Start of programme not recorded.

In May 2006 a group of Maori and Pacific island artists exhibited their modern art works at the Cambridge Museum of Anthropology and Archaeology. Artists are: George Nuku, Rosanna Raymond, with curator, Tracey Tawhiao.

1. Film director Geoff Steven takes a Kaleidoscope crew out on the town to give and impression of the changes in arts and entertainment in Auckland at night. -- 2. Stress can build up and affect the body. Dancer and teacher Raewyn Schwalbe uses a method called the 'releasing technique' to help relieve the physical and mental symptoms. The University of Auckland School of Music uses her techniques with the musicians. -- 3. Peter Webb and Denis Cohn give advice on how and where to buy paintings. Pictures jerky in parts from restored original tape.

1. Mirage Films production 'Came a Hot Friday' is on the way to becoming New Zealand's largest film moneymaker. Producer Larry Parr is becoming New Zealand's "money man of the movies". He talks about his start in film making and making "Came a hot Friday". -- 2. Venice Beach in California has an unusual sense of history. It is an eclectic mix of Italian Renaissance and the American Dream and Kerry Fowler explores what makes it so unusual. -- 3. Peter Webb starts a series on Investing in Art. -- 4. Announcement that the production of Kaleidoscope will move to Wellington in 1986

Weekly news and current affairs on the arts from Television New Zealand (TVNZ).

Weekly news and current affairs on the arts from Television New Zealand (TVNZ).

Weekly news and current affairs on the arts from Television New Zealand (TVNZ).

Weekly news and current affairs on the arts from Television New Zealand (TVNZ).

Weekly news and current affairs on the arts from Television New Zealand (TVNZ).

Weekly news and current affairs on the arts from Television New Zealand (TVNZ).

Weekly news and current affairs on the arts from Television New Zealand (TVNZ).

Weekly news and current affairs on the arts from Television New Zealand (TVNZ).

Weekly news and current affairs on the arts from Television New Zealand (TVNZ).

1. The Dance and the Child International (DACI) conference recently held in Auckland recognises that every child regardless of age, race, creed or disability should be able to join into dance. Around the country there are dance classes where some of the tutors are only three or four years older than the children they teach. -- 2 A Vancouver children's theatre company, the Green Thumb Theatre, has been in New Zealand as part of a Pacific tour, producing plays and taking workshops that educationalists and actors thought were rather special. 3. Buying Contemporary Art, getting started as an artist and group collecting. The art collective 'The Future Group' just bought an avant guarde Billy Apple painting. Lawyer Warwick Brown is part of The Prospect Collection and the Forsyth Collection, both started to assist people to start collecting with a lower risk.

Edwina Thorn is a trumpeter and leader of the all female band "Pink Terrace". She is interviewed on her background. Her professional career started a 12 with Max Cryer and the Kids and later she joined Roger Fox and his Big Band and moved into jazz.

New Zealand feminist artist Vivian Lynn is installing a major work - Lamella Asherim- in Studio 8 at the Avalon Television Centre ready for a recording tonight, and a showing in the morning. It involves setting up almost invisible nylon threads and 15 columns all of which need meticulous adjustment. Vivian talks about her work in between working on setting up the installation and working around the studio lighting director, Howard Anderson, trying to light it for television. Vivian also needs to assess what the installation will look like on television, rather than in an exhibition hall. Composer Sue Alexander needs to compose and record a short piece to be played at the recording

A profile of actor Ian Mune and his many contributions to theatre and the entertainment business. He talks about his career, and the films and plays he has been part of.

1. Roger Donaldson, has played an important part in the renaissance of film in New Zealand. He has moved to the USA and gives his views of the Hollywood film industry. -- 2.'Art for All' "20 Years ago Today" and how that record summed up a whole generation and introduced 'pop culture'. This was a new explosion of the arts, and it requires marketing to make the them successful. -- 3. Elephants, of corrugated iron, and other animals have found their way to Albert Park in Auckland. Creator Geoff Thompson, who made his name with quirky letterboxes, talks about creating the extraordinary out of the very ordinary.

1. Wellington print and paper artist Kate Coolahan talks about her work and about saying things to women across time, and when great change is taking place. only 30 minutes of the programme recorded.

