YOU THINK I CAN GET $8 MILLION IN LESS THAN AN HOUR? YOU CAN'T? I'M NOT AUTHORIZED TO RELEASE THAT AMOUNT. CAN YOU CALL SOMEONE WHO IS? IS THAT A YES? GIVE ME A MINUTE. WHATEVER. WE STILL HAVE 57 OF 'EM. CAN YOU GET THE MONEY? I KNOW SOMEONE WHO CAN. (cell phone ringing) YEAH? CAN YOU GET ME $8 MILLION IN, SAY, 45 MINUTES? OKAY. THANK YOU. OKAY? IT'S FOR THE MISSION, RIGHT? NO, I FOUND THIS GREAT PAIR OF SHOES. YOU KNOW, BEING FLIP DOESN'T ENGENDER MY TRUST. IT'S TO BUY THE LIST. I'LL AUTHORIZE THE WIRE. NATHAN KNOWS THE ACCOUNT. THANK YOU. JUST GET IT DONE. HI, BECCA. THANKS. WAIT, YOU'RE JAIME'S BOSS? YEAH. OH, YEAH, SORRY, SHE SAID I SHOULD CALL YOU IF THERE WAS AN EMERGENCY. DRIVING WITHOUT A LICENSE UNDERAGE AND INTOXICATED, I'D SAY THAT QUALIFIES. WELL, THANKS FOR YOUR HELP, BUT I'M JUST GONNA GO CALL ONE OF MY FRIENDS... WHOA WHOA. I'M RESPONSIBLE FOR GETTING YOU HOME. ON THE WAY, WE CAN HAVE A LITTLE CHAT. WE CAN'T GO IN AFTER TOM. WHAT? WE'RE NOT AUTHORIZED TO DO ANY MORE HERE. MY HANDS ARE TIED. YOUR AGENT'S LIFE'S ON THE LINE, AND THAT'S YOUR RESPONSE? THIS IS A GHOST MISSION NOW. TOM IS SOLELY ACCOUNTABLE. HE KNOWS THAT'S HOW IT WORKS. HE WOULDN'T WANT US TO PUT OTHER AGENTS LIVES IN JEOPARDY. HE'S COMPROMISED, JAIME. WHAT WOULD YOU SAY IF I TOLD YOU I'M GONNA GO IN AND GET HIM? I'D SAY GOOD FOR YOU. WHO'S GONNA HAVE MY BACK IN THERE? WE'RE GONNA BE WITH YOU EVERY STEP OF THE WAY, OKAY? ARE WE GOOD? ABSOLUTELY. YOU HAVE A MIC AND EARWIG. WE CAN TALK TO YOU, YOU CAN TALK TO US. I DON'T LIKE YOU IN THE MARKET ALONE. I WON'T BE ALONE. YOU AND JAE'LL BE COVERING ME. YOU JUST CAN'T BE WITH ME. IT'S TOO DANGEROUS TO TOM. JAIME, BERKUT IS ALLOWING YOU TO CARRY $8 MILLION TO GET THE LIST. NOT TO HANG OUT WITH YOUR BOYFRIEND. I HAVE A DEGREE IN PSYCHOLOGY. QUIT PLAYING WITH THAT RING. THERE ISN'T TIME TO REINVENT THE PLAN. THE LIST IS THE ONLY REASON WE'RE HERE. (Jae) SHE CAN DO IT. $240,000 IN CASH. THE REST IN BEARER BONDS. YOU GOOD? YEAH. DROP ME HERE. SO I'M SUPPOSED TO BELIEVE MY SISTER'S SELLING TIME-SHARES? YEAH. WELL, WHAT ARE THE MOST POPULAR TIME-SHARES? I'D HAVE TO SAY ARIZONA. NO. NO, IT'S TOO HOT. OLD PEOPLE LIKE THAT. I MEAN, WHAT IS MY SISTER DOING SELLING THEM? IF I HAD TO GUESS, I'D SAY SHE'S TRYING TO EARN A DECENT LIVING SO SHE CAN TAKE CARE OF YOU. GREAT. I REALIZE WHY SHE WANTED ME TO CALL YOU. IT'S, LIKE, A GUILT TRIP ONCE REMOVED. SORRY, I DIDN'T MEAN TO LAY A GUILT TRIP ON YA. I HAVE A DAUGHTER AND SHE'S ACCUSED ME OF THAT BEFORE. AND