Modern society sits at the intersection of two crucial questions: What does it mean when artificial intelligence increasingly governs our liberties? And what are the consequences for the people AI is biased against? When MIT Media Lab researcher Joy Buolamwini discovers that many facial recognition technologies do not accurately detect darker-skinned faces or classify the faces of women, she delves into an investigation of widespread bias in algorithms. As it turns out, artificial intelligence is not neutral, and women are leading the charge to ensure our civil rights are protected.

A collection of stories from fishing, commercial and scientific people living near three marine reserves in Northland, New Zealand. The first 'no-take' marine reserve was established more than 35 years ago, and the stories here document first hand the changing attitudes over the years. We hear from fishers, tourist operators, scientists and rangers about why these reserves were set up and how the local communities reacted - and adapted - to them. We hear about the economic, social, recreational, scientific and ecological benefits of marine reserves. And we hear about some of the management issues facing marine reserves and their communities.

"Zane Grey's famous Sea Yarn related by Billy the Bos'n (Leo Curley)"--from secondary title card. Author Zane Grey leads a big-game fishing expedition from his home on Santa Catalina Island, off the California coast, to the South Seas. "Zane Grey, novelist, featured in person on a fishing jaunt into the South Seas on the three-masted schooner Fisherman.... Climax[es] in the landing of a huge fish near the Sandwich islands, weighing more than 1,000 pounds.... One capital incident is the photographing of a group of sperm whales off the Mexican coast, spouting and rolling about in a calm sea. Sportsmen brought a small boat up to within a hundred feet or so of the big creatures, with the lecturer dwelling with good effect on the danger of the situation"--Variety review, Apr. 5, 1932.

An epic tale of strength and seduction! Journey through time to a gloriously extravagant setting of lust, violence, and treachery in this meticulously restored Oscar®-winning* masterpiece from legendary filmmaker Cecil B. DeMille. Starring Hedy Lamarr and Victor Mature in the title roles, Samson and Delilah follows the story of the Bible's legendary strongman and the woman who seduces, then betrays him. Also featuring a young Angela Lansbury in one of her early film roles and eye-popping costumes from acclaimed designer Edith Head, Samson and Delilah was an instant classic that remains an enduring favourite. When strongman Samson rejects the love of the beautiful Philistine woman Delilah, she seeks vengeance that brings horrible consequences they both regret.

The Body as Archive is a documentary film based on research that considers ways in which the dancer's body can be regarded as archive. A few hypotheses are intended as a frame of its research; is the body of a dancer only a repository of forms of usage? Dancers create, accumulate and carry knowledge - where is it stored and what do they explore through their practice? Is it possible to locate kinetic knowledge and understand its connection between subjective vision and objective realisation? How do cultural and social contexts reflect in the body of a dancer? The Body as Archive explores the role of dancer in the preservation of collective knowledge, its transmission and its accessibility.

Examines economics professor and Clinton Administration cabinet member Robert Reich's crusade to expose the problem of income inequality in the United States.

In pre-1911 revolution China, a widow is forced into marriage by her mother-in-law, then is widowed again. The young woman, widowed twice, is seen as a bearer of bad luck and becomes a social outcast, ultimately driven out of the house of her employer at the new year, after which she dies as the result. Based on the short story by the Chinese author Lu Xun.

A girl waiting for the result of a medical examination wanders around Paris thinking she has cancer.

An affectionate spoof of the turmoil that afflicted the motion picture industry in the late 1920s during the change over from silent films to sound.

After witnessing the St. Valentine's Day Massacre, two unemployed musicians disguise themselves as women and join an all-female band in order to evade the Mafia.

When Algernon discovers that his friend, Ernest, has created a fictional brother for whenever he needs a reason to escape dull country life, Algernon poses as the brother, resulting in ever increasing confusion.

Inspired by Boccaccio's novellas, each of the four Boccaccio '70 segments focus on sex, love and seduction in Italy's 1960s, an era of economic growth and major cultural changes. In Renzo e Luciana (Renzo and Luciana) a young couple tries to hide their marriage and the wife’s supposed pregnancy from the draconian rules at their place of employment, which has banned female employees from getting married and having children. Their efforts – both at their shared home (having temporarily moved into her family's crowded apartment), and at work (where they go so far as to pretend not to know each other) – causes pressure to mount on the couple. Their hope is to make it through until they have managed to save some money to move out, and are dependent on Renzo going to night school to become an accountant.

Professor Paul Rishworth - Faculty of Law, The University of Auckland.