1. A large group of new designers have entered the field of furniture design in New Zealand recently. Auckland designer Carin Wilson has been a key figure in this and reports on the exhibitions he has attended and the furniture displayed. Carin's own work includes "The Royal Pain in the Arse" chair and he also talks about it's design. -- 2. Debate around the Wellington City Council "Arts bonus Scheme", and who benefits - the developer or the city?

Compilation from several previous programmes on prints and printmakers. 1. It covers the history of printing, and printing in New Zealand, including the early printmakers of the Quoin Club and the father of New Zealand art printing, E Mervyn Taylor. The different techniques used are demonstrated by John Drawbridge who talks about their origins and the work produced. Rodney Fumpston talks about the inspiration from his garden. -- 2. There are various reasons an artist decides to use a print to express an idea and painter Pat Hanley thinks the advantage of prints is both their graphic qualities and that a lot of people can have them. Printmaker Mervyn Williams can make the decision of whether to print or paint by convenience of getting an idea on paper. -- 3. The process of lithography is laborious and Katherine Shine demonstrates the steps involved. Brian James specialises in wood block printing. -- 4. Kate Coolahan makes her own paper and demonstrates the process. Stanley Palmer is one of the few printmakers who makes his own ink. Carol Shepherd makes what she calls 'assemblages', compositions based around an traditional etching. Paul Hartigan uses colour photocopy machines to create his works - but isn't that just reproduction? -- 5. The programme discusses how printmakers get around the problem of owning printing machines, and the specialist galleries, like Ginko Studios in Christchurch are being set up to help them, and market their work. Architect Ron Sang has designed a studio for printer Malcolm Waugh so his work and that of others can be produced, framed and displayed for sale. Portfolio Gallery in Auckland is also selling prints widely. But, machinery is not always needed and Harold Coop prints by hand, or feet.

1. Jazz, and Wellington group Six Volts, who play the music of the 1920's and 1930's, are recording at Crescendo Studios. Their recording will be released under the Braille Records label collective, all experimental. -- 2. After 25 Years of living in Britain poet Kevin Ireland has returned to New Zealand. His work is about New Zealand with his nine published volumes winning many awards. He talks about his work, the influence of places and people and reads several of his poems.

In the final programme for the year Kaleidoscope visits five performing arts schools to see students at the beginning of their careers and a potential life in the performing arts: NZ Drama School; NZ School of Dance; Schola Musica; Royal NZ Ballet School, and the Wellington Polytechnic. A group of 13 young artists are followed as they study for a career in the performing arts. It asks why they wanted to go ahead and try for an arts career. In five years time the programme hopes to talk to them all again to see what happened. Sam Konise - violinist; Anita Schwab - jazz pianist; Paul Craven - Theatre technician; Helen Winchester - Dancer; Anita Bryan - Dancer; Paul Whelan - Singer; Mia Van Den Eykel - Singer; Campbel Smith - Singer; Graeme Cosslett - Pianist; Sarah Preece - Actor; Martin Csokas - Actor; Brendan Meek - Dancer; Mecaela Baird - Dancer

1. Christchurch architect Peter Bevan has been the inspiration for a generation of new architects. He has come back from an extended period overseas and goes around Wellington to look at, and comment on new architecture there. -- 2. A new dance work "Dead Ballerinas" has been choreographed by Paul Jenden and performed by him and his partner Loius Solino. It uses males as ballerinas, beginning as if it were a send up but turning into something really different. -- 3. The judge for the Fletcher Brownbuilt pottery awards this year is Maria Kuczynska and she talks about the works which have won awards.

1. ANZART '85 is a 10 day festival of "off the wall" art and a trans-Tasman gathering of artists covering new art forms; performance, electronics and experimental. -- 2. Embroidering History in Masterton and the local history wall hanging made for the Masterton library. -- 3. Artist and printmaker Carol Shepheard has been given a six week residency with disabled young people getting them involved in art, and which benefited her work as well.