SHE'S PROBABLY RIGHT, SO I APOLOGIZE. IT'S OKAY. I'M NOT INTO JAIME'S LIST OF SECRETS, YOU KNOW? IT'S LIKE SOME THINGS SHE JUST... PUTS ON THIS REPEAT LOOP. AND THEN OTHERS SHE TOTALLY CLAMS UP ABOUT. I MEAN, WE'RE SISTERS. LIKE, OKAY, HER FIANCE? SHE NEVER TALKS ABOUT HIM. AND HE DIED. I MEAN, THAT'S WEIRD, RIGHT? WE'RE FAMILY, WE SHOULD BE ABLE TO TALK ABOUT THAT STUFF. YEAH, YOU SHOULD. ARE YOU GONNA SAY MAYBE SHE HAS HER REASONS? MAYBE SHE DOES, YOU KNOW? (Victor) JUST KEEP WALKING TO THE CENTRE OF THE CAFE. FINE, BUT I WANT YOU TO... DAMN IT. HEY, PRETTY LADY. CARE TO JOIN ME? HERE WE ARE, SECOND DATE. NOT A CHEAP ONE. HOW MUCH? $8 MILLION. OH, GOD. I DON'T MIND SAYING I EXPECT YOU TO PUT OUT. THAT'S VERY FORWARD OF YOU. YOU MUST BE AMERICAN. THAT LOOKS NICE ON YOU. DON'T WORRY ABOUT IT. IT'S A CUBIC ZIRCONIA. NO, IT'S NOT. OKAY, IT'S NOT. I DO HAVE AN EXPENSE ACCOUNT. SO IT'S A WRITE-OFF. NOW YOU'RE MAKING ME SOUND LIKE I'M NOT ROMANTIC. WELL... JAIME, I SHOULDN'T HAVE SAID ANY OF THAT STUFF ON THE ROOF. NO, TOM, I WAS WAY OUT OF LINE. IT WAS COMPLETE CRAP. I DIDN'T MEAN WHAT I SAID AT THE EMBASSY. YOU MEAN ABOUT ME BEING CONDESCENDING? YOU MEAN ABOUT ME BEING CONDESCENDING? ANY OF IT. YOU MEAN ABOUT ME BEING CONDESCENDING? ANY OF THAT STUFF TO YOU. CLEARLY YOU CAN KICK SOME ASS. I CAN. YOU CAN. GOD, YOU'RE BEAUTIFUL. YOU REALIZE THAT THE MINUTE THAT YOU PUT THE MONEY ON THE TABLE, WE'RE DEAD, RIGHT? RIGHT. AND IF YOU DIDN'T BRING ANY MONEY, WE'RE ALSO DEAD? YEAH. YOU READ COMIC BOOKS AS A KID? NO. I DID. I LOVED 'EM. MY FAVOURITE WAS THIS ONE CALLED FREEDOM FIGHTERS. THERE WAS THIS GREAT CHARACTER CALLED THE HUMAN BOMB. MY GOD. UH-HUH. WHOA. WHOA, BOMBS, NO. NOBODY SAID BOMBS. OH, GREAT. YOU WANT AN ESPRESSO? YOU WANT AN ESPRESSO? (speaking French) GOOD EVENING, I'VE GOT A LIST OF SPECIALS. BINGO, WE GOT IT. PAY DIRT. ACTUALLY, I'M NOT THAT HUNGRY. CAFE POLICY, MADEMOISELLE. YOU CANNOT SIT AT THE TABLE WITHOUT PAYING. OH, I CAN PAY. GOOD. (gunshot) NO, NO, NO! GET AWAY FROM ME! HOW DO I DEACTIVATE IT? YOU CAN'T. NOW LET ME CHECK THE MANUAL. CAN I LOOK? GIVE ME TWO SECOND--TWO SECONDS. NO. NO. IT'S A SOLAR FUSE DETONATOR. ONE OF THE LEADS IS HOT AND THE OTHER TWO ARE DECOYS! YOU PULL THE WRONG LEAD... ARE YOU SURE? YEAH. (muttering nervously) IT'S THE, UH, BLACK WIRE. I'M SURE. YANK THAT PUPPY. WAIT! WAIT! YANK IT! LUCKY GUESS. THANKS. YOU'RE WELCOME. (nervous laughter) OH. HOLY...OH. ALL RIGHT. STAY OUT OF THE OPEN. WATCH OUT! WATCH OUT! WATCH