Dame Silvia Cartwright - Commissioner, Report of the Cervical Cancer Inquiry; Former Governor-General and Justice of the High Court (via video recording).

Personal reflections on the research programme and the Inquiry from Clare Matheson - Retired secondary school teacher and artist; Patient 'Ruth', and party to the Inquiry.

Sandra Coney - Co-author of the Metro article that precipitated the Cervical Cancer Inquiry.

Phillida Bunkle - Co-author of the Metro article that precipitated the Cervical Cancer Inquiry; Former Alliance MP, Minister and spokesperson on health.

Professor Alastair Campbell - Chen Su Lan Centennial Professor, National University of Singapore; Director, Centre for Biomedical Ethics; Expert witness on medical ethics to the Inquiry.

Professor Charlotte Paul - Department of Preventive and Social Medicine, University of Otago; Medical adviser to the Inquiry.

Ron Paterson - Health and Disability Commissioner.

Perspectives from the medical profession: Dr Ron Jones - Professor of Obstetrics and Gynaecology.

Perspectives from the medical profession: Dr Robin Briant - Physician; Former Chair, Medical Council of New Zealand.

Perspectives from the medical profession: Dr Kenneth Clark - Chief Medical Officer, MidCentral DHB, Immediate past President RANZCOG; Obstetrician and Gynaecologist.

Dr David Collins QC - Solicitor-General; Former Chair, Medical Practitioners Disciplinary Tribunal and Health Practitioners Disciplinary Tribunal; Counsel for Associate Professor Green.

Justice Lowell Goddard - Justice of the High Court of New Zealand; Chair, Independent Police Conduct Authority; Counsel Assisting the Commission.

Brace yourself for Sallah, a film that in 1964 put actor Topol and director Efraim Kishon in the permanent spotlight and made Israel a true contender in world cinema. In 1949, a Middle Eastern Jewish family moves to a settlement camp in Israel, not realising the challenges that lie on the horizon for new immigrants. Sallah, the family patriarch with a permanent scowl, discovers the hard way that Israeli bureaucracy could keep his family out of a permanent home for years - and he vows to fight it… his way. His aversion to hard work and socialist values soon makes him a deviant in the eyes of kibbutz leaders and government officials. Sallah is a sharp and often hilarious satire that became the most successful film in Israeli history. It ran a record nine months in New York theatres, for which it received the New York Film Distributors' Award. It launched the career of Topol, who went on to immortalise the character Tevye in Fiddler on the Roof.

Trade launch video for Max's Sun Classified [animated].

Trade launch video on the nature of the paper and its market and marketing. Includes four television commercials, "It's Gonna be a Brilliant Day".

Self-promotion videotape, including their advertising campaign for United Building Society.

A discussion hosted by the Department of Political Studies during the University of Auckland Open Day covering the topics of the referendum, proportional representation, and the possibility of an upper house or second chamber.

Examines a patient's gait, covering such topics as normal gait cycle and abnornal gait patterns.

A video resource, developed in the late 1990s, accompanies the national curriculum statement for technology for Maori medium learning in primary and secondary schools: Hangarau i roto i te marautanga o Aotearoa.

Student made documentary on teenage pregnancy in New Zealand. Made under the guidance of famous British documentarian Peter Watkins.

A record of the creation of Gisborne's 'Young Nick' statue, erected in 1969 to commemorate the 200th anniversary of Captain Cook's landing. Artist Frank Szirmay provides most of the commentary in the film.

Film of an installation/performance project at Te Henga, near Auckland, on May 12, 1985.

A film produced for the exhibition 'l'Espace Electra' on expatriate New Zealand artist Bill Culbert.

A documentary on Barbara Rose's 1979 exhibition entitled 'American Painting: The Eighties'.

Tracing Church's career from early studies in the Hudson River Valley with the eminent painter Thomas Cole through the years when Church's heroic depictions of the natural wonders of the Americas made him a celebrated landscape painter.

A documentary of Hawaii`s Cultural and artistic revival as island artists seek an appropriate place in contemporary Hawaii for the traditional skills and values of their past.

A video based on a play written by Campbell Smith to accompany the exhibition 'Frances Hodgkins, Later Works', held at the Waikato Museum of Art and History | Te Whare Taonga o Waikato in August/September 1997.

Richard Killeen discusses his work from realism in early painting through to working with abstract shapes. By the late 1970s, he had abandoned canvas and frame altogether — cutting shapes out of aluminium and grouping them in works somewhere between painting and sculpture. Killeen talks about the evolution of his work, his process and inspirations, and the importance of his environment in suburban Epsom.