1. Auckland is having a building boom with a record number of sites having been cleared and now under construction. But there seems to be little control over the environmental of aesthetic qualities. This programme looks at the effects of demolition and new building, with the criticisms, and suggestions for what should be done. High Rise, or High Risk? Participants are: Peter Bromhead (Interior Designer); Vern Warren (Director of Planning, Auckland City Council); Harold Goodman (Chairman, Planning Committe, Auckland City Council); Colin Graham (Property Manager, AMP); Seph Glew (Property Manager, Chase Corporation); John Whitehead (Managing Director, Mainzeal); Jim Hart (Property Manager, NZI Investments); Ian Carter (Sociologist); Ollie Newland (Businessman); Ivan Mercep (Architect); Professor Bartlett (Architecture School); Mike Prichard (School of Town Planning). -- 2. Composer Andrew LLoyd Weber's "Requiem" album, released this month in New Zealand, has already made the charts the world over. The track "Pie Jesu' has a video to go with it. It was made as a tribute to the Sussex Rescue Service and their work at the time of the Brighton Hotel bombing. -- 3. New Zealand composer Jack Body's "Little Elegies" was commissioned by Television New Zealand for its 25th birthday.

1. Playwright Roger Hall is the most successful playwright New Zealand has produced, constantly breaking box office records. He talks about his plays and musicals, and the challenges of being popular.

William (Bill) Southgate is one of the best known musicians and conductors in New Zealand and has introduced classical music to a wide audience. He has just conducted his own symphony with the New Zealand Symphony Orchestra. He talks about his life, and music.

Duplicate of VL_90089_03

Rangimarie Hetet and her daughter, Rangituatahi Te Kanawa, of Ngāti Maniapoto, talk to Tilly Reedy and demonstrate their skills as they gather and prepare harakeke for work on piupiu, korowai and tāniko border. Other women are instructed in the weaver's craft. Rangimarie and Rangituatahi discuss the innovations and changes which have influenced their art.

Documentary television programme about Staffordshire ceramic artists Clarice Cliff, Susie Cooper and Charlotte Rhead. Originally broadcast as four episodes on Channel Four Television in the UK. Describes the career of Charlotte Rhead, who came from a famous family of designers and who perfected the technique of tube-lining. Mary Harper recalls her working days as a painter for Charlotte Rhead. Looks at the work of Clarice Cliff, and highlights the role of the art school system in the potteries with particular reference to the Burslem School of Art, Stoke-on-Trent. A reunion was held for the women who worked with Clarice Cliff, many of whom had not met since their working days in the 1920s and 1930s. Looks at the women who worked for Clarice Cliff, including Peggy Davies who later became famous for her work as a modeller of Royal Doulton figures. Susie Cooper still works as a design consultant for Wedgewood. Many years ago she set up her own factory to produce ware with a fitness for function, in which shape and decoration grew logically from each other. She also adapted and developed new techniques for decoration such as aerographing and graffito.

Every Saturday after the Midday news, Julian Wilcox talks to Māori throughout Aotearoa, from sports legends, to business leaders, to artists and community advocates. Māpuna acknowledges those who are beloved and respected within their communities. 'He māpuna e arohatia ana, e kaingāukautia ana.' Producer - Tama Muru.

We journey to Turanga-nui-a-kiwa, Gisborne, to visit artists Henare Brooking, Maia Gibbs, Cody Hollis, and Poutu Puketapu of Toi Ake.

Finally, we land in Rotorua, at Moko 101. Artists Hohua Mohi, Te Wehi Preston, and Tawhanga Rika discuss the establishment of Moko Ora and the rationale behind this kaupapa.

Travel with us to the deep south to Tuatahi Creatives in Tāhuna to visit artists Tamararo Raihania, Renata Karena and Jay Wiremu Davis.

We traverse to Kulture Ink situated Tāmaki Makaurau to meet with artists Trevor Teau, Te Kanawa Ngarotata, and Jordan Clarke.

Aute explores the importance of preserving indigenous rituals and maintaining a harmonious relationship between land and tangata whenua.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.

A topical and provocative weekly arts series investigating the issues facing local arts and culture, from emerging talent to cultural icons, including all the regions and national institutions. Studio interviews, reports from the field, and a late deadline ensure each weeks show is as topical as possible.