OUT! (gun cocks) TOM! WHERE THE HELL DID YOU COME FROM? HOW THE HELL'D YOU GET HERE? I'M A REALLY FAST RUNNER. SO THEY RECOVERED ABOUT $4 MILLION. THE REST IS WORKING IT'S WAY INTO THE FRENCH ECONOMY. WELL, I WAS ACTUALLY CARRYING $8 MILLION. SO IN A WAY, I GOT THE LIST FOR HALF PRICE. LISTEN. DON'T JUST CALL ME FOR MONEY. CALL FOR BACKUP. THIS TIME WE CAME OUT AHEAD. WE COULD'VE DONE BETTER. I WAS THINKING ABOUT TOM. I WAS THINKING ABOUT YOU. WHAT ABOUT THE CIA? WHAT ABOUT 'EM? YOU GIVE 'EM VICTOR? YEAH. BUT THEY LEFT TOM. THEY ABANDONED HIM. FRANKLY, VICTOR'S A LOT BETTER OFF WITH THE CIA. BY THE WAY, MY SISTER DIDN'T CALL, DID SHE? I GAVE HER YOUR NUMBER. NO. HOW DID YOU GET TO VICTOR BEFORE I DID? AND...HOW DID YOU FIGURE OUT THE EXPLOSIVE DEVICE? DON'T TELL ME YOU GUESSED, PLEASE. I DIDN'T GUESS, I... WHAT? I DON'T KNOW HOW TO TELL YOU HOW I DID IT. THE WHOLE TIME YOU WERE WORKING ON THE WIRING, I SHOULD'VE BEEN SCARED FOR MY LIFE. BUT ACTUALLY I WAS JUST THINKING ABOUT HOW NICE YOUR HAIR SMELLS. OKAY. YOU KNOW WHAT? WHAT? I WILL NOT WAIT EIGHT DAYS AGAIN FOR YOU TO CALL ME. OKAY. YOU'VE GOT ONE MORE SHOT AT THIS THING, TOM. TWO STRIKES AND YOU'RE OUT. RULE 27. HEY, HOW ABOUT DINNER? I MEAN, WE'RE IN PARIS AND ALL. I'D LOVE TO, BUT I HAVE TO GET BACK TO MY SISTER. NO DINNER THE SAME DAY YOU SAVE A GUY'S LIFE. IS THAT RULE #26? THAT'S NOT A RULE. THAT'S JUST ME NEEDING TO SEE MY SISTER. OKAY. Earlimart's The Little Things # EVERYONE I KNOW # # IS RUNNIN' OFF SOMEWHERE # I'LL CALL YOU. # BUT STILL THE DEEP BLUE SEA # # IT'S RIGHT IN FRONT OF ME # BECCA! HELLO! YOU HERE? I THOUGHT YOU WEREN'T COMING BACK TILL 7:00. WHAT ARE YOU DOING THAT YOU SHOULDN'T BE? IF YOU TELL ME FIRST BEFORE I FIND OUT, I MIGHT NOT FREAK. I'M NOT DOING ANYTHING. BECCA. COME HERE. SURE THIS ISN'T A DIVERSION TO GET YOUR GUY BRENNAN OUT A WINDOW? OH, PLEASE. BRENNAN IS YESTERDAY'S DRAMA. WOW. IT'S WARM. I PUT IT IN THE DRYER. I'M SO SORRY I ASSUMED YOU DID SOMETHING BAD. YOU KNOW, I-I WORRY ABOUT YOU SO MUCH WHEN I'M AWAY. AND I WORRY ABOUT WHETHER I'M DOING THE RIGHT THING. AND I'M JUST SO TIRED. LOOK, I KNOW WHAT YOU'RE GIVING UP FOR ME. FOR US. I AM EXACTLY WHERE I WANT TO BE RIGHT NOW, OKAY? GO TAKE A BATH. YEAH. I THINK I WILL. THANK YOU. # AND EVERYONE I KNOW # # IS RUNNIN' OUT OF LOVE # # OH AND IT'S SO SAD # # IT'S THE ONLY THING WE HAVE # # IT'S THE ONLY THING WE HAVE # # LOVE'S THE ONLY THING WE HAVE # # Captioning by CaptionMax Captions were made with the support of NZ On Air.